Articles
Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Review
David Fernandes Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K ProRes RAW on a full-scale production.
Tags: iss132 | panasonic | eva1 | prores raw | 5.7k | review | inferno | atomos | David Fernandes
Contributing Author David Fernandes Click to read or download PDF
Atomos Ninja Inferno REVIEWED
Daniel Peters Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear to fund his most recent short film Deserted in Paris, after he went over budget due to lost locations and actors pulling out.
Tags: iss127 | atomos | inferno | ninja | review | prores | dnxhr | gh5 | fs7 | lut | Daniel Peters
Contributing Author Daniel Peters Click to read
THE EVOLVING DRONE CAPTURE MARKET
Bjorn Olin Although the use of drones to capture content for film and television productions may still seem new to some, Helifilm.com began using drones for photography way back in 2008.
Tags: iss110 | videodevices | drones | apple prores | pix-e5 | pix-e5h | sony a7s | Bjorn Olin
Contributing Author Bjorn Olin Click to read
Why video codecs matter
Larry Jordan# Video codecs confuse a lot of people. But understanding codecs is critical to just about every element of video production, editing and distribution.
Tags: iss099 | codec | file size | video | image | sound quality | prores | Larry Jordan#
Contributing Author Larry Jordan# Click to read
Call of Duty Black Ops II: World Exclusive First Look Streamed Live from Gamescom
N/A I work a lot in live online broadcasting, and backup systems are top of mind when designing any live event. Being off air for any reason is unacceptable, so I build systems knowing that should something fail, I can easily reroute the signal or switch to another machine.
Tags: iss072 | blackmagic design | streaming | ultra studio 3D | hyper deck studio | prores | wirecast | xsplit | xbox | gamescom | N/A
Contributing Author N/A Click to read
STAYING AHEAD OF THE BBCS QUALITY CURVE
N/A As director and filmmaker for Poor Kids and Poor Kids USA, I faced some specific technical challenges. Both films were commissioned by the BBC, which only accepts high-definition footage shot in data rates of 50 mb/s or higher. Since we would be going into the childrens houses and other low-light situations, we wanted a small camera........
Tags: iss064 | fast forward video | ffv | sidekick | true vision tv | bbc | final cut pro | fcp | prores | N/A
Contributing Author N/A Click to read
Real-Time Frame Rate Conversion in a Tapeless Workflow
N/A When content moved within facilities and around the world on tape or via live feeds, frame rate and format conversions were easily achieved using real-time hardware converters such as Snell's Alchemist Ph.C-HD. As broadcasters and content owners moved to more convenient tapeless workflows, which enabled them to lower their costs, save time and improve logistics, the frame rate conversion step remained a baseband island within the file-based processing flow.
Tags: iss061 | snell | fileflow | Alchemist | QuickTime ProRes HQ | N/A
Contributing Author N/A Click to read
Redefining Mobile, High Definition Recording With Cinedeck EXTREME
N/A IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this years NAB Convention in Las Vegas.
Tags: ibc | iss046 | cinedeck extreme | apple prores | avid dnxhd | cineform | oxygen dct | cinematographer | N/A
Contributing Author N/A Click to read
ALEXA bringing new creative freedom to filmmakers
N/A More than just a camera, ALEXA represents an entire image pipeline. By combining proprietary ARRI technology with ubiquitous tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.
Tags: iss043 | arri | alexa | interview | rental | marc weigert | pci ex card | arriraw | dnxhd | sxs pro | prores | hdcam sr | N/A
Contributing Author N/A Click to read
Total Articles: 9 [1-9]