Articles
The UPs and Downs At NAB with Mr MXF
Bruce Devlin - new "Nothing is finer than the pictures on that monitor", said my colleague as we stood in front of the enormous Sony LED screen showing super bright, super wide HDR pictures that were beautifully shot and carefully presented.
Tags: iss125 | mr mxf | nab | mam | Bruce Devlin - new
Submitted by Bruce Devlin - new Read this article in the tv-bay digital magazine
Mr MXF does Vegas
Bruce Devlin - new For quarter of a century I have been boarding planes to Las Vegas every April and the thing I look forward to most is the Sunday morning cycle from the Strip up to the top of Red Rock Canyon to look back down upon Vegas. From up there, you get a sense of perspective of how alien the city stuck in the desert really is.
Tags: iss124 | nab | mrmxf | cloud | ptp | imf | ip | Bruce Devlin - new
Submitted by Bruce Devlin - new Read this article in the tv-bay digital magazine
Mr Cloud, as much about cashflow balance as technology
Bruce Devlin - new It was an ordinary Tuesday, the last day of February 2017. It was getting late in the day and I was online doing my monthly management accounts and was just finishing the data entry for a very long Invoice when refreshing the expenses Tab on my browser showed this delightful picture.
Tags: iss123 | cloud | mrmxf | aws | amazon web services | Bruce Devlin - new
Submitted by Bruce Devlin - new Read this article in the tv-bay digital magazine
Rethinking standards in the media world
Bruce Devlin It's actually a more difficult question than you think. When I ask the majority of engineers this question, I will get a technical answer. It will be something like "to be sure we meet the specification" or "to be sure we don't put bad signals on air" or "so that I don't get fired for getting loudness wrong"
Tags: iss119 | qc | monitoring | mr mxf | class | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Heading towards brightness regulations
Bruce Devlin I like IBC in the same way that I find NAB grating. Maybe I have been living in the UK for too long, but the bright morning Amsterdam sun breaking through clouds and reflecting off the canal while fit young things on bicycles pedal to college; snapchatting with their friends and avoiding collisions with practised ease has a certain charm. You just don't see that in the after-party morning-after haze of the Las Vegas Strip in the harsh desert sunlight.
Tags: iss118 | class | mr mxf | hdr | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Live streams versus srowing files
Bruce Devlin So, what is the difference between a stream and a file? It may seem like a dumb and obvious question, but it's crucial in the design of many file based workflows and the applications that drive them.
Tags: iss117 | class | streaming | mr mxf | jpeg2000 | mxf | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
OTT - is it over the top or business as usual
Bruce Devlin OTT is a term that is casually bandied about as though everyone knows what it is, but is there really a single definition? Hopefully this little guide will have you speaking the jargon like a native!
Tags: iss115 | ott | over the top | class | mr mxf | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Class: Multi - Channel Audio
Bruce Devlin If you're given a media file and it has 16 channels of audio then life can quickly become the opposite of boring, especially if it has to go to air quickly and the supplier is new. Put simply there are many ways in which the different channels can be laid out in the file, but there isn't a single overall standard for labelling them. Enter SMPTE ST 377-4 - the Multi-Channel Audio Labelling specification (MCA). It's really boring and this is a good thing.
Tags: iss113 | Audio | Media | Multi-Channel Audio | MCA | MXF | GUI | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
The work of five viewers with no transcoders
Randy Mills I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours," National Geographic Channel's "Ultimate Survival Alaska," and MTV's "Are You The One?" I'm also the editor for Theory Studios, an online animation studio that produces short cartoons and VFX. I came up in the industry as a camera operator, but in the past five years I have moved into data management.
Tags: iss111 | tnt | hd-vu2 | xdcam | canon mxf | gopro | Randy Mills
Submitted by Randy Mills Read this article in the tv-bay digital magazine
Object Audio - whats all the noise about
Bruce Devlin We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it.
Tags: iss111 | object audio | dalet | mxf | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
3D for Cinema, ProAV and Events
N/A Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead with the necessary technology for a DCI-compliant player. It was very soon clear that digital cinema technology could sweep aside many of the shortcomings of the film-based 3D presentations, and so open the door to a new 3D era. The digital medium is far more accurate than film could ever be. With no film weave, sparkles, scratches, frame hops or wear, digital cinema delivers, steady, clean, sharp, in-sync presentations that are as good on the 200th run as the first. This is the perfect medium to provide a comfortable and exciting viewing experience for stereoscopic 3D movies.
Tags: iss072 | doremi | 3d | mpeg2 mxf | Digital Cinema Initiatives | dci | N/A
Submitted by N/A Read this article in the tv-bay digital magazine
Taking the pain out of collaborative editing
N/A Broadcast and post-production companies face the daily challenge of delivering more for less both in terms of time and money. Whilst the industry has been quick to embrace the efficiencies of file-based workflows and enhancements in the creative editing process, the reality - for companies of all sizes - is that the effective and secure management of media data remains complex and expensive.
Tags: iss063 | media edit | era | Avid | Apple Final Cut Pro | Adobe Premiere | MXFServer | storage | N/A
Submitted by N/A Read this article in the tv-bay digital magazine
Total Articles: 12 [1-12]