Training for media - who should do it?


Martin Uren TV-Bay Magazine
Read ezine online
by Martin Uren
Issue 99 - March 2015

Simple enough to ask, but any possible answer to the question of who should train those working in the media industries, or more specifically the moving image industries, is complex and involves many interrelated factors. I would like to explore the issues, and maybe present some suggestions on how we might do a better job of preparing and engaging particularly the new entrants into our workforce in training and CPD (Continuous Professional Development).
New entrants to our industry today are faced with a very different landscape to the one that existed twenty or more years ago. Changes have been driven by factors such as: Ever increasing pressure on costs, the digital revolution being seen as a panacea, the fragmentation of the industry into smaller organisational units and a largely freelance workforce, and a culture that does not seem to support development and training at anywhere near the levels seen in the past.

Production budgets are always under pressure. The expectation that 'digital' means that more can be done with less, was undoubtedly true to an extent, but now we seem to have gone beyond that 'digital dividend' and budgets continue to be driven downwards. To meet these demands, training is often first in the firing line. It is an easy target because it has such little impact on the quality of what goes on screen. This short-termism has become culturally embedded in many parts of our industry, so it should be no real surprise that now there is often a problem in recruiting suitable people into key team roles.

The digital age has brought with it the perception in some that content generation and distribution has become so simple that almost anyone can do it. Digital kit is, on the whole, much more reliable these days. Some make the leap to thinking that because the systems don't break down as much, then everything is simpler. The opposite is, of course, the case. The hardware and software systems we use are far more complicated, and the skills and knowledge needed to operate and maintain them successfully are every bit as deep as they were in the past. Using people who cost less but are lacking in relevant skills can be very expensive, even in the short term. What price do you put on a lost day's filming because the DIT (Digital Imaging Technician) didn't know what they were doing? Maybe dropping a runner who seemed to be able to manage their smart phone technology pretty well into the role wasn't the best idea after all.

Working life these days is different for everyone, not just in the media industries, but across all UK economic sectors. Smaller organisations have a lean and mean approach to staffing. There is no slack in the system to absorb the learning on the job from one's peers. This 'sitting by Nellie' approach to informal and formal staff training taught many how to put the theory learned on a degree course or knowledge-based training course, into practice. All too often now new workers are dropped in at the deep end with a sink-or-swim philosophy. And if you do sink, well there are plenty more eager fish in the sea only too keen to leap into your shoes (sorry about the mixed metaphors!)

Then there is the fragmented nature of the workforce. Most production crews are freelance, and who will pay for their training? If you are hiring a new crew member then you want someone with the right experience to perform professionally, reliably and technically, and fit in with the rest of the team. So how does a new entrant break into this and gain the relevant experience to become a valuable freelancer? Look at the production teams of some long running series and you might find the same crew has worked for maybe 5 years without change, and all are over the age of 45.

Over the last 30 years of designing and delivering training courses for media organisations, I have seen the significant changes that have taken place in attitudes to training within media organisations. Twenty-five years ago, many broadcasters had a training department, with a training manager, training officer and training administrators. But then, many more staff were employed in programme making, with much fewer freelancers. The BBC had a thriving production operations and engineering training culture centred on Wood Norton. Now most productions are crewed by freelancers, who are left to provide their own training and development, and the responsibility for in-house staff training is often put on departmental managers who take a 'just-in-time' approach to training when new technologies or new kit arrives on the scene. Longer-term staff development takes a much lower priority, or does not exist at all. As a result there is a skills gap, with industry desperately seeking suitably qualified, experienced and motivated team players for key roles in the content chain.

So, what might we be able to do to counter this and begin to move to a more enlightened culture in the media industries, truly appreciating the value and potential of those making up our workforce?

Well, some larger organisations like BBC, Sky and BT have woken up to the fact that they will need to have long term continuity in the workforce to keep them supplied with proficient, productive and creative technical and production staff, and have launched a variety of apprenticeships and similar schemes.

