Monitoring Q & A


TV-Bay Magazine
Read ezine online
Issue 107 - November 2015
 

 
 
 

What elements of modern console technology has made a large impact on your craft?

Rob Wolifson: Historically, shows were set up differently, you had more time to prepare. For example, if a show was on at noon in one studio, the breakfast show would be done in a different studio, so transitioning from one show to the next was fairly easy.

We dont have that luxury anymore, these shows are done in one studio, back to back. Whereas before we had to use lots of patch cords and make manual connections to go from one show to the next and then continue to patch throughout the show now we can recall templates at the push of a button. You can get things done quickly and still maintain quality and reliability. Thats a huge gain.

Michael Couto: A board thats designed for the job I do is critical. My focus is always on the integrity of the broadcast, and the ability to react fast to a breaking story is a big part of that. Once were on the air I dont have time to scroll through menus to solve a problem. With the Artemis in particular, Ive got everything I need laid out in front of me. Its tactile and immediately in sight, just the way I need it.

Everyone who works in broadcast audio has one thing in common: a need to easily access critical functionality, and to do it fast.

Tony Williams: Calrecs built in automixer has been a godsend for shows like Question of Sport where its a free for all between the host and teams, whose dynamics can range from a whisper to a scream at the drop of a hat! There is no audio dub, so having this feature helps free up fingers and cleans the general mix without too much coloration between open channels.

The ability to use variable delays on multitrack outputs is also useful. Ive used this to supply clean feeds to a multi-channel Skype setup thats prevalent on many shows. Combining these and the automixer facility virtually eliminates the awkward audio dips from contributors on the incoming Skype lines when they talk over each other. We were able to have 16 channels of Skype interaction without any noticeable dropout!

Michael Abbott: File management is important. I am fortunate to work almost exclusively on Calrec consoles. I use the offline editor for the Alpha series desks and this capability allows me to arrive on a production ESU with a snapshot that has the majority of programming already done.

I use the GPI options for triggering fade in/out of camera mics and play-out of SFX. Plug-in servers have given me a palette of processing that I could only dream of in the past. Snapshot Recall provides for dynamic scene changes. Replay is an important element that allows me to go from live production to post production with a minimum of programming.

Randy Flick: The tight spacing of the faders on Calrec consoles make them easier to use. There are different points in the broadcast where you have to fade some music up, fade another track away, and get rid of something else; four or five fader movements at one time. Calrecs tight faders allow that to be done, on one hand sometimes, so thats one thing I love. Others channel strip spacing make that more difficult, and mixers with smaller hands are really at a disadvantage.

I also love the headroom of the console. In sports, you never know where something is going to happen that has a really high SPL (sound pressure level). A handheld guy with a camera mic spins around, and all of a sudden hes shooting the crowd and someones screaming at the mic because their team scored a goal - the console can handle that extra SPL, even if its louder than you guessed it would be!

 
 
 

What differences have come about due to the many ways content is delivered in recent times?

Michael Couto:
NBC News is very much focused on mobile. Presently, however, my mix is geared for a 5.1 television broadcast. There are some folks downstream of us re-purposing content for mobile and the web, and there is no doubt that the way we consume news is changing, be it via the web, social media, or direct to our phones. It is something we will all be dealing with soon.

Andy James:
There is now a huge range of different ways we can now offer content to the audience: online, social media as well as the more traditional methods. This means we need to be able to offer a variety of different formats and mixes to the intended audience. On many sports programmes the viewer can choose the audio mix they want to listen to: full mix, refs mic, clean effects, radio or TV commentary. All these different audio mixes have to be configured, mixed and distributed from the OB, and the number of mix busses available on modern consoles simplifies this. The communications requirements also increase for every destination we need to feed, and audio distribution from site becomes more complicated. This means the role of the OB guarantee engineer is now one of the most demanding at site; they are the real unsung heroes in the OB audio world!

 
 
 
What are the biggest changes have you encountered during your career?

Rob Wolifson: When I started, audio was still done in mono, and we were just experimenting with stereo. To go from mono to stereo was quite something. We didnt have the equipment or knowledge to do it properly at first, so we worked it out as we went along.

