New workflows floating on the horizon


Lee Sheppard - new TV-Bay Magazine
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The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and easily.

The influx of OTT services has been a game changer. Now media companies must deliver millions of different files in different formats to multiple destinations. Automated MAM workflows with seamless integration to archive technology are essential to allow the retrieval/archive of assets quickly. SGL has close technology partnerships with leading MAM/PAM providers including: Avid, Grass Valley, Marquis, SAM, VSN and CatDV, which provide a complete toolset with simple workflow rules that allow content to be efficiently archived and restored. Configured to create a collaborative production environment, these technical solutions and associated workflows supply media organisations with all the tools necessary to plan, create, publish and archive their production.

To handle these demands, archiving options are developing quickly and storage environments are becoming more complex. This has resulted in an increase in hybrid archiving models. As cloud systems continue to evolve, assets are likely to be stored for specific time periods on appropriate storage technologies for business reasons. Media companies need to be able to take advantage of the benefits of each type of storage mechanism and use what is appropriate and cost-effective at each point in the content life cycle. Management of these decisions and processes requires sophisticated storage management systems. This is primarily what we are seeing now. Tape is here to stay, but as the archive becomes a more fundamental part of the workflow, not just at the end of the chain, customers are examining how they can achieve the benefits of using the cloud while managing the risks and costs. Therefore, hybrid archives utilising the respective benefits of tape, disk, optical storage and cloud are becoming more common.

These new workflows are creating new ways of working in the production environment. A production company, for example, could shoot all their raw footage and send it directly to the cloud. At this point the cloud solution can automatically send a notification to the archive system to say that the material is there. The archive system doesn't need to move those assets to another location; it simply logs the data. In this instance the workflow starts in the cloud and the archive and ends there.

Archive manufacturers are working closely with cloud solution providers to produce these new workflows and to create stronger tools. This not only ensures that assets are sent to the correct place but also provides a way for media companies to control their storage costs by working out the price to store and retrieve those assets to and from the cloud. The archive also makes all the assets available, wherever they are stored, from a single point of reference, allowing operators to create low-res proxy files so that they can scan and select material to be restored. These new tools give content owners a far wider footprint of assets; crucial in the multi-version, multi-platform, multi-channel world.

Another trend that media companies are considering is a move towards the private cloud using object storage. This option avoids issues associated with the public cloud (the risk of losing of intellectual property) whilst gaining some of the main benefits: distribution and collaboration. The downside of course is the capital investment that can be avoided with public cloud but on the upside your assets are entirely under your control.

IP and virtual environments are seeing workflows developing further. Media companies are exploring the possibilities of moving everything to a virtual environment so that all their tools are software driven. This means they can edit content, create timelines, QC, monitor sound, do voiceovers etc. and then pass the content to the next person without ever downloading the assets to a local machine. Although media companies still have concerns regarding security, prices are becoming a lot more competitive and they are starting to see the benefits.

While it's still early days, these services will offer significant advantages in terms of cost and organisational changes, which will no doubt impact future decision making. SGL is working closely with multiple companies to ensure that archive workflows can dovetail with cloud-based operating workflows.

SGL closely cooperates with media cloud providers. The company supports both nearline and deep cloud such as Amazon's S3 and Glacier tiers. This means that broadcasters and content owners can quickly and easily transfer material directly to the cloud from their MAM system using SGL FlashNet. FlashNet also offers rich integration with Sony's cloud-based service, Ci, that allows media professionals to collaborate on the creation and sharing of high-quality, high resolution content. In addition, FlashNet enables delivery of assets to various cloud and remote destinations using transport solutions such as Aspera and ExpeDat Gateway.


Tags: iss123 | mam | pam | sgl | Avid | Grass Valley | Marquis | SAM | VSN | CatDV | Lee Sheppard - new
Submitted by Lee Sheppard - new

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Submitted by Polar Click to read or download PDF
Tried and tested: DPA d:vice
KitPlus KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same time as the Olloclip came out we were testing the Fostex AR4i which was a very exciting development at the time. You have a portable device, that you carry everywhere with you, connected to the world but with very limited audio capabilities. A stereo interface with decent microphones was a real boon!
Tags: iss130 | dpa | dvice | iphone | journalist mic | filmic | ios | microdot | KitPlus
Submitted by KitPlus Click to read or download PDF
State of the Nation
Dick Hobbs - new

On the most recent occasion I was trimmed, my hairdresser had just returned from a holiday in Hawaii.

