The Masters of Dirt - Extreme Production


Rian Bester TV-Bay Magazine
Read ezine online
i

On 22nd April 2017 Inside the Masters of Dirt, the world's wildest unscripted motocross reality series, will launch exclusively on INSIGHT TV in 4K UHD. Produced by Masters Of Dirt (M.O.D) and XTreme Video, the series follows the adrenaline-addicted crew that produces the popular freestyle motocross arena show of the same name. Boasting upwards of two million fans on social media, their larger-than-life personalities, crazy day-to-day antics and the epic visual nature of their shows will drive their huge YouTube following to the big screen.

XTreme Video is the one of the largest multi-platform networks representing around 500 extreme online content creators and social influencers from motocross, BMX, mountain biking, surfing, skateboarding - the list goes on. It began working with the M.O.D crew in March 2016 traveling to stunning locations across Europe and Dubai, shooting their everyday activities and their huge arena shows for INSIGHT TV's six-part Inside the Masters of Dirt series. XTreme Video wanted to combine the experience that the M.O.D crew has shooting footage of the arena shows for digital platforms and their own experience of bringing the best content to TV networks like INSIGHT TV. It also wanted to give the crew's massive social media following greater access to their everyday lives shot in the highest quality 4K UHD.

Originally from Austria, the M.O.D crew are a group of friends who are complete Freestyle Motocross (FMX) geeks. Prior to working with INSIGHT TV and XTreme Video they showed off their skills online and on local TV. They are part of a worldwide wave of XTreme creators and social media influencers that have become celebrities to the 16 to 24-year-old Generation Z demographic. Gregg Bywalski, CEO XTreme Video says, "TVs biggest challenge right now is to reach that younger audience because they don't watch TV, they've found their new influencers online. When we bring them to the TV screen we don't want the programme to be like any other TV show. They need to have their own show and they need to have something that they can't get online and that's what we're doing with INSIGHT TV and Inside the Masters of Dirt. The beauty of the show is that the viewers can see what these guys do outside the arena in their everyday lives. At the end of the arena shows they don't go their separate ways: it's a community, they eat together, work together, party together and fight together. The viewers get to see what goes on behind the stunts and the crashes and that's a real draw for Generation Z."

As well as being hugely influential to the younger demographic, Xtreme creators are also important to technology providers. Action sports filmmakers and outdoor photographers are always early adopters of the best technology in filmography, filmmaking, virtual reality and the latest in 4K UHD footage. Higher frame rates and the very best in high-definition quality is essential to the filming of the world's most extreme stunts and performance sports. It's impossible for viewers to capture the essence of the action without the most detailed capture of its impact from the field.

The massive success of action cameras is due in part to the fact that Xtreme creators quickly adapted to the camera and understood how they could use it. They were the first to try 3D, HD and now UHD, which is a perfect fit for this genre of TV due to the visual nature of the show and how precisely it reflects the moves they make on the bike in whichever stunt they perform. Then there's the scenery in many stunning locations.

For the arena shoots the stunts are carefully choreographed and are executed precisely but the end result is always unpredictable as the potential outcome of risky stunts, tricks or feats, even in an enclosed venue or at big stadium shows, can never be known exactly. The production team rigs the shoots so that they can capture the very best angles and shots for the INSIGHT TV show. Most of the action is recorded on two Sony FS700 4K UHD cameras using Odyssey 7Q 4K recorders. One of the Sony cameras is fixed with a wider lens on a Steadicam set-up. The crew also uses a Sony A6300 UHD camera when it's not possible to use the larger cameras on location, in cars and at parties etc.

Other than the amazing visual quality that 4K UHD brings there are other benefits to shooting in UHD. Bywalski explains, "UHD allows us to capture larger scenes. At the editing stage, we can use close ups of those scenes, which means that we can zoom in one area of the image and capture the moment in UHD, which is amazing." However, despite the huge benefits that UHD brings there is a big technical gap. He adds, "We need operators to provide more UHD signals to end users because UHD is the next viewing experience for consumers around the world, there is no doubt about that. 3D was just a gimmick but UHD is something that's going to come very quickly and be adopted by everyone."