Another big change was to 5.1 audio. In our studios, were still honing our surround skills. At first it was fashionable to do everything in surround. Eventually we decided to take our time and get it right, because most of us agree that with surround sound, less is more.

Fred Aldous: I dont think you can narrow it down to a single event. From an audio perspective it was moving from stereo to 5.1. Not only did we need to learn how to mix in 5.1, but we also had to identify the compromise between a 5.1 mix and a stereo downmix that was being derived from the 5.1 mix. At FOX Sports we only deliver 5.1 to the affiliates, they do a downmix for their SD feeds themselves.

Michael Abbott: I started working on the Grammys back in the 1990s, providing the performers with multiple stage mixes, working on a single analogue 40 input / 16 output console. Multi-coloured china-graph grease pencils were my analogue recall! The Grammys today has 10 audio mix positions and another 30 technicians for 20+ live performances that are engineered on a variety of digital consoles. IP-managed data transport has become a mission critical element, requiring the engineers to have IT skillsets.

Randy Flick: Two big changes: moving from analogue to digital, and the move to fibre.
I started mixing on analogue Q2s and S2s. When we moved to Sigma and Alpha digital consoles I realised you can set up one fader and copy and paste the next fifteen down the line instead of setting each one up individually. Thats one thing I love about the transition.

I also like the idea youre using fibre to get audio into the console instead of copper. I covered a lot of golf, and was using long 25 pair cable runs to get the effects mics from the holes, outfield and announcing towers because it was too much to run multi-core cable. It could get very complicated. Plus, in wet conditions everything would sound like it was on fire, crackling away! Incorporating fibre right into the consoles has been a godsend. Sports that cover a lot of area such as racing and the Olympics benefit immensely from fibre operation.

Tony Williams: Fibre technology has come a long way in helping clean up signals gone are the days of earth lifts and frying multicores. The connectivity between systems has become a lot easier, and if planned correctly, patch bays and brasso could become a thing of the past!

The biggest change was the arrival of 5.1, and the compromise to deliver a mix thats also suitable for the majority of viewers listening in mono/stereo.
 
 
 

Tags: iss107 | monitoring | sound engineer | supervisor | head of audio | sky | freelance | industry | questions | q&a | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • The Telos Alliance at IBC 2016

    The Telos Alliance at IBC 2016

  • Wohler at IBC 2016

    Wohler at IBC 2016

  • Apantac monitoring over IP at NAB 2016

    Apantac monitoring over IP at NAB 2016

  • Training and education within the broadcast industry

    Training and education within the broadcast industry

  • Phabrix Qx at IBC 2015

    Phabrix Qx at IBC 2015

  • Phabrix TAG and Rx at IBC 2015

    Phabrix TAG and Rx at IBC 2015

  • NUGEN Audio at BVE 2015

    NUGEN Audio at BVE 2015

  • Phabrix RX series at IBC 2014

    Phabrix RX series at IBC 2014

  • Wohler MPEG Monitoring Series at IBC 2014

    Wohler MPEG Monitoring Series at IBC 2014

  • Volicon Products at IBC 2014

    Volicon Products at IBC 2014

  • Volicon at IBC 2014

    Volicon at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Wohler DPP at BVE 2014

    Wohler DPP at BVE 2014

  • Wohler MPEG Monitoring at BVE 2014

    Wohler MPEG Monitoring at BVE 2014

  • Wohler Technologies on BroadcastShow LIVE at IBC 2013

    Wohler Technologies on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • SMPTE on BroadcastShow LIVE at IBC 2013

    SMPTE on BroadcastShow LIVE at IBC 2013

  • Calrec Callisto at IBC 2013

    Calrec Callisto at IBC 2013

  • Bridge Technologies QoE Monitoring with Mobile Videowall Display at IBC 2013

    Bridge Technologies QoE Monitoring with Mobile Videowall Display at IBC 2013

  • Bridge Technologies PocketProbe App at NAB 2013

    Bridge Technologies PocketProbe App at NAB 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TSL Systems at BVE 2013

    TSL Systems at BVE 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • Oxygen DCT at BVE North 2012

