NAB 2009 report


By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were trying to steer the broadcast business. Like it or not, this year's message was loud and clear: 3D HDTV.

The 3D demos came in many varieties, most using a combination of field-frequency switched-polarity screen-shield and nose-worn passive polarising filters. Results were generally good though whether the 3D effect justified the nuisance of wearing the goggles is a matter of personal taste. Other exhibitors used an array of extremely thin vertical lenses to permit direct-view 3D – the 3D postcard concept - while a smaller number such as NHK used a honeycomb of circular lenses.

Opposite NHK, NICT demonstrated various esoteric technologies including electronic holography and haptic (touchable) 3D imaging. The televised object was a metal disc which you could see in 3D, feel with stylus and even push onto its back. Could be useful for pushing in-your-face documentary presenters off screen.

My favourite exhibit was JVC's prototype 2D into 3D real-time electronic processor. Ordinary HD video goes in and pseudo 3D emerges. The design team reasoned that any reasonably large area of blue is probably the sky so can safely be assigned to the background. Similarly a large area of green is probably grass so can equally safely be assigned to the foreground. Yellow is probably neither grass nor sky so can be position to a middle depth layer. All very hit and miss but a nice try. The overall display (a normal flat HD screen with the usual kind of polarising filter) had a strangely concave look to it, as though the screen centre had ballooned inward.

3D apart, there was plenty new in the 2D HD arena if you looked for it.

Camera Corps' Q-Ball HD/SD ultra-compact remote camera made its first ever exhibition appearance. Designed for point-of-view applications, Q-Ball can be chosen to blend in with a wide range of studio set designs or, at the producer's discretion, to add visual excitement of its own. The complete Q-Ball head is smaller in diameter than a Compact Disc incorporates a full HD/SD dual-mode colour camera, high-precision pan and tilt system, 10:1 zoom optics and infra-red night-vision capability, all under remote control. The Q-Ball is fully compatible with all Camera Corps' existing pan/tilt and CCU controllers. Integral low-noise motors allow the camera to be repositioned smoothly between shots or while on-air. Pan and tilt can be operated at any speed from 4 seconds to as slow as 20 minutes per rotation cycle through an unlimited number of turns with no visible stepping. Four channels of embedded audio can be output from the camera interface. The Q-Ball in its current form incorporates a 1/3 inch 2 megapixel 16:9 CMOS sensor delivering 1080i/720p HD or 625/525 SD, both at 50 or 59.94 Hz and in 4:3 or 16:9 aspect ratio. Signal-to-noise ratio is >50 dB. Focus can be controlled manually or automatically. The Q-Ball weighs 1.3 kg including mounting shaft and can be operated at any angle. The camera interface operates from 9 to 18 V DC power supply.

Canon's BU-50H HD remote camera incorporates an indoor pan/tilt head, a 20X zoom lens and a 3 CCD HD imager. Extensive control of the pan-tilt, lens functions and video adjustments are provided. The BU-50H can output an uncompressed HD-SDI (or SD-SDI) signal. Control protocol is non-proprietary.

Fujinon announced the XA50X9.5B ESM HD telephoto lens. Designed for use with 2/3in HD cameras, is has an integral camera support and requires no additional camera lens support. The XA50X9.5B ESM has 50X magnification and a 9.5 mm to 475 mm focal length. A remote control 2X extender is included. Maximum relative aperture is 1.7 from 9.5 mm to 311 mm.

Gekko Technology announced a considerable advance in lighting with the development of 'kleer colour', the world's first adjustable, focusable single source multi-colour light. This uses a single array high-power light-emitting diode which can be tuned under software control to produce millions of different colour temperatures. It is designed to give lighting directors and camera crews unprecedented control of colour temperature and illumination level. Unlike multi-source RGB colour-mix devices, it delivers a broad spectrum of light that can be adjusted by the operator to match a vast array of hues across the visible range. Self-monitoring sensors are paramount to ensure stable colour across a range of output levels as well as correcting changes in performance caused by ambient temperature and component ageing. In addition to primary and intermediate colours, kleer colour can precisely emulate a high quality tungsten reference source. It can be switched quickly and easily to produce 2900K, 3200K, 4300K, 5600K and 6500K as well as a wide range of colour gels. The first luminaire to use Gekko's 'kleer colour' light source is kedo, a focusable spotlight equivalent in output to a 1 kW Fresnel.

Hitachi's new Z-HD5000 is a portable dockable HDTV studio and EFP camera, with native scan in 1080/59.94i or 1080/50i. It is designed for studio, field, and mobile video production. The camera can be docked to an optical fibre, triax, or RF wireless adapter, or a P2 HD recorder for standalone recording. Features include a CCD shutter with five preset speeds; automatic exposure which maintains the video level with a fixed lens F-stop; and the ability to lock scan the camera video to images from asynchronous computer monitors, video walls, or projectors without flicker. It also offers a wide range of set-up features, including: 12-vector and linear matrix masking for hue and saturation levels, skin tone masking and automatic skin tone detail circuits, quick focus, knee saturation and auto knee, grey scale and automatic shading, user-programmable switches, and a choice of black/white or colour viewfinder displays.