As well as the many advantages, the M.O.D team also faced some challenges during the shoot such as working with a travelling production crew, which could be difficult. They had limited time to charge equipment, prepare for shoots, manage drivers and there are many unpredictable factors that they had to work around on the fly. Shooting locations could also be incredibly dangerous.

Inside the Masters of Dirt is available on INSIGHT TV from 22nd April 2017 on the channel's 4K UHD SVOD platform, which is available via its website (INSIGHT.TV) to subscribers globally or via iOS and Android devices using the INSIGHT TV App. It's also available on platforms across Europe including Sky in the UK.


Tags: iss124 | insight | masters of dirt | motocross | freestyle | fs700 | sony fs700 | 4k | uhd | Rian Bester
Contributing Author Rian Bester

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Net Insight at IBC2011

    Net Insight at IBC2011

  • Kino Flo Celeb 850 and Freestyle LED lights at IBC 2017

    Kino Flo Celeb 850 and Freestyle LED lights at IBC 2017

  • Hireacamera at BVE North 2012

    Hireacamera at BVE North 2012

  • Apantac UHD 4k Multiviewer at NAB 2019

    Apantac UHD 4k Multiviewer at NAB 2019

  • Apantac 4k UHD HDMI/DVI Multiviewer with KVM at IBC 2018

    Apantac 4k UHD HDMI/DVI Multiviewer with KVM at IBC 2018

  • IMT Vislink HCAM 4k UHD transmitter at IBC 2018

    IMT Vislink HCAM 4k UHD transmitter at IBC 2018

  • 4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018

    4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018

  • JVC 4K UHD Monitors at IBC 2017

    JVC 4K UHD Monitors at IBC 2017

  • Adder show super low latency 4k KVM with Autodesk at IBC 2019

    Adder show super low latency 4k KVM with Autodesk at IBC 2019

  • JVC delivers the GY-HC500 and GY-HC550 4k connected cam at IBC 2019

    JVC delivers the GY-HC500 and GY-HC550 4k connected cam at IBC 2019

  • CamBall 4Ki 50/60p 18x Zoom waterproof 12g SDI PTZ camera from BR Remote at IBC 2019

    CamBall 4Ki 50/60p 18x Zoom waterproof 12g SDI PTZ camera from BR Remote at IBC 2019

  • 4k HEVC Contribution by VITEC at IBC 2019

    4k HEVC Contribution by VITEC at IBC 2019

  • Adder Infinity 4000 showing Dual-Head 4k60 KVM at IBC 2019

    Adder Infinity 4000 showing Dual-Head 4k60 KVM at IBC 2019

  • Wireless 4k transmission from BOXX TV at NAB 2019

    Wireless 4k transmission from BOXX TV at NAB 2019

  • Boxx TV Wireless 4K Sub-Frame Breakthrough at NAB 2019

    Boxx TV Wireless 4K Sub-Frame Breakthrough at NAB 2019

  • ADDERLink Infinity 4000 4k KVM at NAB 2019

    ADDERLink Infinity 4000 4k KVM at NAB 2019

  • Compact 4k Cameras CE420-CS, CV506 and CV503 from Marshall at NAB 2019

    Compact 4k Cameras CE420-CS, CV506 and CV503 from Marshall at NAB 2019

  • Lynx Technik Evie 4k HDR to SDR Conversion at NAB 2019

    Lynx Technik Evie 4k HDR to SDR Conversion at NAB 2019

  • Teradek demonstrates the Bolt 4K Wireless Video System at NAB2019

    Teradek demonstrates the Bolt 4K Wireless Video System at NAB2019

  • Matrox Unveils Monarch EDGE 4K Contribution Encoder at IBC 2018

    Matrox Unveils Monarch EDGE 4K Contribution Encoder at IBC 2018

  • 12G 4K microMUSA Jackfield and Fibre Termination Solutions from Canford at IBC 2018