    Oxygen DCT at BVE North 2012

  • RTW at NAB 2012

    RTW at NAB 2012

  • TSL at NAB 2012

    TSL at NAB 2012

  • Qualis at NAB 2012

    Qualis at NAB 2012

  • Digital Nirvana at NAB 2012

    Digital Nirvana at NAB 2012

  • Leader at IBC2011

    Leader at IBC2011

  • Kit Digital at IBC2011

    Kit Digital at IBC2011

  • Murraypro at IBC2011

    Murraypro at IBC2011

  • DK Technology at IBC2011

    DK Technology at IBC2011


Related Shows
  • Sony monitoring at BVE with Den Lennie

    Sony monitoring at BVE with Den Lennie


Articles
What are the challenges of AoIP
Craig Newbury At the setup of a recent Outside Broadcast (OB), I was privy to an attempt to pass a signal across two independent Audio over IP (AoIP) enabled trucks. In an SDI world, this bridge would have been as simple as coupling two BNC cables together, but here the engineers quipped about the additional and sometimes challenging processes of connecting one truck's IP router to the other's. What range, what subnet, what protocol? And so, I was introduced first-hand to some of the practicalities of transitioning from SDI to AoIP within a live production environment.
Tags: iss122 | aoip | madi | wohler | Craig Newbury
Submitted by Craig Newbury Read this article in the tv-bay digital magazine
Dick Hobbs is counting heads
Dick Hobbs. Now I am absolutely not going to get into politics in this column. But as I wrote last month, I am a bit concerned about truth and honesty. As I am sure we all are.
Tags: iss122 | dick hobbs | cnet | neilsen | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
The Future of Bournemouth Air Festival
Georgia Tolley For the past two years I have had the opportunity to present live at the Bournemouth Air Festival (BAF), which, as a Television & Broadcasting student from the University of Portsmouth, was a fantastic way to see first-hand how an outside broadcast works...whilst getting paid!
Tags: iss122 | portsmouth uni | citv | baf | bournemouth air festival | Georgia Tolley
Submitted by Georgia Tolley Read this article in the tv-bay digital magazine
Not all power is created equal
Jose Flores Battery companies are quickly coming to realize that as new technologies continue to emerge, power solutions cannot be a one-size-fits-all commodity. There is no single battery for every situation, but instead a myriad of choices to accommodate even the most complex requirements. Below are five common videographer or photographer scenarios with the corresponding power option that will best fit the situations' needs
Tags: iss122 | power | battery | core | swx | Jose Flores
Submitted by Jose Flores Read this article in the tv-bay digital magazine
Libec TH-X Tripod review
Nick Robbins It is worth highlighting that I am primarily an Editor. Like many of us, over the years I have regularly been involved in the entire creative process in some capacity but increasingly I am asked to go out and film the simpler corporate jobs such as exhibition stands or a 'piece to camera' for YouTube, Vimeo etc. and embedded into the customer's web site. These tend to be the jobs which wouldn't happen at all if the client had to pay for the whole package; camera, sound, director, kit hire, etc.
Tags: iss122 | libec | th-x | tripod | Nick Robbins
Submitted by Nick Robbins Read this article in the tv-bay digital magazine
The now and how of LED Lighting
Tama Berkeljon LED lighting has come a long way from the days when companies like Outsight were ridiculed by major manufacturers at trade shows because, the manufacturers asserted, technology couldn't be entrusted with the requirements of our industry.
Tags: iss122 | led lighting | outsite | cri | tlci | dmx control | Tama Berkeljon
Submitted by Tama Berkeljon Read this article in the tv-bay digital magazine
The Benefits of LED Lighting in Broadcast
Rod Aaron Gammons The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast, media and entertainment industry has gradually grown more accepting of the technology and its benefits.
Tags: iss122 | rotolight | led lighting | celbro studio | bbc | mtv | trt | anova pro | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