These and other similar initiatives are most welcome and will soon begin to bear fruit. What more could be done? It seems to me that we need to address the issues described above from as many different angles as possible. Employers should not expect that a graduate fresh from a media production or media technology course can necessarily walk right into an on-set role. It should be the role of HEIs (Higher Education Institutes) offering practical media production and technology courses to develop individuals so that they have the potential to fulfil a role, with as much knowledge and practical experience as possible within the confines of a HE course. HEIs do not make job-ready graduates. For that industry must take some responsibility, reduce its expectation of degree courses and therefore graduates, and work more closely with HEIs to offer realistic, and valuable work experience opportunities on real productions. It should be the norm that there are always trainees and work experience students on productions and in all parts of the content production and post-production chain.

This would also help to make graduate expectations more realistic. We need a way round the following conundrum. At the best institutions undergraduates are exposed to realistic production workflows and working conditions, in multi-camera HD studios, making programmes at a professional level, and guided by industry professionals. It should not be altogether surprising that some might come away with the belief that they should expect to move straight into the equivalent roles on real budgeted programmes or features. Blending realistic reminders of their standing in the real world from tutors and better integration of suitably structured real work experiences can perhaps address these false expectations.

So encouraging more industry/education partnerships looks like a solid way forward. Industry to provide the experience of real working conditions, while education provides the underpinning technical knowledge and individual developmental and personal skills within a structured simulated work environment.

The Skillset Tick scheme and the BKSTS Course Accreditation scheme are two distinctive schemes of industry-based accreditation of degree level courses. Each takes a different approach and has a different range of benefits, but they are both aiming to raise the standards and relevance of degree courses aimed at producing graduates for our industry. The ITTP (Institute for Training in Television Production) is taking a complementary approach with its Approved Skills scheme to accredit individuals. It is early days for the ITTP scheme, but I believe that the double-handed approach of accrediting both courses and individuals should help to define the requirements our industry has for its key production and technical roles, provide an industry-accepted benchmark for those roles, and provide opportunities for collaborations between industry and education to improve the calibre of students and other new entrants into our industry.


Tags: iss099 | ittp | training | industry | tv | film | students | skills | broadcast | Martin Uren
Submitted by Martin Uren

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    ERA - Adobe Anywhere - at BVE 2015

  • Brainstorm Multimedia at BVE 2015

    Brainstorm Multimedia at BVE 2015

  • BeyondHD - Exoskeleton - at BVE 2015

    BeyondHD - Exoskeleton - at BVE 2015

  • BeyondHD - Drones at BVE 2015

    BeyondHD - Drones at BVE 2015

  • LCA - Snapgrid lighting control - BVE 2015

    LCA - Snapgrid lighting control - BVE 2015

  • Sachtler Tripods at BVE 2015

    Sachtler Tripods at BVE 2015

  • BeyondHD - Letus Helix Gimbal System at BVE 2015

    BeyondHD - Letus Helix Gimbal System at BVE 2015

  • JVC at BVE 2015

    JVC at BVE 2015

  • EditShare at BVE 2015

    EditShare at BVE 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • Cavena Image Products at BVE 2015

    Cavena Image Products at BVE 2015

  • Autocue at BVE 2015

    Autocue at BVE 2015

  • NETIA at BVE 2015

    NETIA at BVE 2015

  • AntonBauer at BVE 2015

    AntonBauer at BVE 2015

  • Rosco at BVE 2015

    Rosco at BVE 2015

  • CameraCorps at BVE 2015

    CameraCorps at BVE 2015

  • PlayBox at BVE 2015

    PlayBox at BVE 2015

  • NUGEN Audio at BVE 2015

    NUGEN Audio at BVE 2015

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • PAG talk about flying with batteries at IBC 2014

