|
News Out Of The Cloud - Technology At The Front Line Of Journalism
|
 |
Throughout history, journalists have always had to seek and adapt to new technologies to deliver news in a format and at a speed that consumers demanded. Today, recent technological changes in the media environment have led to another inflection point. If modern media outlets want to empower journalists to remain agile and turn news stories around quickly and efficiently, they have to start embracing new, innovative technologies, like cloud-based media solutions. |
| Tags: iss138
| sony
| ofcom
| cloud-based media
| intelligent
| Stuart Almond
|
|
|
|
|
|
|
|
|
|
|
|
|
Sony HDC-4800 Review
|
 |
First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern sports production.” Deliveries began in mid 2017 and, after careful preliminary evaluation, we invested in several systems for our hire fleet ahead of the FIFA World Cup in Russia. |
| Tags: iss134
| review
| hdc-4800
| sony
| finepoint
| Andy McKenzie
|
|
|
|
|
A Sound in Motion QA
|
 |
“A Sound in Motion started as a camera test for the new Sony VENICE CineAlta 6K Digital Cinema Camera and evolved into a much bigger project. The film, presented by Golpe Filmes and released this summer, was directed/edited by Ricardo Teixeira. It is a fictional story based on the way deaf people adapt themselves to daily life situations. The intent of the film is to be a positive influence in the way people think about the ‘differences in human beings’ and about issues related to social inclusion, but without turning it into something moralistic or that seems fundamentalist. Through sounds not speech, words or verbal expression we want to relay a positive message and display a clear gaze upon that difference.” |
| Tags: iss132
| miller
| arrow x7
| tripod
| atomos sumo
| sony
| venice
| Antonio Morais
|
|
|
|
|
|
|
Looking back at IBC 2017
|
 |
IBC feels like a bit of a dim and damp memory now, but a few over-riding memories do remain however, not least of which was the Arri party to celebrate its 100th year. It was like an old-school manufacturers IBC/NAB party, back when manufacturers had marketing budgets, and lots of sales people. It got IBC off to a great start; thanks Arri. |
| Tags: iss128
| ibc
| arri
| red
| panasonic
| adamantean
| sony
| eva
| nokia
| ozo
| Duncan Payne
|
|
|
|
|
|
|
|
|
|
|
|
|
4k is a reality for live production
|
 |
Some aspects of the broadcast industry move exceedingly quickly; new cameras are launched seemingly daily, shows are commissioned and shows are axed but the overall pace of the industry remains pretty steady. Would it shock you to hear that NHK in Japan first built its own 4K prototype camera in 2003? (At this point, it's worth clarifying that we're using the term '4K' to reference UHDTV1 (3840—2160) but '4K' seems to have shone through as the saleable name tag.) Today, just a mere 13 years later it looks like we're now ready to adopt 4K. It is now a reality within the industry and for the everyday consumer.
|
| Tags: iss111
| 4k
| trickbox
| tico alliance
| sony f55
| ebu
| Liam Laminman
|
|
|
|
|
|
|
Sony PXW-FS5 Review
|
 |
I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7 but in a much smaller body. As well as being similar to the FS7 it also has many similarities with the lower cost FS700, more on that later. |
| Tags: iss106
| sony pxw-fs5
| review
| camcorder
| handgrip
| sensor
| shoot
| Alister Champman
|
|
|
|
|
Venice live productions tools go to the consumer
|
 |
The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple target audiences in parallel. Rohde and Schwarz have invested heavily in its Venice Media Production Hub to ensure it is able to fulfil the requirements for the latter. A media production hub is a central component of media workflows, managing movements and transformations from one media type to another. |
| Tags: iss098
| studio production
| live
| multiple SDI input
| panasonic P2
| sony XDcam
| avid isis
| Tim Felstead
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
UWP-D11 Review
|
 |
Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality, this combo is limited to channels 67-69 which the government sold off to expand the frequencies available for mobile phones (cheers!!). |
| Tags: iss091
| uwp d11
| review
| sony
| audio
| microphone
| Kevin Cook
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Navigating uncharted waters
|
 |
Im home again from the annual pilgrimage to Las Vegas. It must be something to do with getting older, but this year both key performance indicators (good dinners versus greasy hamburgers, and early nights versus late night carousing) fell on the conservative side. And my flight home landed 45 minutes early, rather than a week or so late. |
| Tags: iss053
| nab
| HDCam-SR
| oled
| led
| crt
| sony at nab 2011
| N/A
|
|
|
|
YouTube
Twitter
Facebook
Linked In