In addition to a prototype dual-lens camcorder capturing 3D HD straight to P2 memory cards, Panasonic announced an expanded P2 line. The new E-Series includes 16 Gbyte (model AJ-P2E016X), 32Gbyte (model AJ-P2E032X) and 64 Gbyte (model AJ-P2E064X) cards which are claimed to be good for an average of five years of normal operation. Transfer rates are up to 1.2 Gbit/s. When recorded to once daily at full capacity, the cards are reusable for up to five years; when used at half capacity, the cards will continue to record for up to 10 years. A notification is given (in the camcorder's LCD/viewfinder or the card reader's display) as the card approaches the end of its life cycle. Details of the card's capacity and life can also be displayed and tracked on a computer via downloadable P2 formatter software.

Polecam announced three additions to its range of mobile production equipment. Spanning up to 8 meters, the 7th Heaven jib has the longest reach of any ultra-mobile HD/SD camera support system currently available. Combined with Polecam's FishFace underwater head and housing, you can also shoot deep underwater without getting your feet wet or having to come up for air. The Universal RCP MkIII system provides comprehensive control of up to five different camera types from the one panel via a single highly robust data channel. Lastly, Polecam's Poledoms offer a quick change of jib colour appropriate to the shoot: Arctic White, Desert Camouflage, Fluorescent Orange, Jungle Camouflage and Urban Camouflage.

Sony introduced the SRW-9000 HDCAM SR camcorder. This uses 2/3-inch CCDs with a 14-bit A/D converter and digital signal processing to capture up to 1080/60P images. In standard configuration, the camcorder is capable of 4:2:2 10-bit recording at 1080/23.98P, 24P, 25P, 29.97P, and 1080/50i/59.94i. It can also record 4:2:2 1080/50P/59.94P. The HKSR-9001 option board adds dual-link HD-SDI outputs and an extra input port for connection to external audio. A picture cache board (HKSR-9002) allows the camcorder to capture and record images with variable speed from 1 to 60 fps.

Providing more than twice the processing power than the company's Alpha platform and a channel count that sets a new industry benchmark, Calrec's Apollo audio desk Bluefin2, the next generation of Bluefin HDSP, which provides unrivalled resources at multiple sample rates. At 48kHz Bluefin2 provides Apollo with 1020 channel processing paths, 128 program busses, 96 IFB/Track outputs and 48 auxiliaries. At 96kHz, Apollo provides 510 channel processing paths, 64 program buses, 48 IFB/Track outputs and 24 auxiliaries.
Apollo also has a second dynamics section in each channel, more than 70 minutes of assignable delay and three independent APFL systems for multiple operator use. The Apollo control surface manages all these channels over 12 layers and on up to 320 physical faders. In addition, the Calrec A/B path selection system is retained for those users who wish to use the desk in a similar manner as Calrec’s Alpha platform products. Layers and the A/B path system can be disabled if not required.

Jnger Audio exhibited new additions to its C8000 system which is designed for managing Dolby 5.1 audio and Dolby-coded streaming. It is designed to adjust the level from any source at any time, with no pumping, breathing or distortion. It is based on a simultaneous combination of an AGC, a transient processor for fast changes and a look-ahead peak limiter for continuous unattended control of any programme material, regardless of its original source.

Sonifex' Redbox RB-DSD1 digital silence detection unit operates in a similar way to the existing RB-SD1 but has AES/EBU, S/PDIF and TOSlink inputs and outputs instead of analogue inputs and output respectively. Designed to switch from one input to another in the event of loss of audio, the unit is suitable for transmitter sites, or after the master output of a studio, to switch in another audio source, or simultaneous broadcast, should a master source fail. Sample rate converters on each input mean that sources of different sample rates can be used with the output sample rate being defined independently.

Tascam's DR-100 handheld solid-state audio recorder offers high-quality recording directly in WAV or MP3 format. It includes a pair of built-in cardioid microphones plus an additional pair of and omni-directionals, as well as XLR mic inputs with switchable 48V phantom power. The recording levels can easily be controlled by a twin hardware control (ganged potentiometers) rather than a menu option. Recordings can be started manually, automatically by level, advanced (buffered by up to 2 seconds), delayed (to prevent key presses from being recorded) or with the help of a remote control.

Eyeheight introduced two additions to its modular product range. Available in SD or multi-definition versions, the CW-2M font crawler CW-2M produces a single line of right-to-left scrolling text in multiple fonts and colours, plus date and time. Fonts can be downloaded using the eyeheight netCrawl PC application. Features include full frame background with alpha channel, automation control and web applet control.

Snell (formerly Snell & Wilcox and Pro-Bel) introduced the Pro-Bel 800 SD/HD/3 Gbit/s routing switcher, claimed to be the industry's first router with up to 1152 x 1152 inputs and outputs, redundant crosspoint architecture and auxiliary outputs for external devices such as multiviewers. The Pro-Bel 800 enables input signals to be looped into external video processing devices such as format converters before they reach the router's crosspoint architecture.