    PAG talk about flying with batteries at IBC 2014

  • Philip Blooms recommendations at IBC 2014

    Philip Blooms recommendations at IBC 2014

  • BroadStream ARMADA at IBC 2014

    BroadStream ARMADA at IBC 2014

  • BroadStream OASYS at IBC 2014

    BroadStream OASYS at IBC 2014

  • BroadStream CURRENT at IBC 2014

    BroadStream CURRENT at IBC 2014

  • BroadStream HARBOR at IBC 2014

    BroadStream HARBOR at IBC 2014

  • Panasonic show VariCam at IBC 2014

    Panasonic show VariCam at IBC 2014

  • Dalet at IBC 2014

    Dalet at IBC 2014

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • Tedial at IBC 2014

    Tedial at IBC 2014

  • NOA Archive Solutions at IBC 2014

    NOA Archive Solutions at IBC 2014

  • Phabrix top secret area at IBC 2014

    Phabrix top secret area at IBC 2014

  • Phabrix RX series at IBC 2014

    Phabrix RX series at IBC 2014

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • Tektronix at IBC 2014

    Tektronix at IBC 2014

  • Clear-Com LinQ at IBC 2014

    Clear-Com LinQ at IBC 2014

  • Clear-Com FreeSpeak II at IBC 2014

    Clear-Com FreeSpeak II at IBC 2014

  • Ross Video Acuity at IBC 2014

    Ross Video Acuity at IBC 2014

  • openTruck from Ross Video at IBC 2014

    openTruck from Ross Video at IBC 2014

  • WohlerGateway at IBC 2014

    WohlerGateway at IBC 2014

  • Wohler MPEG Monitoring Series at IBC 2014

    Wohler MPEG Monitoring Series at IBC 2014

  • CueScript EMC prompter and control surface at IBC 2014

    CueScript EMC prompter and control surface at IBC 2014

  • Hive Lighting Wasp Plasma Par at IBC 2014

    Hive Lighting Wasp Plasma Par at IBC 2014

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Cooke Optics talk anamorphic at IBC 2014

    Cooke Optics talk anamorphic at IBC 2014

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • Photon Beard Platinum Blonde at IBC 2014

    Photon Beard Platinum Blonde at IBC 2014

  • Photon Beard Photon Beam at IBC 2014

    Photon Beard Photon Beam at IBC 2014

  • MultiDyne SilverBACK at IBC 2014

    MultiDyne SilverBACK at IBC 2014

  • Dejeros products at IBC 2014

    Dejeros products at IBC 2014

  • Zylight Fresnel updates at IBC 2014

    Zylight Fresnel updates at IBC 2014

  • Pronology at IBC 2014

    Pronology at IBC 2014

  • TMD summarises their work this year at IBC 2014

    TMD summarises their work this year at IBC 2014

  • Thomson Video Networks at IBC 2014

    Thomson Video Networks at IBC 2014

  • BBright at IBC 2014

    BBright at IBC 2014

  • WORK Microwave at IBC 2014

    WORK Microwave at IBC 2014

  • EBS at IBC 2014

    EBS at IBC 2014

  • Visual Unity at IBC 2014

    Visual Unity at IBC 2014

  • Hitachi at IBC 2014

    Hitachi at IBC 2014

  • KITPLUS at IBC 2014

    KITPLUS at IBC 2014

  • Comigo at IBC 2014

    Comigo at IBC 2014

  • AVIWEST at IBC 2014

    AVIWEST at IBC 2014

  • Viaccess-Orca at IBC 2014

    Viaccess-Orca at IBC 2014

  • Harmonic at IBC 2014

    Harmonic at IBC 2014

  • Guntermann and Drunck DP-HR range at IBC 2014

    Guntermann and Drunck DP-HR range at IBC 2014

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • SIS LIVE ManPak and LoStow at IBC 2014

    SIS LIVE ManPak and LoStow at IBC 2014

  • Cobham satellite EXPLORER products at IBC 2014

    Cobham satellite EXPLORER products at IBC 2014

  • Cobham new receiver at IBC 2014

    Cobham new receiver at IBC 2014

  • Fibrenetix with StorageDNA at IBC 2014

    Fibrenetix with StorageDNA at IBC 2014

  • Cinegy at IBC 2014

    Cinegy at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Front Porch Digital at IBC 2014