Where she thought she was going to die. She thought this because the state’s emergency alert system was triggered, sending messages across all available platforms, for 38 minutes, that a ballistic missile was about to strike. That, I suspect, is the sort of thing that casts a pall across your holiday.

Why did it happen? Essentially it happened because an operator selected the wrong menu item. “I feel very badly from what’s happened,” he is quoted as saying, in a somewhat mangled version of English which may at least in part explain his difficulties with menu items.

Tags: iss130 | alertsense | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
NAB is all about people
John Smith -new The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge.
Tags: iss130 | media links | nab | mdp 3020 | md8000 | John Smith -new
Submitted by John Smith -new Click to read or download PDF
Epictech makes headway: A case study
Daniel Harker Barnes Founded in January 2014, EpicTech Media have been providing high end video production to companies and musicians across the U.K. for over three and a half years. When approached earlier this year by the band Bodkin Lane, we relished the challenge of producing a video of their charity concert, in aid of Headway (www.headway.org.uk), despite the challenging size of the venue. 
Tags: iss129 | polecam | epictech media | ptz | povcam | Daniel Harker Barnes
Submitted by Daniel Harker Barnes Click to read or download PDF
Canon C200: Tried and Tested
Ben Sherriff There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us – the users of these technologies. So, what’s all the fuss about?
Tags: iss129 | spellbinder | canon | c200 | c100mkii | c300 | red | alexa | asx-r7 | Ben Sherriff
Submitted by Ben Sherriff Click to read or download PDF
A Bluffers Guide to Batteries
Mike Colyer The Christmas decorations are down; the family have all headed home – and the New Year’s festivities have drawn to a close. I put my hand up to it – I’m a little drained. As such, I figured I’d start the new year with a Bluffer’s Guide to Batteries. With the cold weather setting in, it can be a nightmare to pick the right disposable batteries for small kit – and maintain rechargeable batteries in larger items. This article will take an overview of which batteries will last longer under certain usage conditions – and how to achieve the cell’s maximum potential.   
Tags: iss129 | batteries | alkaline | ni-mh | li-ion | lithium | Mike Colyer
Submitted by Mike Colyer Click to read or download PDF
The Outlook for 2018
Duncan Payne January has arrived…and the New Year promises great opportunities for those prepared to seek them out, with the one certainty that change is constant.
Tags: iss129 | adamantean | finance | cvp | netflix | amazon | arri | hdr | sadie groom | rise | Duncan Payne
Submitted by Duncan Payne Click to read or download PDF
TVFutures: Learning is the key
Abbie Neill If you asked me the question ‘where do you see yourself after you graduate’ three years ago I would have probably answered  ‘in a lot of debt, but if you don't think about it, it doesn't exist because three years is a long time right ?’. WRONG! These three years studying Television and Broadcasting at the University of Portsmouth have been the quickest three years of my life. Back when I started I didn't really have any idea what I wanted to specialise in and the dreaded four letter word AVID used to be my biggest enemy. However I persevered through the 3792871 hours of lectures learning how to use the software, how it functions, neither did I think I'd be a one woman match of the day by graduation'.
Tags: iss129 | ccitv | portsmouth | university | avid | Abbie Neill
Submitted by Abbie Neill Click to read or download PDF
Capturing the spirit of Mexico
Leonardo Dalessandri Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce genuinely breathtaking final results.
Tags: iss129 | watchtower of turkey | davinci resolve | blackmagic. corona | Leonardo Dalessandri
Submitted by Leonardo Dalessandri Click to read or download PDF
State of the Nation
Dick Hobbs - new This morning I was eating my healthy muesli and idly listening to Radio 4 when someone came on who claimed to be from the Oxford University Computational Propaganda Project.
Tags: iss129 | fake news | facebook | tv globo | amagi | robot | ai | artificial intelligence | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