    12G 4K microMUSA Jackfield and Fibre Termination Solutions from Canford at IBC 2018

  • Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

    Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

  • JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

    JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Omnitek Updates for Ultra 4k Toolbox at NAB 2018

    Omnitek Updates for Ultra 4k Toolbox at NAB 2018

  • 4k and HEVC with Garland at BVE 2018

    4k and HEVC with Garland at BVE 2018

  • 6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

    6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

  • The CFU5 4k Transmitter from Vislink at IBC 2017

    The CFU5 4k Transmitter from Vislink at IBC 2017

  • Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

    Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

  • AJA Thunderbolt 3 IO 4k Plus at IBC 2017

    AJA Thunderbolt 3 IO 4k Plus at IBC 2017

  • HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

    HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

  • Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

    Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

  • 4k 60 Matrix from GDSYS at NAB 2017

    4k 60 Matrix from GDSYS at NAB 2017

  • HEVC 4k Encoding from Aviwest at NAB 2017

    HEVC 4k Encoding from Aviwest at NAB 2017

  • Apantac 4k live demo at NAB 2016

    Apantac 4k live demo at NAB 2016

  • Omnitek Ultra 4K Tool Box at IBC 2015

    Omnitek Ultra 4K Tool Box at IBC 2015

  • Snell Advanced Media (SAM) 4k workflow at IBC 2015

    Snell Advanced Media (SAM) 4k workflow at IBC 2015

  • MULTIDYNE Silverback 4k at NAB 2015

    MULTIDYNE Silverback 4k at NAB 2015

  • Atomos talking 4K on BroadcastShow LIVE at IBC 2013

    Atomos talking 4K on BroadcastShow LIVE at IBC 2013

  • Apantac Mi-16 UHD Multiviewer at NAB 2019

    Apantac Mi-16 UHD Multiviewer at NAB 2019

  • Ikegami 8k camera at IBC 2016

    Ikegami 8k camera at IBC 2016

  • Ikegami HQLM-3120W monitor at IBC 2016

    Ikegami HQLM-3120W monitor at IBC 2016

  • Ikegami UHK-430 camera at IBC 2016

    Ikegami UHK-430 camera at IBC 2016

  • BBright at IBC 2015

    BBright at IBC 2015

  • Hitachi at IBC 2014

    Hitachi at IBC 2014

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • YouTube and the myths, the business and the opportunities

    YouTube and the myths, the business and the opportunities

  • Panasonic Lumix GH5 at BVE 2017

    Panasonic Lumix GH5 at BVE 2017

  • Garland at BVE 2017

    Garland at BVE 2017

  • Video Devices PIX-E at IBC 2016

    Video Devices PIX-E at IBC 2016

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • AVIWEST at IBC 2015

    AVIWEST at IBC 2015

  • Thomson Video Networks at IBC 2015

    Thomson Video Networks at IBC 2015

  • Lynx Technik at IBC 2015

    Lynx Technik at IBC 2015

  • JVC at BVE 2015

    JVC at BVE 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • Gearhouse Broadcast at BVE 2015

    Gearhouse Broadcast at BVE 2015

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • Tektronix at IBC 2014

    Tektronix at IBC 2014

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Cooke Optics talk anamorphic at IBC 2014

    Cooke Optics talk anamorphic at IBC 2014

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • MultiDyne SilverBACK at IBC 2014

    MultiDyne SilverBACK at IBC 2014

  • BBright at IBC 2014

    BBright at IBC 2014

  • Guntermann and Drunck DP-HR range at IBC 2014

    Guntermann and Drunck DP-HR range at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Matrox Monarch HD at NAB 2014

    Matrox Monarch HD at NAB 2014

  • Elemental Technologies Software-Defined Video at NAB 2014

    Elemental Technologies Software-Defined Video at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Matrox Capture Card at NAB 2014

    Matrox Capture Card at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Guntermann and Drunck at BVE 2014