Blackmagic's UltraScope is a combination PCI Express card and software package designed to work in a low-cost PC with 24 inch monitor for display. It allows simultaneous display of six waveform views including: RGB/YUV parade display, composite waveform, vector, histogram, 8 channel audio meters, stereo audio scope and picture view.

Pixelmetrix' DVStation-Mini2 DVB-T is a transport stream analyser and monitoring probe. It is designed for operational monitoring and assurance of the quality and continuity of DVB-T services. On-air content validation allows automatic identify discrepancies between the expected baseline and actual broadcast content. With DVB-H, it can be used to analyse time-slice generation, DVB-H FEC and long-term performance monitoring.

Tektronix announced additional facilities for its range of waveform monitors and rasterisers. These now offer simultaneous decoding and monitoring of CEA-708 and CEA-608 closed captioning data and support Active Format Description (AFD) and CGMS-A / Broadcast Flag data decoding and monitoring. For multi-channel audio, new Dolby E Guard Band monitoring provides user-selectable thresholds and an intuitive bar meter on the audio display to make it easy for operators to spot Dolby E audio problems. New black picture and frozen picture detection alarms help broadcasters and network operators detect, identify, and diagnose picture quality problems more effectively.

NAB returns to Las Vegas next April though I understand both decks of the South Hall will be halved in size. That will scale the show down from collossal to enormous. It will also help to beef up the Central and North Halls.


Tags: iss030 | nab | nab review | nhk | jvc | camera corps | canon | fujinon | gekko | hitachi | panasonic | polecam | sony | calrec | junger audio | sonifex | tascam | eyeheight | snell | blackmagic | pixelmetrix | tektronix | N/A
Contributing Author N/A