Libec HFMP out of the box review
KitPlus Just before we all broke up for Christmas we took delivery of a new 'thing' at KitPlus HQ. Our first reaction was surprise and a little curious as to how it was going to make itself useful. What's the point?
Tags: iss122 | libec | hfmp | monopod | idx | hands free monopod | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
The Transistion in Audio Monitoring
Shane Toven As signal chains have become increasingly complex, the challenges involved in managing and monitoring these paths have multiplied exponentially. Over the past few decades, we've migrated from handling a single channel of content using composite video and analog audio pairs, to elaborate multi-channel facilities routing HD video with embedded audio over SDI or in many cases discrete AES pairs. These audio signals are often a mix of 5.1 and stereo programs and in many cases encoded to or decoded from Dolby at some point in the chain.
Tags: iss122 | aes | ebu r128 | atsc a85 | aes67 | Shane Toven
Submitted by Shane Toven Read this article in the tv-bay digital magazine
Consumer of the shelf technology is coming
Bruce Devlin I had the privilege last week of sitting in a strategy session of the Digital Production Partnership where we were concerned with predicting the future. As Niels Bohr once famously said, "Predictions are really hard - especially when predicting the future". One of the attendees made a comment about camera technology and I instantly thought about the latest greatest and most expensive High Dynamic Range, Wide Colour Gamut, Low Noise, High Sensitivity wonder-device that are being talked about at the technological bleeding edge of the industry.
Tags: iss122 | gopro | cots | class | mrmtf | dpp | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
A transformation in aquisition technology
Malcolm Harland KitPlus spoke with Malcolm Harland of Garland Partners to find out how the requirements and capabilities of acquisition technologies have changed since the early 2000s and what the state of play now is.
Tags: iss122 | garland partners | liveu | lu600 | h.265 | hevc | Malcolm Harland
Submitted by Malcolm Harland Read this article in the tv-bay digital magazine
Polecam user review
Phil Vinter When it comes to filming from above, drones have dominated in recent years. But restrictions on where and when they can be used means there is still a demand for traditional style jibs.
Tags: iss122 | polecam | review | Phil Vinter
Submitted by Phil Vinter Read this article in the tv-bay digital magazine
How to illuminate a better shot
Chuck Edwards LED (Light Emitting Diode) technology built for the general lighting market is designed to meet very different criteria than the critical lighting requirements for image capture. While LEDs may be a suitable lighting option for some photography and videography, critical applications, such as feature film, production requires users to understand the limitations, capabilities and advantages of the many types of LED technologies and fixtures available on the market today.
Tags: iss122 | led | lighting | cct | rpt | remote phosor technology | Chuck Edwards
Submitted by Chuck Edwards Read this article in the tv-bay digital magazine
Smarter Branding
James Gilbert The past decade of multi-channel digital broadcasting has created a paradox. The addition of OTT, VoD and other online services only serves to add to it.
Tags: iss121 | branding | graphics | pixel power | James Gilbert
Submitted by James Gilbert Read this article in the tv-bay digital magazine
Small post houses delivering a big service
Jack Wenzinger In today's fast-paced world of video production, the importance of a well-organized, responsive media asset management system cannot be overstated. After all, time is money, and the more quickly people can find and retrieve the exact content they need, the more quickly they can complete their video projects ¦ and capitalize on the content.
Tags: iss121 | wazee | post | mam | Jack Wenzinger
Submitted by Jack Wenzinger Read this article in the tv-bay digital magazine
Outside the fixed curriculum
