Preparing for the future in television and film


Kieron Seth# TV-Bay Magazine
Read ezine online
“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”
The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms and media production suites. Content is created in a variety of formats using professional Panasonic and JVC camcorders, and DSLR systems. It is post produced using network-connected Apple and Adobe software suites, running on Mac hardware.
“Prior to upgrading our infrastructure with GB Labs’ Space, we had a fibre channel-based storage system.” Continues Thornton. “It worked well and generally ran problem free. However, it had some key shortcomings that meant that it would no longer meet our needs. Firstly, it placed a cap on the number of user accounts that could access the storage; secondly the amount of space allocated to individual users was restricted, something that became a real problem as we transitioned to multi-layer HD projects.”
The success of the film and television courses meant that an upgrade to the storage infrastructure was essential. With between 300 and 400 users, 35 Mac’s running Final Cut Pro and the Creative Suite, the university needed a powerful shared storage system that had the reliability for very intensive use, especially at peak times in the run up to assessment deadlines.
The university opted for GB Labs Space, a solution ideally suited to the students’ ever more demanding media projects. Now technology is not a bar on their creativity.
Thornton remarks that users are increasingly creating complex graphic-rich programmes. With Space, they can access their personal files at any time, either by logging in via their university username or using group access credentials supplied by the media department. Employing personal and group logins means that security is easy to manage: individuals can protect their assets and identities or share files with other users very safely and very simply. Completed projects are transferred to parking areas on the drives to allow for group criticism, an essential part of the department’s activities.
However, security goes beyond asset privacy. The entire system is RAID protected while plans are in place to formalize routine system backups. Thornton outlines the vision:
“Data loss is unthinkable. So for the next phase of development, we will have the option to replicate the complete storage system automatically onto a GB Labs Echo nearline system. Alternatively, we are also investigating the new Bridge unit that would allow us to use the old Fibre array as a network attached storage silo. Whichever route we take will add a new dimension to protecting our assets.”
Both backup devices are loaded with software tools that automate data replication and archiving, with enhancements available for intelligent hierarchical storage management.
The Media Services team, at Anglia Ruskin University, has already upgraded its Space with EX expansion modules for additional performance and capacity. Plans are afoot to increase system RAM to accommodate growing student numbers and to support still higher stream counts. “As project deadlines approach, the students hit the network extremely hard. We always have an eye on managing storage capacities and maintaining system performance.” Concludes Thornton.
By making the transition to Space, the university has the scope to grow its capacity, support more concurrent users, handle highly sophisticated video projects and secure every asset held on the network. With a sound foundation and a clear upgrade path, Anglia Ruskin’s storage network is a model worthy of many a professional facility.

Tags: iss078 | sean thornton | anglia ruskin university | preparation | suites | kit | case study | Kieron Seth#
Contributing Author Kieron Seth#

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

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  • Cinegy at IBC 2014

    Cinegy at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Front Porch Digital at IBC 2014

    Front Porch Digital at IBC 2014

  • TMD Mediaflex at IBC 2014

    TMD Mediaflex at IBC 2014

  • TMD at IBC 2014

    TMD at IBC 2014

  • Pixel Power Buzz at IBC 2014

    Pixel Power Buzz at IBC 2014

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Telestream Wirecast and Switch at IBC 2014

    Telestream Wirecast and Switch at IBC 2014

  • Telestream Vantage support for DPP at IBC 2014

    Telestream Vantage support for DPP at IBC 2014

  • Facilis at IBC 2014

    Facilis at IBC 2014

  • Fibrenetix with Quadrus at IBC 2014

    Fibrenetix with Quadrus at IBC 2014

  • Sonnet Technologies Thunderbolt Chassis at IBC 2014

    Sonnet Technologies Thunderbolt Chassis at IBC 2014

  • Volicon Products at IBC 2014

    Volicon Products at IBC 2014

  • Volicon at IBC 2014

    Volicon at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Metus at IBC 2014

    Metus at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • ChyronHego Lyric PRO at IBC 2014

    ChyronHego Lyric PRO at IBC 2014

  • Sonys new cameras at IBC 2014 - including the FS7

    Sonys new cameras at IBC 2014 - including the FS7

  • TNP and DSMB at BVE North 2011

    TNP and DSMB at BVE North 2011


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Articles
Using Wireless Transmission
Jeremy Benning Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes.
Tags: iss134 | wireless | 4k | transmission | Jeremy Benning
Contributing Author Jeremy Benning Click to read or download PDF
An Epiphany Moment
Peter Savage 2 I had been negotiating the sale of my company and had reached the really hard end of the bargain. We were close to agreeing the final sum after a lot of too-much-give-and-not-enough-take negotiation. The solicitors were calling me, keen for a deal. It had come down to one sticking point and, in my hard ball “I am the Wolf of Wall Street” guise, I wasn’t going to let it go. It would make a value difference of 1.5% on the total outcome. Not much, you might think, but I had already nearly fallen out with the solicitors over their fees and I was giving my advisors an extremely hard time because the corporate adviser couldn’t see how I had already given more than an inch and the buyers were taking more than a mile. I was not going to let them win.
Tags: iss134 | azule | finance | Peter Savage 2
Contributing Author Peter Savage 2 Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
University and Mental Health
Rhiannon Jenkins University study and mental health has been in the media quite a bit over the last year, and I’m sure there are many people wondering what is going on? The issues are complex, and I suppose the focus of employability off the back of a degree course has raised the stress stakes for a lot of young people. I’m only qualified to talk about this from my perspective, and my story began when I joined a course not knowing I had a mental health condition.
Tags: iss134 | portsmouth uni | mental health | student | tvfutures | Rhiannon Jenkins
Contributing Author Rhiannon Jenkins Click to read or download PDF
Protecting the continuity of transmission
Lorna Garrett Your viewers love you. You consistently bring them their preferred channels 24/7. They’ve come to rely on you for their viewing pleasure. They never miss cheering on their beloved sports teams. They’re the envy of their friends as they watch live concerts of their favourite bands. They gather the family around and catch up on their must-see shows. They don’t have a bad word to say about you.
Tags: iss134 | garland | gpl | streaming | artel | disaster recovery | Lorna Garrett
Contributing Author Lorna Garrett Click to read or download PDF