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  • Nevion at NAB 2016

    Nevion at NAB 2016

  • Media Links at NAB 2016

    Media Links at NAB 2016

  • Apantac Multiviewer at NAB 2016

    Apantac Multiviewer at NAB 2016

  • ChyronHego CAMIO at NAB 2016

    ChyronHego CAMIO at NAB 2016

  • ChyronHego NewsTicker at NAB 2016

    ChyronHego NewsTicker at NAB 2016

  • Apantac monitoring over IP at NAB 2016

    Apantac monitoring over IP at NAB 2016

  • ROOT6 Technology at NAB 2016

    ROOT6 Technology at NAB 2016

  • AVIWEST at NAB 2016

    AVIWEST at NAB 2016

  • Dalet at NAB 2016

    Dalet at NAB 2016

  • Apantac 4k live demo at NAB 2016

    Apantac 4k live demo at NAB 2016

  • BBright at NAB 2016

    BBright at NAB 2016

  • Vitec Digital Signage at NAB 2016

    Vitec Digital Signage at NAB 2016

  • Vitec portable HEVC encoders at NAB 2016

    Vitec portable HEVC encoders at NAB 2016

  • Volicon Multiviewer at NAB 2016

    Volicon Multiviewer at NAB 2016

  • Volicon at NAB 2016

    Volicon at NAB 2016

  • Cinegy at NAB 2016

    Cinegy at NAB 2016

  • Pliant Technologies at NAB 2016

    Pliant Technologies at NAB 2016

  • Video Devices at NAB 2016

    Video Devices at NAB 2016

  • TMD at NAB 2016

    TMD at NAB 2016

  • TMD Mediaflex at NAB 2016

    TMD Mediaflex at NAB 2016

  • Videosys at NAB 2016

    Videosys at NAB 2016

  • Sound Devices 6-Series mixers at NAB 2016

    Sound Devices 6-Series mixers at NAB 2016

  • Miller Combo Live Pedestal Series at NAB 2016

    Miller Combo Live Pedestal Series at NAB 2016

  • Miller Arrow X Series at NAB 2016

    Miller Arrow X Series at NAB 2016

  • Glensound at NAB 2016

    Glensound at NAB 2016

  • Omnitek at NAB 2016

    Omnitek at NAB 2016

  • IMT DR3 IP Diversity Receiver at NAB 2016

    IMT DR3 IP Diversity Receiver at NAB 2016

  • IMT 58microLite HD Mini at NAB 2016

    IMT 58microLite HD Mini at NAB 2016

  • Dejero at NAB 2016

    Dejero at NAB 2016

  • Clear-Com HelixNet at NAB 2016

    Clear-Com HelixNet at NAB 2016

  • Clear-Com FreeSpeak II at NAB 2016

    Clear-Com FreeSpeak II at NAB 2016

  • Guntermann and Drunck at NAB 2016

    Guntermann and Drunck at NAB 2016

  • GET READY FOR NAB

    GET READY FOR NAB

  • CLEARCOM LQ SYSTEM at NAB 2015

    CLEARCOM LQ SYSTEM at NAB 2015

  • TMD Chameleon at NAB 2015

    TMD Chameleon at NAB 2015

  • DALET ACADEMY NAB 2015

    DALET ACADEMY NAB 2015

  • APANTAC openGear Solutions at NAB 2015

    APANTAC openGear Solutions at NAB 2015

  • DPA Microphones at NAB 2015

    DPA Microphones at NAB 2015

  • EGRIPMENT G-TRACK at NAB 2015

    EGRIPMENT G-TRACK at NAB 2015

  • SISLIVE Manpak tripod antennas at NAB 2015

    SISLIVE Manpak tripod antennas at NAB 2015

  • ELEMENTAL STATMUX at NAB 2015

    ELEMENTAL STATMUX at NAB 2015

  • TC ELECTRONIC with Clarity X at NAB 2015

    TC ELECTRONIC with Clarity X at NAB 2015

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • FACILIS TerraBlock at NAB 2015

    FACILIS TerraBlock at NAB 2015

  • SGL at NAB 2015

    SGL at NAB 2015

  • APANTAC T# Multiviewer at NAB 2015

    APANTAC T# Multiviewer at NAB 2015

  • RASCULAR HELM at NAB 2015

    RASCULAR HELM at NAB 2015

  • VOLICON at NAB 2015

    VOLICON at NAB 2015

  • VOLICON Media Intelligence Platform at NAB 2015

    VOLICON Media Intelligence Platform at NAB 2015

  • DALET SportsPack at NAB 2015

    DALET SportsPack at NAB 2015

  • TMD Mediaflex at NAB 2015

    TMD Mediaflex at NAB 2015

  • NUGEN Loudness Toolkit at NAB 2015

    NUGEN Loudness Toolkit at NAB 2015

  • METUS INGEST at NAB 2015

    METUS INGEST at NAB 2015

  • AQ BROADCAST at NAB 2015

    AQ BROADCAST at NAB 2015

  • EGRIPMENT and VENTUZ at NAB 2015

    EGRIPMENT and VENTUZ at NAB 2015

  • APANTAC IP and SDI Multiviewer at NAB 2015

    APANTAC IP and SDI Multiviewer at NAB 2015

  • LIVEU Workflow solutions at NAB 2015

    LIVEU Workflow solutions at NAB 2015

  • MILLER Cineline 70 Tripod System at NAB 2015

    MILLER Cineline 70 Tripod System at NAB 2015

  • QUANTEL CEO at NAB 2015

    QUANTEL CEO at NAB 2015

  • KINOFLO CELEB at NAB 2015

    KINOFLO CELEB at NAB 2015

  • DEDOLIGHT at NAB 2015

    DEDOLIGHT at NAB 2015

  • MULTIDYNE Silverback 4k at NAB 2015

    MULTIDYNE Silverback 4k at NAB 2015

  • THOMSON VIDEO NETWORKS at NAB 2015

    THOMSON VIDEO NETWORKS at NAB 2015

  • EGRIPMENT with VIZRT at NAB 2015

    EGRIPMENT with VIZRT at NAB 2015

  • PHABRIX Rx range at NAB 2015

    PHABRIX Rx range at NAB 2015

  • PLAYBOX TitleBox IP at NAB 2015

    PLAYBOX TitleBox IP at NAB 2015

  • CLEARCOM FREESPEAK at NAB 2015

    CLEARCOM FREESPEAK at NAB 2015

  • VITEC MGW ACE at NAB 2015

    VITEC MGW ACE at NAB 2015

  • CINEGY at NAB 2015

    CINEGY at NAB 2015

  • CLEARCOM IOS INTERCOM at NAB 2015

    CLEARCOM IOS INTERCOM at NAB 2015

  • PHABRIX Qx Rasteriser at NAB 2015

    PHABRIX Qx Rasteriser at NAB 2015

  • Guntermann and Drunck at NAB 2015

    Guntermann and Drunck at NAB 2015

  • NETIA Media Assist at NAB 2015

    NETIA Media Assist at NAB 2015

  • COMPIX at NAB 2015

    COMPIX at NAB 2015

  • CHYRONHEGO STUDIO MEDIAMAKER at NAB2015

    CHYRONHEGO STUDIO MEDIAMAKER at NAB2015

  • CHYRONHEGO PAINT at NAB 2015

    CHYRONHEGO PAINT at NAB 2015

  • BRAINSTORM VIRTUAL SETS at NAB 2015

    BRAINSTORM VIRTUAL SETS at NAB 2015

  • AXON at NAB 2015

    AXON at NAB 2015

  • NAB 2015 Kit Overview

    NAB 2015 Kit Overview

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • Matrox Monarch HD at NAB 2014