Emma Benson If you're wondering whether or not to do some extracurricular work outside of your timetabled course, the answer should always be yes. The more you further your experience and skills the brighter your future will look
Tags: iss121 | citv | portsmouth university | student | Emma Benson
Submitted by Emma Benson Read this article in the tv-bay digital magazine
Assets in the air
Paul Wilkins People everywhere are talking about "the cloud", as if it is somehow something (1) new and (2) intrinsically exciting. It really is neither of those things. In the IT world, software as a service (SaaS) has been around since the 1960's when organisations bought the use of mainframe software on a time-sharing basis.
Tags: iss121 | tmd | cloud | mam | era | coeus | Paul Wilkins
Submitted by Paul Wilkins Read this article in the tv-bay digital magazine
Grading Quantum Break
Juan Ignacio Developed by Remedy Entertainment, published by Microsoft Studios and produced by Lifeboat Productions, the sci-fi game Quantum Break is an interactive and integrated live-action TV show that features actual characters chosen by the players game choices.
Tags: iss121 | grading | quantum vbreak | remedy entertainment | vfx | mistika | Juan Ignacio
Submitted by Juan Ignacio Read this article in the tv-bay digital magazine
Mixing console displays - central to usability
Paul Hooper Since the introduction of assignable controls on mixing consoles, it has been essential to provide sound engineers with a clear picture of what the function and status is of each fader and other associated controls. Consoles can have over 100 faders. To allow the sound operator to keep track of the function of each panel and its current settings, clear, compact displays are needed.
Tags: iss121 | calrec | consoles | Paul Hooper
Submitted by Paul Hooper Read this article in the tv-bay digital magazine
Dick finds the truth out there
Dick Hobbs. The Oxford English Dictionary has determined that its word of the year for 2016 was "post-truth". We'll skip over the fact that it is, clearly, two words.
Tags: iss121 | dick hobbs | michael gove | smpte | fake news | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
Sully - Grading a miracle
Maxine Gervais We all know the story. On 15 January 2009 an Airbus A320 took off from LaGuardia airport in New York, heading for Charlotte. Just a couple of minutes later the plane flew through a flock of Canada geese and blew out both engines. Knowing the risk of crashing into heavily populated areas, Captain Chesley Sullenberger - Sully - aimed for the only long flat surface he could see: the Hudson River.
Tags: iss121 | sully | grading | filmlight | Maxine Gervais
Submitted by Maxine Gervais Read this article in the tv-bay digital magazine
MAM needs to adapt or die
Tim Child The media landscape has shifted dramatically over recent years. Content providers are under increasing pressure to deliver compelling content to multiple platforms. Also, the production and distribution of video is no longer limited to traditional broadcasters, which face rising competition from a range of media providers. We are also seeing a massive increase in video being produced to broadcast quality by companies using it for other purposes, such as marketing, site surveys, internal communications, and a whole host of other applications.
Tags: iss121 | mam | cantemo | hybrid cloud | virtual reality | Tim Child
Submitted by Tim Child Read this article in the tv-bay digital magazine
Mr MXF thinks the future is made of components
Bruce Devlin The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community.
Tags: iss121 | imf | smpte | plugfest | st 2067 | class | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
The secret to global Gogglebox success
Chris Cooper People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. 'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and is being produced in local versions around the world.
Tags: iss121 | forscene | gogglebox | ch4 | kite entertainment | marjan tv | studio lambert | Chris Cooper
Submitted by Chris Cooper Read this article in the tv-bay digital magazine
The future of post production
KitPlus

