Living LIVE at BVE with Ross Video


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KitPlus’ Jon Pratchett chats to Stuart Russell, Ross Video, in the BVE studio. Covering customer partnerships and loyalty, pain points, growth, industry trends, pace of IP adoption, 12g SDI technologies, UHD / HDR, 8k, AI and we try to get a hint of new products on the horizon...

Well I’m here at BVE with Stuart Russel. Stuart, is Ross Video a bit of an endangered species really; this is a family owned company…

I wouldn’t say we’re an endangered species but we’re an increasingly rare breed in the industry. I think there are certain benefits we get from that situation. I’ve noticed over the last couple of years especially that customers are really looking for a different kind of relationship, it’s much more of a partnership and focusing on a deeper understanding of the problems and pain points customers have. We are quite uniquely placed to have that quality of relationship with our customers by virtue that we are a privately owned company. David Ross posted on LinkedIn recently about the fact that Ross has only ever had two CEO’s in the company’s history and the point he was making is that we are in this for the long game. So many companies, because they are companies and not charities, are still driven by quarter to quarter thinking and we have that great advantage of being able to look much further down the road and to plan products that we’re going to make and develop those relationships we have with our customers.”

We tend to meet up throughout the year at BVE, NAB and IBC, how was 2018 for you?

Generally speaking, we were in an incredibly fortunate situation last year, it was a fantastic year for us and we’re certainly not taking that for granted. In EMEA, the company grew by 27%, with healthy overall global growth meaning that we’ve now had 27 years of consecutive growth. On average its been about 17% every year so, again, we’re starting from different base lines in different parts of the world, and I always make the point that outside of North America we’re not as well-known as we would like to be, but we’re trying to go out to the market with some very positive messages and I think people are picking up on that. We managed to win some important business last year around the world with some very well-known customer names. I think when we do take on new customers at Ross, we don’t tend to lose many and that’s a testament to the quality of tech support and customer service that we give them. So last year was fantastic.

Ross have been around for a while, you get involved in lots of different areas. What sort of trends have you noticed recently in this industry?

I think one of the things I’ve noticed over the past couple of years is the pace of IP adoption certainly has been speeding up, but generally IP hasn’t really hit the market in the way a lot of commentators sugges. I’m talking globally here, I understand in North America and in some parts of Europe there has been a move towards IP and some large broadcasters have been mandated to make that shift, but in the rest of the world IP options aren’t as far along. The rate of adoption of other complimentary technologies like 12g SDI for example has been increasing even faster. So I think we’re seeing a healthy outbreak of fragmentism as customers really begin to get a good understanding of what a move to IP involves and they maybe think, hang on a minute are we quite ready for that yet in terms of the changes of the structure that are required and the tolerance for risk that we may have to have. As a business we were very early champions of 12g SDI technology and I think a lot of people have shown interest in that as it is a very cost effective path which still gives you access to a lot of efficiency’s. In terms of other technologies and trneds then there’s the on-going discussion around UHD and HDR, and although we’re not being luddite about it but I’m not entirely sure the customer appetite for 8K is there yet. It might be an even longer-term proposition that some of the commentators are talking about now, but that’s the thing about this industry, there’s always something new coming along and new technology.”

So looking forward, if you had to pick one what would you say is your theme for 2019?

Well we started talking this year about high impact and high efficiency production and we’ve had a number of different conversations with customers recently where the themes of value and efficiency have bubbled up to the surface very quickly. This is something our senior management came up with towards the end of last year and I like the idea of being able to go out into the market with a very simple message, it doesn’t matter your size or your scale, it doesn’t matter what type of content you are producing, ROSS can help you to deliver the high impact and efficiency that you want because value is important. We’re all having to do more with less in the industry and we’re all seeking to get as many efficiencies as we can so a focus on how we can really improve efficiencies and save money along the way as well as keeping peoples blood pressure down at a certain level are key! One of our customers said something quite compelling, they said they wanted to get more live content back into their schedule because live is the fun and exciting end of the market but the concern was the cost. Live tends to be more costly and can be unpredictable as well and he said one of the reasons he has enjoyed working with us so much is that we have enabled him to get more live content into the schedule, but very cost effectively, he’s being more creative but not having to spend more money and then the end result is better to look at.

Well we are here at BVE and there is a lot of kit around us, Ross have a massive portfolio! Anything new and exciting we can look forward to?

I always have to take a very deep breath before we get to NAB. I think last year the senior management team were trying to kill me because we went into NAB with I think about 16 new products and it was about 11 or12 for IBC, we’re trying to stretch things out a little bit and balance the new product introductions and we launched a very important product at last year at CABSAT and I think we may well have a couple of interesting things to unveil, but the only thing I can say for certain is that there will be a lot of stuff from us, there always is and a lot of that will be brand new. I have a working list in my head, which I won’t share with you now but we were 28/29 products over the course of last year, I don’t see any reason why it would be less this year.


Tags: iss136 | ross video | 12g sdi | uhd | hdr | ip | bve 2019 | bvexpo | Jon Pratchett
Contributing Author Jon Pratchett

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Contributing Author Tom Knowles Click to read or download PDF
Post Production - Keeping Track
Alex Macleod One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to work from, but also where you file them away in your project once imported.
Tags: iss139 | premiere pro | editing | shotputpro | post haste | Alex Macleod
Contributing Author Alex Macleod Click to read or download PDF
The LED Lighting Revolution
Neil Vann Back in April 2019, the National Association of Broadcasters hosted the annual NAB show in Las Vegas where over 90,000 people from more than 160 countries came to see the latest broadcast technology from around the world. Honouring the highlights of the show were NAB’s 2019 Product of the Year awards, where the newly launched Chroma-Q Space Force onebytwo – a bright, tuneable white LED softlight with a high CRI, TLCI and TM-30 - picked up one of these prestigious awards in the lighting category.
Tags: iss139 | ac-ent | led | lighting | chroma-q space | softlight | studio force phosphor | Neil Vann
Contributing Author Neil Vann Click to read or download PDF
Increasing Diversity in the UK Indie Market
Sam Addo

London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table.

“Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from ethnic minorities remain underrepresented on screen. For example, it is rare to find a film where the lead character has a disabil ity, and that underrepresentation is worrying.”

Tags: iss139 | cards on the table | feature | diversity | blackmagic | ursa mini pro 4.6k | lut | davinci resolve | Sam Addo
Contributing Author Sam Addo Click to read or download PDF
Why MADI is Still Relevant
Stephen Brownsill While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape.
Tags: iss139 | madi | tsl products | aes10 | aes | dolby atmos | st-2110 | sam-q | Stephen Brownsill
Contributing Author Stephen Brownsill Click to read or download PDF