    Matrox Monarch HD at NAB 2014

  • Metus at NAB 2014

    Metus at NAB 2014

  • Cineline Fluid Head from Miller Camera Support at NAB 2014

    Cineline Fluid Head from Miller Camera Support at NAB 2014

  • MultiDyne Products at NAB 2014

    MultiDyne Products at NAB 2014

  • Nugen Audio at NAB 2014

    Nugen Audio at NAB 2014

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • PAG Batteries at NAB 2014

    PAG Batteries at NAB 2014

  • Phabrix RX rack mount range at NAB 2014

    Phabrix RX rack mount range at NAB 2014

  • Phabrix at NAB 2014

    Phabrix at NAB 2014

  • Phabrix TAG at NAB 2014

    Phabrix TAG at NAB 2014

  • Pixel Power at NAB 2014

    Pixel Power at NAB 2014

  • Pronology at NAB 2014

    Pronology at NAB 2014

  • Quantel Pablo Rio at NAB 2014

    Quantel Pablo Rio at NAB 2014

  • Quantel Enterprise sQ at NAB 2014

    Quantel Enterprise sQ at NAB 2014

  • Quantel QTube at NAB 2014

    Quantel QTube at NAB 2014

  • RTW at NAB 2014

    RTW at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • SIS LIVE product range at NAB 2014

    SIS LIVE product range at NAB 2014

  • SIS LIVE ManPak at NAB 2014

    SIS LIVE ManPak at NAB 2014

  • Softron MovieRecorder updates at NAB 2014

    Softron MovieRecorder updates at NAB 2014

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Studio Technologies at NAB 2014

    Studio Technologies at NAB 2014

  • Telestream Enterprise at NAB 2014

    Telestream Enterprise at NAB 2014

  • Telestream Switch at NAB 2014

    Telestream Switch at NAB 2014

  • Thomson Broadcast at NAB 2014

    Thomson Broadcast at NAB 2014

  • Perception at NAB 2014

    Perception at NAB 2014

  • Visual Unity at NAB 2014

    Visual Unity at NAB 2014

  • Volicon at NAB 2014

    Volicon at NAB 2014

  • ChyronHego PowerClips at NAB 2014

    ChyronHego PowerClips at NAB 2014

  • ChyronHego at NAB 2014

    ChyronHego at NAB 2014

  • Cinegy at NAB 2014

    Cinegy at NAB 2014

  • Clear-Com ProGrid at NAB 2014

    Clear-Com ProGrid at NAB 2014

  • Clear-Com HelixNet Partyline at NAB 2014

    Clear-Com HelixNet Partyline at NAB 2014

  • Cobalt Digital at NAB 2014

    Cobalt Digital at NAB 2014

  • CueScript Prompters at NAB 2014

    CueScript Prompters at NAB 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Dejero at NAB 2014

    Dejero at NAB 2014

  • DPA Microphones at NAB 2014

    DPA Microphones at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Elemental Technologies Software-Defined Video at NAB 2014

    Elemental Technologies Software-Defined Video at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Ericsson at NAB 2014

    Ericsson at NAB 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • Haivision at NAB 2014

    Haivision at NAB 2014

  • IMT at NAB 2014

    IMT at NAB 2014

  • Inmarsat at NAB 2014

    Inmarsat at NAB 2014

  • Libec ALLEX slider system at NAB 2014

    Libec ALLEX slider system at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Matrox Capture Card at NAB 2014

    Matrox Capture Card at NAB 2014

  • AQ Broadcast at NAB 2014

    AQ Broadcast at NAB 2014

  • ATEME at NAB 2014

    ATEME at NAB 2014

  • Atomos Shogun and Ninja Star at NAB 2014

    Atomos Shogun and Ninja Star at NAB 2014

  • Atomos Operating System at NAB 2014

    Atomos Operating System at NAB 2014

  • Atomos at NAB 2014

    Atomos at NAB 2014

  • Brainstorm Multimedia at NAB 2014

    Brainstorm Multimedia at NAB 2014

  • NAB 2014

    NAB 2014

  • BroaMan at NAB 2013

    BroaMan at NAB 2013

  • Clear-Com: Concert at NAB 2013

    Clear-Com: Concert at NAB 2013

  • Clear-Com Eclipse HX at NAB 2013

    Clear-Com Eclipse HX at NAB 2013

  • Clear-Com: HelixNet Partyline at NAB 2013

    Clear-Com: HelixNet Partyline at NAB 2013

  • Clear-Com: Tempest at NAB 2013

    Clear-Com: Tempest at NAB 2013

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

  • Jampro Antennas at NAB 2013

    Jampro Antennas at NAB 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • MultiDyne: SilverBACK at NAB 2013

    MultiDyne: SilverBACK at NAB 2013

  • Phabrix RX2000 at NAB 2013

    Phabrix RX2000 at NAB 2013

  • Photon Beard: Cyc Hood at NAB 2013

    Photon Beard: Cyc Hood at NAB 2013

  • Photon Beard: Space Light at NAB 2013

    Photon Beard: Space Light at NAB 2013

  • PlayBox Technology: ScheduleBox at NAB 2013

    PlayBox Technology: ScheduleBox at NAB 2013

  • Zylight F8 LED Fresnel at NAB 2013

    Zylight F8 LED Fresnel at NAB 2013

  • Quantel Pablo Rio at NAB 2013

    Quantel Pablo Rio at NAB 2013

  • Atomos Samurai Blade demonstration at NAB 2013

    Atomos Samurai Blade demonstration at NAB 2013

  • LiveU: Smart Grip at NAB 2013

    LiveU: Smart Grip at NAB 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Visionary Solutions at NAB 2013