Love it or hate it, 2016 will certainly be a year to remember, for many reasons.

In the world of post-production, we've seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We've even become stunned spectators as film steadily makes a comeback as a creative medium, and VR goes from tinkerer specific to becoming a fully-fledged consumer technology to buy.

Tags: iss121 | blackmagic design | post production | hdr | rec 709 | rip hamton oneil | simon westland | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Challenges for MAM with varying production types
Jonathan Aroesty Many media asset management platforms are designed to handle the immense number of assets needed for today's fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ability to efficiently organize and manage large amounts of content is required, regardless of the type of production you are working on.
Tags: iss121 | pronology | mam | media asset management | Jonathan Aroesty
Submitted by Jonathan Aroesty Read this article in the tv-bay digital magazine
5 top tips to getting the grade you want
Tom Russell Generally speaking, a grade session can be broken down into two distinct parts - managing the people involved and managing the grade itself. As colourists, we know that unless both of these criteria are satisfied, it is likely that the client will walk away from the project unhappy and not return to us with the next job.
Tags: iss121 | grading | top tips | Tom Russell
Submitted by Tom Russell Read this article in the tv-bay digital magazine
6 Misapprehensions of MAM
Julian Wright Implementing a media management system is considered to be a risky business. The perceived complexity, upheaval and perception of failure can be so daunting that the risk may seem to outweigh the reward. But, like so many business technologies, MAM have been transformed in recent years and it's time to debunk some common MAM myths.
Tags: iss121 | mam | blue lucy | capex | Julian Wright
Submitted by Julian Wright Read this article in the tv-bay digital magazine
Where university meets universe with Tim Peake
Georgia Thirtle If you had told me last year that, going into my second year at the University of Portsmouth, I would have met and interviewed Tim Peake, then I would have probably laughed and said something along the lines of "I wish". Well, turns out I didn't have to wish, because I did just that.
Tags: iss120 | tim peake | education | ccitv | Georgia Thirtle
Submitted by Georgia Thirtle Read this article in the tv-bay digital magazine
You need more damn pixels
Jan Weigner There has obviously been a lot of chatter in recent years about 4K, but is it enough? 8K and beyond is where the excitement lies, but not in the way you might think. 8K and beyond for broadcast, both of which are easily achievable in a software-only, IP environment, may seem a bridge too far for most at the moment, and they're probably right¦for now.
Tags: iss120 | cinegy | 8k | more pixels | vr | Jan Weigner
Submitted by Jan Weigner Read this article in the tv-bay digital magazine
Mr MXF thinks the future is bright
Bruce Devlin I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow.
Tags: iss120 | university | ravensbourne | surrey | class | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Broadcasting virtual reality to the world
Steve Plunkett Following the recent launch of a number of virtual reality (VR) headsets, such as the Oculus Rift and HTC Vive, VR is introducing new and compelling platforms for broadcasters to deliver their content, and new ways for audiences to consume.
Tags: iss120 | virtual reality | vr | ericsson | Steve Plunkett
Submitted by Steve Plunkett Read this article in the tv-bay digital magazine
Health and Safety gone mad
Dick Hobbs. The first true broadcast television service started 80 years ago, on 2 November, 1936. Its home, famously, was Alexandra Palace, a vast and really rather run-down building on top of Muswell Hill in north London. Originally opened in 1873, and re-opened in 1875 after a catastrophic fire, it was built primarily as an entertainment venue. Indeed, it was built as "a palace of the people", a usage of that expression a century or more before most of us associate it.
Tags: iss120 | ally pally | bbc | alexandra palace | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
Live streaming and the power of your own channel
Liam Laminman We've just celebrated 80 years of television. And it's been quite a journey from the birth of television to where we are now.
Tags: iss120 | trickbox | streaming | facebook live | youtube | ota | Liam Laminman
Submitted by Liam Laminman Read this article in the tv-bay digital magazine
Social streaming and broadcast
Craig Moehl We are witnessing a growing trend from broadcasters looking to complement TV content with social streaming. When done well, it can really help increase consumer engagement on a huge scale and we have seen some great examples of it over recent months. At the recent Kit Plus Show, I talked about the marriage between broadcast and social streaming, what works, and what some of our customers have been doing in this arena.
Tags: iss120 | streaming | social media | Craig Moehl
Submitted by Craig Moehl Read this article in the tv-bay digital magazine
Radio cameras bring a live broadcast to life
Tony Valentino Radio cameras bring a live broadcast to life - especially news, sports and studio shows - by their ability to roam around and move in closer to a subject. They capture a more natural spectator's view than a camera that is fixed at one point, and usually get the most intimate shots and the most exciting angles in a production. Today they are indispensable for covering large outdoor events - but if they have a weakness, it is probably the antenna.
Tags: iss120 | bsi | radio camera | ref-cam | wireless | sports | Tony Valentino
Submitted by Tony Valentino Read this article in the tv-bay digital magazine
Trends in IP based broadcast
