Live Remote Production Over IP


John Smith -new TV-Bay Magazine
Read ezine online
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As broadcasters migrate to a more ubiquitous IP transport and switching network infrastructure, a key benefit is that the variable expenditures of remote on-site live productions can be dramatically reduced, as it is no longer necessary to carry the high field costs associated with these activities. The broadcast studio can now be seamlessly connected to the remote venue via burgeoning fibre networks as if both were in adjacent rooms, meaning less resources and kit on-site, with production located back at home base. The term "leave the truck at home" may be an appropriate description.

Up until recently, remote production over IP has been difficult due to the lack of last mile bandwidth to the venues, however, this is changing rapidly. Carriers have made significant in-roads to improving connectivity and fibre now connects most of our towns and cities, including our stadiums.

This infrastructure in combination with Media Links' MD8000 solution, which enables high quality video, audio and data to be transported either uncompressed or compressed using JPEG2000 now makes remote production over IP a reality. Based on the customer's available bandwidth, the bit rate can be adjusted on each of the required streams - with an end-to-end latency under 100ms to move content from the venue to the production studios and back to the venue. The encoding process enables lower bit rates while also maintaining pristine image quality and reducing the amount of bandwidth consumed across the network. Hitless switching for video, audio and data is ensured through two identical output streams routed over separate paths to a single destination, where any errors on one stream are avoided by immediately switching to the other, preventing packet loss during event and production.

In reality, this kind of workflow can enable significant costs to be saved on shipping technology and sending staff to numerous venues in different countries and continents. It is this model that was recently used to supply coverage of ski jumping, alpine skiing and biathlon from various remote locations for live transmission by two prominent broadcasters based in Germany and Austria.

Working with our partner VIDI GmbH, Media Links' MD8000 IP transport solutions and a network monitoring system were supplied to enable the transmission of this year's winter sports coverage in Germany. VIDI provided a small OB van equipped with an MD8000 and fibre capacity was arranged from the various remote winter sport event locations to the broadcasters' studios. An MD8000 was also installed at each studio.

This configuration enabled the production crews to capture their own content from the competitions. The OB engineer received the separate live HD streams while Media Links' MD8000 enabled the transport of the content over the fibre networks to the studios in Germany and Austria for live transmission. The MD8000 also provides a return path for signals including data and file transfer. The result was seamless live remote production over IP.

More information about Media Links as well as its MD8000 media over IP transport solution at: www.medialinks.com.


Tags: iss123 | medialinks | ip | remote production | John Smith -new
Submitted by John Smith -new Read this article in the tv-bay digital magazine
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Welcome to the world of filming The Island with Bear Grylls
Paul Scurrell How do you make a polished television show worthy of broadcast on Channel 4 when the camera operators are starving, dehydrated and sleep deprived? Most of them also have no previous experience of professional filming and are more concerned with finding their next meal than making sure they've got their cameras switched on ready to record. Welcome to the world of filming The Island with Bear Grylls.
Tags: iss124 | bear grylls | channel 4 | gopro | timecode | sync | Paul Scurrell
Submitted by Paul Scurrell Read this article in the tv-bay digital magazine
Mr MXF does Vegas
Bruce Devlin - new For quarter of a century I have been boarding planes to Las Vegas every April and the thing I look forward to most is the Sunday morning cycle from the Strip up to the top of Red Rock Canyon to look back down upon Vegas. From up there, you get a sense of perspective of how alien the city stuck in the desert really is.
Tags: iss124 | nab | mrmxf | cloud | ptp | imf | ip | Bruce Devlin - new
Submitted by Bruce Devlin - new Read this article in the tv-bay digital magazine
Designing the correct workflow
Harry Smith Last year I took a year-long placement as a video editing support technician. The role exposed me to the common issues that students run into when editing their projects, and I developed an understanding as to why they might struggle understanding the complexities of video workflow.
Tags: iss124 | portsmouth | tvfutures | ccitv | post production | Harry Smith
Submitted by Harry Smith Read this article in the tv-bay digital magazine
Controlling the Chaos of Remote Uplinks
Roger Franklin For Satellite Broadcasters, consumer needs have never been so varied. Audiences are increasingly accustomed to personalisation in every type of content they consume. They now demand, or rather expect to receive breaking news from a scene, content specific to their regions and access to live sporting events held thousands of miles away.
Tags: iss124 | uplink | satellite broadcast | crystal | Roger Franklin
Submitted by Roger Franklin Read this article in the tv-bay digital magazine
Why is drone training even an option
Tim Bearder It's fair to say that one of the most disruptive, liberating and inventive technological advances for independent filmmakers in recent years has been the incredible leaps made in the world of Drones.
Tags: iss124 | caa | drone | drone training | drone academy | Tim Bearder
Submitted by Tim Bearder Read this article in the tv-bay digital magazine
The Masters of Dirt - Extreme Production
Rian Bester On 22nd April 2017 Inside the Masters of Dirt, the world's wildest unscripted motocross reality series, will launch exclusively on INSIGHT TV in 4K UHD. Produced by Masters Of Dirt (M.O.D) and XTreme Video, the series follows the adrenaline-addicted crew that produces the popular freestyle motocross arena show of the same name.
Tags: iss124 | insight | masters of dirt | motocross | freestyle | fs700 | sony fs700 | 4k | uhd | Rian Bester
Submitted by Rian Bester Read this article in the tv-bay digital magazine
Thinking clearly about the cloud
Chris Steel 2 As someone who is constantly trying to build better products, I'm always asking questions and listening to the ones I get asked. For several years now I've asked every broadcaster and media production company I've met what they plan to do about 'the cloud'
Tags: iss124 | cloud | marquis | archive | network | Chris Steel 2
Submitted by Chris Steel 2 Read this article in the tv-bay digital magazine
Modernizing the Cutting Edge
Myles Carter - new Over the last decade, streaming as a medium has seen tremendous growth. Services like Netflix, Hulu, and Amazon Video are no longer just post-hoc distributors of broadcast television content, they have become content creators and are producing some of the most well received "television" content of the past few years.
Tags: iss124 | matrox | ip | h.264 | h.265 | streaming | Myles Carter - new
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Dick brings out his cutting room scales
Dick Hobbs - new At this time of year, in the run-up to NAB, my in-box is even more filled than usual with press releases craving my attention. It is one of the universal truths so unloved by PR people that the sheer weight of numbers threatens to overwhelm.
Tags: iss124 | cutting room | nab | kpmp | dick hobbs | Dick Hobbs - new
Submitted by Dick Hobbs - new Read this article in the tv-bay digital magazine
You need wave power if you are going surfing
Tim Bonython Tim Bonython's association with surfing films began in 1978, when armed with a Super-8 camera he set off to Hawaii's infamous North Shore, to capture the big waves and their riders. From that moment he fell in love with the sport, and became obsessed with making it the subject of breathtaking and inspiring films.
Tags: iss124 | surfing | red scarlet weapon | red brick | pag | battery | paglink system | 153wh | Tim Bonython
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DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed
Rebecca Goodeve - new Blackmagic's new, more affordable control surface for professionals is probably the most perfect panel I've ever used......
Tags: iss123 | blackmagic design | minipanel | davinci | grading | Rebecca Goodeve - new
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New workflows floating on the horizon
Lee Sheppard - new The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and easily.
Tags: iss123 | mam | pam | sgl | Avid | Grass Valley | Marquis | SAM | VSN | CatDV | Lee Sheppard - new
Submitted by Lee Sheppard - new Read this article in the tv-bay digital magazine