    Visionary Solutions at NAB 2013

  • SIS LIVE: ManPak and uPack60 at NAB 2013

    SIS LIVE: ManPak and uPack60 at NAB 2013

  • Brainstorm Multimedia: Aston3D at NAB 2013

    Brainstorm Multimedia: Aston3D at NAB 2013

  • Bridge Technologies PocketProbe App at NAB 2013

    Bridge Technologies PocketProbe App at NAB 2013

  • Cinegy: Multiviewer at NAB 2013

    Cinegy: Multiviewer at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • Vimond Control Center at NAB 2013

    Vimond Control Center at NAB 2013

  • Telestream Vantage v5 at NAB 2013

    Telestream Vantage v5 at NAB 2013

  • Quantel Enterprise sQ at NAB 2013

    Quantel Enterprise sQ at NAB 2013

  • Inmarsat: Global Xpress and Explorer at NAB 2013

    Inmarsat: Global Xpress and Explorer at NAB 2013

  • Haivision: Video Cloud at NAB 2013

    Haivision: Video Cloud at NAB 2013

  • File Catalyst at NAB 2013

    File Catalyst at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Anton Bauer at NAB 2013

    Anton Bauer at NAB 2013

  • Autocue at NAB 2013

    Autocue at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • DPA Microphones at NAB 2013

    DPA Microphones at NAB 2013

  • iMovix at NAB 2013

    iMovix at NAB 2013

  • IMT at NAB 2013

    IMT at NAB 2013

  • Photon Beard: Square One Light at NAB 2013

    Photon Beard: Square One Light at NAB 2013

  • RTW at NAB 2013

    RTW at NAB 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • SGL at NAB 2013

    SGL at NAB 2013

  • TSL Systems at NAB 2013

    TSL Systems at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TMD at NAB 2013: MediaFlex Reporting Module

    TMD at NAB 2013: MediaFlex Reporting Module

  • TMD at NAB 2013: MediaFlex Systems

    TMD at NAB 2013: MediaFlex Systems

  • TMD at NAB 2013: Content Intelligence

    TMD at NAB 2013: Content Intelligence

  • Tedial at NAB 2013

    Tedial at NAB 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Dejero LIVE+ VSET at NAB 2013

    Dejero LIVE+ VSET at NAB 2013

  • Dejero + Nucomm Connect Live at NAB 2013

    Dejero + Nucomm Connect Live at NAB 2013

  • NAB 2013

    NAB 2013

  • RTW at NAB 2012

    RTW at NAB 2012

  • Rotolight at NAB 2012

    Rotolight at NAB 2012

  • Radiant Grid at NAB 2012

    Radiant Grid at NAB 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • SGL at NAB 2012

    SGL at NAB 2012

  • Pixel Power at NAB 2012

    Pixel Power at NAB 2012

  • Communications Specialists at NAB 2012

    Communications Specialists at NAB 2012

  • Tedial at NAB 2012

    Tedial at NAB 2012

  • Sound Devices at NAB 2012

    Sound Devices at NAB 2012

  • Studio Technologies at NAB 2012

    Studio Technologies at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • IMT Broadcast at NAB 2012

    IMT Broadcast at NAB 2012

  • Emotion Systems at NAB 2012

    Emotion Systems at NAB 2012

  • Clear-Com Tempest at NAB 2012

    Clear-Com Tempest at NAB 2012

  • Clear-Com Eclipse MADI Card at NAB 2012

    Clear-Com Eclipse MADI Card at NAB 2012

  • Clear-Com Eclipse at NAB 2012

    Clear-Com Eclipse at NAB 2012

  • Clear-Com HelixNet Partyline at NAB 2012

    Clear-Com HelixNet Partyline at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • MultiDyne at NAB 2012