Glodina Lostanlen The momentum behind moving media operations to IP-based environments is unstoppable and to stay ahead of the competition these days, companies need to be migrating operations away from rigid, single-purpose components and towards software-based common computing resources.
Tags: iss120 | ip broadcast | imagine | cots | SMPTE | AMWA | VSF | EBU | Glodina Lostanlen
Submitted by Glodina Lostanlen Read this article in the tv-bay digital magazine
The world is not flat
David Schleifer The world is all around us. We have a lot of cues that make us aware of how we fit into a 3D space. Many of these cues, senses and reactions are survival instincts. For example, the ability to hear someone walk up behind us, to see movement in our peripheral vision, a sense of how we are oriented when we move our bodies or swivel our head. All of this creates an overwhelming amount of data that we seamlessly interpret as we go around our day getting our morning coffee, driving, walking through crowds, diving into pools, and everything that we as people do in our lives.
Tags: iss120 | vr | 3d | primestream | David Schleifer
Submitted by David Schleifer Read this article in the tv-bay digital magazine
80 years of broadcast and how far we have come
Neil Maycock The BBC delivered its first continual public broadcast 80 years ago, that included coverage of the BBC Television Orchestra and famous musical comedy star Adle Dixon. This was a world first heralding the beginning of continuous broadcasting in the UK and kicking off the broadcast industry's constant search for new ways to improve the accessibility and quality of television content.
Tags: iss120 | sam | snell | bbc | Neil Maycock
Submitted by Neil Maycock Read this article in the tv-bay digital magazine
You can have your OTT and IP IT too
Peter Blanchford It has taken a long time, for a variety of reasons, but the rising tide of pushing mainstream content over IP is now commonplace.
Tags: iss120 | starfish | ip | ott | Peter Blanchford
Submitted by Peter Blanchford Read this article in the tv-bay digital magazine
The eye in the sky
Julian Marks EVENT360 specialises in production and delivery of sport presentation, entertainment and stadium ceremonies, and, as such, we're always looking for new, interesting, and innovative crowd engagement tools.
Tags: iss120 | london 2012 | eye in the sky | herocast | nfl | event360 | Julian Marks
Submitted by Julian Marks Read this article in the tv-bay digital magazine
Diversify or Die
Steffan Hewitt This headline of this article is a simple fact, diversify or die! It is necessary for survival as well as interest of mind to do this within business. "If a farmer can no longer produce crops because no-one wants them he must diversify or die." Caravans, glamping, corporate days in the country with hunting, fishing and shooting; these are just some of the changes that Britain's' farmers have made or they have gone out of business.
Tags: iss120 | polecam | red bull | f1 | Steffan Hewitt
Submitted by Steffan Hewitt Read this article in the tv-bay digital magazine
Top gadgets for 2017
Beth Zarkosh Wow - 2016 - we certainly didn't see you coming. Thankfully, one thing we can reliably see coming in the midst of our increasingly unpredictable futures, are the beautiful range of shiny inventions, gadgets and technological wonderment of the year 2017 - so put today's headlines to one side and enjoy this rare opportunity to take a look at a reliable and bright future.
Tags: iss120 | editors keys | hitfilm 3 express | vr | fire tv | touch bar | a7r | smart watch | Beth Zarkosh
Submitted by Beth Zarkosh Read this article in the tv-bay digital magazine
Smart audio - the way foward for live broadcast production
Anthony Wilkins Today's broadcast facilities are facing ever-increasing demands on their resources as they strive to keep up with consumers who expect more content on more devices, both where and when they want it.
Tags: iss119 | junger | audio | Anthony Wilkins
Submitted by Anthony Wilkins Read this article in the tv-bay digital magazine
Space lights and a man called Bill
Ian Muir The Space Light has become one of those universally used fixtures which inhabit many film sound stages, as well as finding employment within studio-based broadcast productions.
Tags: iss119 | space lights | ac entertainment | benny lee lighting | bill chitty lighting | Ian Muir
Submitted by Ian Muir Read this article in the tv-bay digital magazine
Cause and effect of jitter in an operational IP video network
Paul Robinson What are the advantages of moving to an IP infrastructure?
Tags: iss119 | ip | tektronix | cots | jitter | Paul Robinson
Submitted by Paul Robinson Read this article in the tv-bay digital magazine
Hacking Hell
Dick Hobbs. There was a really scary story in the news a week or two ago. In the words of Yves Bigot, director-general of TV5 Monde, "we were a couple of hours from having the whole station gone for good".
Tags: iss119 | hacking | hackers | dick hobbs | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
Rethinking standards in the media world
Bruce Devlin It's actually a more difficult question than you think. When I ask the majority of engineers this question, I will get a technical answer. It will be something like "to be sure we meet the specification" or "to be sure we don't put bad signals on air" or "so that I don't get fired for getting loudness wrong"
Tags: iss119 | qc | monitoring | mr mxf | class | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
The value of an industry placement
Abbie Smith Do a placement after the second year of your degree they said, it'll be fun they said! You know what, they were right!
Tags: iss119 | tvfutures | placements | student | Abbie Smith
Submitted by Abbie Smith Read this article in the tv-bay digital magazine
A changing media industry
Anupama Anantharaman How is the media industry changing today?
Tags: iss119 | interra | ott | vod | Anupama Anantharaman
Submitted by Anupama Anantharaman Read this article in the tv-bay digital magazine