My first BVE


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The problem with Premier Inns, is that they can be quite disorientating. All the rooms are decorated the same, whichever hotel you're in, be it England or Scotland. It is especially confusing just after your alarm goes off, as you're not quite with it and I often struggle to remember where I am, and what I'm supposed to be doing.

To some extent I think this applies to shows. You see the same people, in almost the same stand set up, sometimes talking about the same product. The interviews we do for broadcastshow.com are allocated 15 minute slots, which in reality, usually end up being 10 minutes, when you include getting to the stand. Well, finding the stand. For the majority of the show, I don't really know what day it is. Or what time it is. I probably forget my own name for a bit as well. I just know that we meet a lot of people, and I'm usually always hungry.

This was my first BVE, and the last one that would be at Earls Court. It had a very different atmosphere to the rest of the shows I've been to. It was very friendly and a lot more relaxed. I guess for a lot of people, this is their home show, which helps. Also, it was all in one hall, which made navigating a lot easier! It also meant that our cameraman, Callum (we traded in Simon for a newer model), could have the camera on a dolly for the majority of the videos.

Surprisingly, it wasn't the devastatingly attractive production assistant that got most of the attention, it was the camera itself. This seems to be a recurring theme for the shows. To the extent where people will come up and start touching it and playing with it whilst we're actually filming! And people still walk in front of the camera whilst we're recording, one guy even insisted on staying in frame! It was probably his 'big break' or something.

We were also streaming our videos with Garland Partners and Stream UK. The backpack itself has a little 'teletubbie' screen on the back which gathered a lot of interest. Several times I'd turn around and there'd be a group of people watching it like a TV. Which was funny when our cameraman moved, as they'd shuffle with him! It was great to be able to offer something extra, it generated more interest in what we were doing, and allowed people who couldn't make it to the show to watch it in real time.

I had my trusty tool belt with me, although there were significantly less freebies and sweets around. The credit crunch is a terrible thing. And I usually forget I'm wearing it, which causes some issues, as I'm actually wider than usual with it on. I think I knocked a few things over with it, and couldn't get through some gaps of people! It needs its own warning light or something. Maybe I'll just cover it in hazard tape.

My tweeting also went up a notch, as I was tweeting for both myself, @emmabeanies, and for TV-Bay, @tvbay. As a child of the social networking generation, it’s pretty natural. Although I mainly use twitter for work, and then Facebook for friends and family. Unless it’s a rant about public transport. Argh buses. And the gym, surprisingly. But then the world needs to know about the unacceptable presence of granny midriffs. Maybe I should get a petition going.

I think my favourite thing about shows are the people. I'm beginning to be recognised more, and the people we regularly interview remember my name. There's a community, and I find myself looking forward to seeing certain people again. And to the Jigsaw stand. FREE PICK'N'MIX PEOPLE! And an arcade machine, which I remained unbeaten on. Not that I'm competitive or anything.

As always, I'd love to hear from you, especially if you have any suggestions or comments. Tweet me at @emmabeanies.


Tags: iss063 | bve | exhibitions | N/A
Contributing Author N/A

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Articles
Using Wireless Transmission
Jeremy Benning Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes.
Tags: iss134 | wireless | 4k | transmission | Jeremy Benning
Contributing Author Jeremy Benning Click to read or download PDF
An Epiphany Moment
Peter Savage 2 I had been negotiating the sale of my company and had reached the really hard end of the bargain. We were close to agreeing the final sum after a lot of too-much-give-and-not-enough-take negotiation. The solicitors were calling me, keen for a deal. It had come down to one sticking point and, in my hard ball “I am the Wolf of Wall Street” guise, I wasn’t going to let it go. It would make a value difference of 1.5% on the total outcome. Not much, you might think, but I had already nearly fallen out with the solicitors over their fees and I was giving my advisors an extremely hard time because the corporate adviser couldn’t see how I had already given more than an inch and the buyers were taking more than a mile. I was not going to let them win.
Tags: iss134 | azule | finance | Peter Savage 2
Contributing Author Peter Savage 2 Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
University and Mental Health
Rhiannon Jenkins University study and mental health has been in the media quite a bit over the last year, and I’m sure there are many people wondering what is going on? The issues are complex, and I suppose the focus of employability off the back of a degree course has raised the stress stakes for a lot of young people. I’m only qualified to talk about this from my perspective, and my story began when I joined a course not knowing I had a mental health condition.
Tags: iss134 | portsmouth uni | mental health | student | tvfutures | Rhiannon Jenkins
Contributing Author Rhiannon Jenkins Click to read or download PDF
Protecting the continuity of transmission
Lorna Garrett Your viewers love you. You consistently bring them their preferred channels 24/7. They’ve come to rely on you for their viewing pleasure. They never miss cheering on their beloved sports teams. They’re the envy of their friends as they watch live concerts of their favourite bands. They gather the family around and catch up on their must-see shows. They don’t have a bad word to say about you.
Tags: iss134 | garland | gpl | streaming | artel | disaster recovery | Lorna Garrett
Contributing Author Lorna Garrett Click to read or download PDF