    MultiDyne at NAB 2012

  • Marquis Broadcast at NAB 2012

    Marquis Broadcast at NAB 2012

  • Root6 at NAB 2012

    Root6 at NAB 2012

  • Grass Valley at NAB 2012

    Grass Valley at NAB 2012

  • Facilis at NAB 2012

    Facilis at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Adder at NAB 2012

    Adder at NAB 2012

  • Editshare at NAB 2012

    Editshare at NAB 2012

  • Singular Software at NAB 2012

    Singular Software at NAB 2012

  • Cintel at NAB 2012

    Cintel at NAB 2012

  • Haivision at NAB 2012

    Haivision at NAB 2012

  • Brainstorm at NAB 2012

    Brainstorm at NAB 2012

  • Dalet at NAB 2012

    Dalet at NAB 2012

  • Chyron at NAB 2012

    Chyron at NAB 2012

  • TSL at NAB 2012

    TSL at NAB 2012

  • Vinten at NAB 2012

    Vinten at NAB 2012

  • Orad at NAB 2012

    Orad at NAB 2012

  • Broadcast Pix at NAB 2012

    Broadcast Pix at NAB 2012

  • Visionary Solutions at NAB 2012

    Visionary Solutions at NAB 2012

  • Cinegy at NAB 2012

    Cinegy at NAB 2012

  • Telestream at NAB 2012

    Telestream at NAB 2012

  • LiveU at NAB 2012

    LiveU at NAB 2012

  • Triveni Digital at NAB 2012

    Triveni Digital at NAB 2012

  • Broadpeak at NAB 2012

    Broadpeak at NAB 2012

  • SIS LIVE at NAB 2012

    SIS LIVE at NAB 2012

  • Wowza at NAB 2012

    Wowza at NAB 2012

  • YoSpace at NAB 2012

    YoSpace at NAB 2012

  • Atomos Samurai at NAB 2012

    Atomos Samurai at NAB 2012

  • Atomos Ninja at NAB 2012

    Atomos Ninja at NAB 2012

  • DPA Microphones at NAB 2012

    DPA Microphones at NAB 2012

  • Petrol at NAB 2012

    Petrol at NAB 2012

  • Anton Bauer at NAB 2012

    Anton Bauer at NAB 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Qualis at NAB 2012

    Qualis at NAB 2012

  • Autocue at NAB 2012

    Autocue at NAB 2012

  • DK-Technologies at NAB 2012

    DK-Technologies at NAB 2012

  • Broadway Systems at NAB 2012

    Broadway Systems at NAB 2012

  • Bluebell at NAB 2012

    Bluebell at NAB 2012

  • Digital Nirvana at NAB 2012

    Digital Nirvana at NAB 2012

  • TMD at NAB 2012

    TMD at NAB 2012

  • PlayBox Technology at NAB 2012

    PlayBox Technology at NAB 2012

  • NAB 2012

    NAB 2012

  • Nexsan at NAB 2012

    Nexsan at NAB 2012

  • TMD at BVE 2012

    TMD at BVE 2012

  • JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

    JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

  • JVC monitoring solutions DT-G, DT-E, DT-U, and DT-V range at BVE 2018

    JVC monitoring solutions DT-G, DT-E, DT-U, and DT-V range at BVE 2018

  • JVC 4K UHD Monitors at IBC 2017

    JVC 4K UHD Monitors at IBC 2017

  • JVC at BVE 2017

    JVC at BVE 2017

  • JVC at IBC 2016

    JVC at IBC 2016

  • JVC at BVE 2016

    JVC at BVE 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • JVC at BVE 2015

    JVC at BVE 2015

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • JVC HM850 at BVE 2014

    JVC HM850 at BVE 2014

  • JVC GY-HM600 series camera updates at IBC 2013

    JVC GY-HM600 series camera updates at IBC 2013

  • JVC at BVE 2013

    JVC at BVE 2013

  • JVC at BVE North 2012

    JVC at BVE North 2012

  • JVC at IBC 2012

    JVC at IBC 2012

  • JVC at BVE 2012

    JVC at BVE 2012

  • JVC Professional at ProVideo2011

    JVC Professional at ProVideo2011

  • JVC at BVE North 2011

    JVC at BVE North 2011

  • Belfast TOUR

    Belfast TOUR

  • Kit Overview from IBC 2015

    Kit Overview from IBC 2015

  • Camera Corps at IBC2011

    Camera Corps at IBC2011

  • CameraCorps at BVE 2015

    CameraCorps at BVE 2015

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Jonathan Harrison at BVE North 2011

    Jonathan Harrison at BVE North 2011

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • Lens Adaptor at BVE 2013

    Lens Adaptor at BVE 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Hireacamera at BVE North 2012

    Hireacamera at BVE North 2012

  • MTF at IBC2011

    MTF at IBC2011

  • Fujinon 18-55 Lens at BVE 2017

    Fujinon 18-55 Lens at BVE 2017

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • Gekko at IBC2011

    Gekko at IBC2011

  • Hitachi at IBC 2014

    Hitachi at IBC 2014

  • Hitachi and TNP at BVE 2012

    Hitachi and TNP at BVE 2012

  • TNP and Hitachi at BVE North 2011

    TNP and Hitachi at BVE North 2011

  • Gearhouse Broadcast at BVE 2015

    Gearhouse Broadcast at BVE 2015

  • Gearhouse Broadcast on Tour May 2013

    Gearhouse Broadcast on Tour May 2013

  • Global Distribution at IBC2011

    Global Distribution at IBC2011

  • Panasonic Lumix GH5 at BVE 2017

    Panasonic Lumix GH5 at BVE 2017

  • Panasonic show VariCam at IBC 2014

    Panasonic show VariCam at IBC 2014

  • Panasonic at BVE 2012

    Panasonic at BVE 2012

  • Holdan and Panasonic at BVE North 2011

    Holdan and Panasonic at BVE North 2011

  • Panasonic at IBC2011

    Panasonic at IBC2011

  • Polecam talk accessories on BroadcastShow LIVE 2013

    Polecam talk accessories on BroadcastShow LIVE 2013

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • KitPlus filming rig used at BVE 2017

