Articles
Why MADI is Still Relevant
Stephen Brownsill While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape.
Tags: iss139 | madi | tsl products | aes10 | aes | dolby atmos | st-2110 | sam-q | Stephen Brownsill
Contributing Author Stephen Brownsill Click to read or download PDF
The Evolution of Audio Monitoring
Stephen Brownsill Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest loudness guidelines remaining at the top of the must-have list.
Tags: iss138 | tsl products | st-2110 | lip synce | ip | ptp stauts | amwa | nmos | Stephen Brownsill
Contributing Author Stephen Brownsill Click to read or download PDF
Total Articles: 2 [1-2]