It is in the Can Bag


Dan Rose TV-Bay Magazine
Read ezine online
by Dan Rose
Issue 94 - October 2014

As a freelance cameraman/director, like every one else, I'm always looking for that money shot! And some times it's a ground shot or a maybe a moving shot from a vehicle window. The lower shots can be hard to keep stable using your hands, and I don't really want to put my cameras on a wet or stony surface, well there are a few methods, one way is to have a rolled up jumper! Not very pro-looking, or there is a very pro-looking way with a v-shaped saddle pod bag from Standbagsdirect.co.uk

This is a durable, wear-proof and smart looking v-shaped multi use saddle pod bag, which comes pre-filled and ready to use. With the v-shaped cut out facing down this is perfect to place over an open window of a vehicle giving the operator a nice big surface upon which to place a camera, be it a full sized shoulder mounted camera, handheld obs doc camera like the canon xf305 or similar or even a DLSR like a 7D, the camera can be placed on top to give you nice stable shots or maybe a resting area for your arms and/or elbows to get that more creative shot that the editors are always screaming for!

Now that's just in the V down position, with the V up and the flat side on the deck this versatile bag offers even more, perhaps you want a low down locked off shot, and you don't own baby legs. This is perfect to place your camera in between the v-shaped cut out, the cut out cradles and holds the camera and/or lens perfectly in the position that you need. It's light weight and rugged enough just to throw in the back of your wagon. It's super quick to set up and it also makes a nice pillow for long journeys.

Self opp-ing has also been an issue when it comes to the amount of kit we have to carry around and nowadays we have to be so careful about health and safety in the work place and locations; booms and tripods are always getting kicked, bumped in to and knocked over. To have a large tungsten lamp head come smashing down hurts in a number of ways, the pocket, for when the lamp goes pop and if it hits someone on the way down, I suppose it would hurt them as well! There is a solution. You could put a bag of leads at the base of your tripod, but that looks naff, or you could get a Sand Bag! I've looked around on the web and I've seen a few bags for sale, but none as good as those from StandbagsDirect.co.uk. I ordered one to see what it was like and it was delivered super quick. It's made from a heavy duty wear-proof material. Each side of the bag will comfortably take 5lb of sand (so that's 10lb per bag), and more if required. It is secured by a double zip so it can't escape and get all over your kit. So now I have safe and stable tripods, which leads me neatly on to another one of their products, the Boom Bag!

A simple but effective counter balance for a boom on a tripod, once you have your boom out full with a 416 on the end it can get a little front heavy. Place up to 4 x 500ml water bottles in the pockets of the boom bag, then slide over the end of the boom, job done. No need to have sand with you, just get some water from the garage and you're away! Another safe and stable tripod where ever you are filming.


Tags: iss094 | Stand Bags Direct | Dan Rose
Contributing Author Dan Rose

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Articles
21st Century Technology for 20th Century Content
James Hall A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners have their cake and eat it?
Tags: iss135 | legacy | digitising | digitizing | archive | James Hall
Contributing Author James Hall Click to read or download PDF
Test, Measurement and Standards
Alan Wheable The Alliance for IP Media Solutions (AIMS), is a non-profit trade alliance that fosters the adoption of one set of common, ubiquitous, standards-based protocols for interoperability over IP in the media and entertainment, and professional audio/video industries.
Tags: iss135 | omnitek | aims | SNMP | hdr | ai | Alan Wheable
Contributing Author Alan Wheable Click to read or download PDF
Future proofing post production storage
Josh Goldenhar Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynamically and dramatically accelerates data delivery.
Tags: iss135 | nvme | sas | sata | it | storage | post production | Josh Goldenhar
Contributing Author Josh Goldenhar Click to read or download PDF
The making of The Heist
Tom Hutchings Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers.
Tags: iss135 | liveu | heist | streaming | cellular | mobile | connectivity | Tom Hutchings
Contributing Author Tom Hutchings Click to read or download PDF
Grading BBC Sounds
Simone Grattarola

The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus. 

BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists.

BBC Creative, the broadcaster’s in-house creative division, took the brief to agency Riff Raff Films and Megaforce directing duo of Charles Brisgand and Raphaël Rodriguez who in turn brought on board regular collaborators Time Based Arts.

Tags: iss135 | bbc | grading | bbc sounds | davinici | resolve | blackmagic | editing | Simone Grattarola
Contributing Author Simone Grattarola Click to read or download PDF