    KitPlus filming rig used at BVE 2017

  • Polecam at IBC 2016

    Polecam at IBC 2016

  • Guided Tour of the Polecam Stand at BVE 2016

    Guided Tour of the Polecam Stand at BVE 2016

  • Polecam at IBC 2015

    Polecam at IBC 2015

  • Polecam Antelope Pico at IBC 2014

    Polecam Antelope Pico at IBC 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • Polecam talk high speed on BroadcastShow LIVE at IBC 2013

    Polecam talk high speed on BroadcastShow LIVE at IBC 2013

  • Polecams range of accessories and minicams at IBC 2013

    Polecams range of accessories and minicams at IBC 2013

  • Polecam at BVE 2013

    Polecam at BVE 2013

  • Polecam at BVE North 2012

    Polecam at BVE North 2012

  • Polecam at IBC 2012

    Polecam at IBC 2012

  • Polecam at BVE 2012

    Polecam at BVE 2012

  • Polecam at BVE North 2011

    Polecam at BVE North 2011

  • Polecam at IBC2011

    Polecam at IBC2011

  • Steffan does the Surf Forecast

    Steffan does the Surf Forecast

  • Social Media Virtual Production Switching from Sony

    Social Media Virtual Production Switching from Sony

  • 6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

    6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

  • Sonys new cameras at IBC 2014 - including the FS7

    Sonys new cameras at IBC 2014 - including the FS7

  • Sony Camcorders at BVE 2014

    Sony Camcorders at BVE 2014

  • Sony Monitors at BVE 2014

    Sony Monitors at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Sony at ProVideo2011

    Sony at ProVideo2011

  • Sony at IBC2011

    Sony at IBC2011

  • Philip Blooms recommendations at IBC 2014

    Philip Blooms recommendations at IBC 2014

  • Thear Technology at BVE 2013

    Thear Technology at BVE 2013

  • Thear Technology Limited at BVE North 2012

    Thear Technology Limited at BVE North 2012

  • Thear Technology Limited at ProVideo2011

    Thear Technology Limited at ProVideo2011

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Calrec Callisto at IBC 2013

    Calrec Callisto at IBC 2013

  • Calrec at BVE 2012

    Calrec at BVE 2012

  • Calrec at IBC2011

    Calrec at IBC2011

  • Junger Audio at IBC2011

    Junger Audio at IBC2011

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

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Articles
The Biggest Toy Shop in the World
Emma Morrison When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film history over this time.
Tags: iss133 | richmond film services | audio rental | auction | liquidity | go-dove | Emma Morrison
Contributing Author Emma Morrison Click to read or download PDF
Live audio contribution over wireless networks
Pablo Rodrigues Altmann Wireless “live” contribution from anywhere at any time, this is the ultimate goal for most news reporters. The old favorite of using ISDN is becoming harder and much more expensive to access easily. Today most of us use wireless daily, in particular Wifi and HSPA/LTE 4G networks. These are now mature technologies and widely used for many applications in the home and whilst out and about. However there are still some professionals who prefer to persevere with the traditional, costly and limited ISDN communication technology before jumping into the wireless era.
Tags: iss133 | adrl | wireless audio | isdn | cellular audio | Pablo Rodrigues Altmann
Contributing Author Pablo Rodrigues Altmann Click to read or download PDF
Peli Air 1507 Review
Phil Vinter Originally named after a bird that carries its precious cargo through the skies, it was, perhaps, only a matter of time before Peli released its Air range.
Tags: iss133 | peli | peli air 1507 | trekpak | Phil Vinter
Contributing Author Phil Vinter Click to read or download PDF
Fast-moving productions need multi-cam RF reliability
Darren Bilton Wireless acquisition creates a level of freedom not possible with any other form of filming yet only a decade ago the technique was barely possible. The technology enabling live real-time connections over radio frequencies has advanced leaps and bounds such that there is barely an entertainment, documentary, sports or news format today that doesn’t benefit from at least one link system. That means the demands on the kit continues to rise and includes the need for fail safe multi-camera operation, ease of use and backwards compatibility all within a small, lightweight and budget-friendly package.
Tags: iss133 | boxx tv | wireless | mpeg-4 | multicam | rf | multi-cam | Darren Bilton
Contributing Author Darren Bilton Click to read or download PDF
Trade shows and their role in the wired world
Richard Baker Historically trade shows afforded an opportunity to collect the latest brochures relevant to the visitor's chosen industry or career path. Today there seems little reason to store data of any kind, let alone paper brochures, when information is so easily accessible online. Brochure back-packing at exhibitions has become a rare sight, rarer still since the security clampdown on visitor luggage at exhibitions. Today's efficient show delegate need only carry a mobile phone and, in deference to tradition, a bundle of business cards. The phone doubles as a snapshot camera, video camera, dictaphone, email reader, internet browser, Skype communicator, and so on.
Tags: iss133 | finepoint | ibc | nab | kitplus show | bve | Richard Baker
Contributing Author Richard Baker Click to read or download PDF