    Guntermann and Drunck at BVE 2014

  • Philip Bloom on Tour in Belfast

    Philip Bloom on Tour in Belfast

  • Cinegy on BroadcastShow LIVE at IBC 2013

    Cinegy on BroadcastShow LIVE at IBC 2013

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Miranda on BroadcastShow LIVE at IBC 2013

    Miranda on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • JVC GY-HM600 series camera updates at IBC 2013

    JVC GY-HM600 series camera updates at IBC 2013

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Multidyne SilverBack, BullDog and Spider at IBC 2013

    Multidyne SilverBack, BullDog and Spider at IBC 2013

  • Cinegy at IBC 2013

    Cinegy at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • MultiDyne: SilverBACK at NAB 2013

    MultiDyne: SilverBACK at NAB 2013

  • Quantel Pablo Rio at NAB 2013

    Quantel Pablo Rio at NAB 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • JVC at BVE 2012

    JVC at BVE 2012

  • New UHD output multiviewer from Apantac at IBC 2019

    New UHD output multiviewer from Apantac at IBC 2019

  • SMPTE 2110, UHD and HDR solutions from Phabrix at NAB 2019

    SMPTE 2110, UHD and HDR solutions from Phabrix at NAB 2019

  • QX Hybrid 2110/12G-SDI UHD Rasterizer from Phabrix at IBC 2018

    QX Hybrid 2110/12G-SDI UHD Rasterizer from Phabrix at IBC 2018

  • Apantac UHD conversion technology at IBC 2016

    Apantac UHD conversion technology at IBC 2016


Related Shows
  • KitPlus TV featuring Sony A7SIII, Audio over IP and we ask is the full frame look just a myth?

    KitPlus TV featuring Sony A7SIII, Audio over IP and we ask is the full frame look just a myth?


Articles
Connect A Broadcast-Quality Miniature Camera To Your Computer!
Spencer Doran Upgrade any home working or live streaming setup with a broadcast-quality professional webcam
Tags: webcam | marshall | CV503 | USB | ZOOM | Streaming | Spencer Doran
Contributing Author Spencer Doran Click to read
CLASS Is Remote Cloud Working the New Norm
Bruce Devlin - new The Tuk-tuk driver has just dropped us off at the hotel in Jaipur. The guard has let us through the gates, past the dogs and the obligatory cow rummaging in the garbage. We wash our hands, head for the bar and before the first Kingfisher beer arrives, I am connected to the virtual Mr MXF compute kingdom where a million unread emails, Slack messages, requests for help with broken workflows and rejected files are waiting on a collection of virtual servers somewhere in cloud-land.
Tags: iss142 | mrmxf | mr mxf | covid-19 | remote | gotomeeting | Bruce Devlin - new
Contributing Author Bruce Devlin - new Click to read or download PDF
State of the Nation and Virtual Social Distancing
Dick Hobbs - new Under normal circumstances, I usually make my plans for NAB in November time. It’s when the airlines tend to have sales. This year, for personal reasons, I did not get around to booking back then, and it was only at the end of February that I could start thinking about it.
Tags: iss142 | nab | kitplus show | iabm | darren whitehead | warner media | streaming | Dick Hobbs - new
Contributing Author Dick Hobbs - new Click to read or download PDF
TVFutures My Dive in to Learning
Lucy Crow In 2014 I had my first taste of underwater diving. I was on a family holiday and I happened across the experience of a lifetime. Within the first few minutes of that adventure I had decided that I wanted to be part of the diving world going forward. After countless dives and extensive training to become a scuba diving instructor, I made the decision to attend university. I knew that whatever I was going to study, I wanted it to involve my passion for Scuba.
Tags: iss142 | ccitv | university portsmouth | scuba | go-pro | blue planet | Lucy Crow
Contributing Author Lucy Crow Click to read or download PDF
The Importance of Audio Production Systems
Tom Knowles Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With music being such a core component of their appeal to growing audiences, in both linear broadcast and online, nowhere is that more important than their audio production systems.
Tags: iss142 | ssl | solid state logic | system T | tempest engine | binaural encoder | Tom Knowles
Contributing Author Tom Knowles Click to read or download PDF