A new AEON in Wireless 4k
JP Delport Whatever production companies are doing right here, right now, today, with wireless HD production tools, they want to do right here, right now, today with 4K UHD. That’s great, but common wisdom would share a host of challenges around 4k UHD, not least, the fact that 4K UHD requires 8x the processing power to transmit, then demands additional horsepower (and bandwidth) to accommodate the data and controls, wireless or otherwise, and of course, when you ramp up processing power, you ramp up heat generation, which needs to be efficiently evacuated.
Tags: iss129 | 4k | uhd | wireless | domo | JP Delport
Submitted by JP Delport Click to read or download PDF
Steadicam M-1 Volt: Tried and Tested
John E Fry Early in November some of us lucky Steadicam Operators from around the UK were invited to try out the new Tiffen M1 Volt, which is essentially an electronic motorized horizon assist unit attached to the gimbal of the latest Steadicam M1. Is it a good idea? As experienced Steadicam Operators, directors or producers, why would we be interested? Let’s investigate KitPlus fans!
Tags: iss129 | steadicam | volt | tiffen | m1 | John E Fry
Submitted by John E Fry Click to read or download PDF
IP for everyone and 4k everywhere - that will be 2018
John Smith -new My first prediction for the coming year is that the use of IP to move broadcast content will increase dramatically.  Ultimately, it will become the commonplace, just as the use of IP has become part of our everyday, consumer lives.  Live sports are closely linked to this growth, as conversion of broadcast signals for transportation across established telecos networks enables content to be viewed in real-time, regardless if it’s in the next room or across the globe.
Tags: iss129 | medialinks | 4k | ip | vr | ai | John Smith -new
Submitted by John Smith -new Click to read or download PDF
Playing with Pink Floyd
KitPlus For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR.
Tags: iss129 | hangman | james tonkin | david gilmour | pink floyd | Sony F55 | Sony A7RII | RED Dragon | URSA Mini | blackmagic | DJI Drone | KitPlus
Submitted by KitPlus Click to read or download PDF
Studio Invate - Case Studio
KitPlus Studio INVATE is a video company based in Bangkok, with an inventive reputation. Its public persona is everyday commercial work, such as producing highly creative videos, live broadcasts and commercials, for companies ranging from large industrial brands and retail businesses to educational institutions. But in between the studio and on-location work for clients, the company’s crew of 14 employees and a few dozen freelancers enjoy live-streaming video game tournaments.
Tags: iss129 | invate | newtek | tricaster 8000 | 3play | 4800 replay | blonde robot | KitPlus
Submitted by KitPlus Click to read or download PDF
Taking the lead in the HEVC and 4k revolution
Malcolm Harland There’s probably a good reason that BVE is held in late February — it offers you a few weeks to set your annual plans in place. Then, once you’ve decided on the opportunities you want to take advantage of and improvements you want to make, you have a chance to visit this massive exhibition to see the latest technological innovations that will help to bring your plans to fruition.
Tags: iss129 | garland | hevc | liveu | hc11000 | media excel | ntt | bws | lu600 | Malcolm Harland
Submitted by Malcolm Harland Click to read or download PDF
Somewhere down the latency river
Ben Hawker Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality.
Tags: iss129 | latency | 4k | wireless | rf | presteigne | Ben Hawker
Submitted by Ben Hawker Click to read or download PDF
Class: Do we still need standards
Bruce Devlin - new On the 1st January 2018, I officially took on the post of SMPTE Standards Vice President. The role has responsibility for all of SMPTE’s standardisation activities and it fills me with equal measures of excitement and terror.
Tags: iss129 | smpte | st2110 | dpp | Bruce Devlin - new
Submitted by Bruce Devlin - new Click to read or download PDF
Panasonic GH5: Tried and Tested
Tim Bearder My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum.
Tags: iss129 | panasonic | gh5 | dslr | senheirser avx | c200 | Tim Bearder
Submitted by Tim Bearder Click to read or download PDF