    Front Porch Digital at IBC 2014

  • TMD Mediaflex at IBC 2014

    TMD Mediaflex at IBC 2014

  • TMD at IBC 2014

    TMD at IBC 2014

  • Pixel Power Buzz at IBC 2014

    Pixel Power Buzz at IBC 2014

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Telestream Wirecast and Switch at IBC 2014

    Telestream Wirecast and Switch at IBC 2014

  • Telestream Vantage support for DPP at IBC 2014

    Telestream Vantage support for DPP at IBC 2014

  • Facilis at IBC 2014

    Facilis at IBC 2014

  • Fibrenetix with Quadrus at IBC 2014

    Fibrenetix with Quadrus at IBC 2014

  • Sonnet Technologies Thunderbolt Chassis at IBC 2014

    Sonnet Technologies Thunderbolt Chassis at IBC 2014

  • Volicon Products at IBC 2014

    Volicon Products at IBC 2014

  • Volicon at IBC 2014

    Volicon at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Metus at IBC 2014

    Metus at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • ChyronHego Lyric PRO at IBC 2014

    ChyronHego Lyric PRO at IBC 2014

  • Sonys new cameras at IBC 2014 - including the FS7

    Sonys new cameras at IBC 2014 - including the FS7

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • Matrox Monarch HD at NAB 2014

    Matrox Monarch HD at NAB 2014

  • Metus at NAB 2014

    Metus at NAB 2014

  • MultiDyne Products at NAB 2014

    MultiDyne Products at NAB 2014

  • Nugen Audio at NAB 2014

    Nugen Audio at NAB 2014

  • PAG Batteries at NAB 2014

    PAG Batteries at NAB 2014

  • Phabrix RX rack mount range at NAB 2014

    Phabrix RX rack mount range at NAB 2014

  • Phabrix at NAB 2014

    Phabrix at NAB 2014

  • Phabrix TAG at NAB 2014

    Phabrix TAG at NAB 2014

  • Pixel Power at NAB 2014

    Pixel Power at NAB 2014

  • Polecam presents award to AMS Pictures at NAB 2014

    Polecam presents award to AMS Pictures at NAB 2014

  • Pronology at NAB 2014

    Pronology at NAB 2014

  • Quantel Pablo Rio at NAB 2014

    Quantel Pablo Rio at NAB 2014

  • Quantel Enterprise sQ at NAB 2014

    Quantel Enterprise sQ at NAB 2014

  • Quantel QTube at NAB 2014

    Quantel QTube at NAB 2014

  • RTW at NAB 2014

    RTW at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • SIS LIVE product range at NAB 2014

    SIS LIVE product range at NAB 2014

  • SIS LIVE ManPak at NAB 2014

    SIS LIVE ManPak at NAB 2014

  • Softron MovieRecorder updates at NAB 2014

    Softron MovieRecorder updates at NAB 2014

  • Sony Alpha7S at NAB 2014

    Sony Alpha7S at NAB 2014

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Studio Technologies at NAB 2014

    Studio Technologies at NAB 2014

  • Telestream Enterprise at NAB 2014

    Telestream Enterprise at NAB 2014

  • Telestream Switch at NAB 2014

    Telestream Switch at NAB 2014

  • Perception at NAB 2014

    Perception at NAB 2014

  • Visual Unity at NAB 2014

    Visual Unity at NAB 2014

  • Volicon at NAB 2014

    Volicon at NAB 2014

  • Calrec Summa at NAB 2014

    Calrec Summa at NAB 2014

  • ChyronHego PowerClips at NAB 2014

    ChyronHego PowerClips at NAB 2014

  • ChyronHego at NAB 2014

    ChyronHego at NAB 2014

  • Cinegy at NAB 2014

    Cinegy at NAB 2014

  • Clear-Com ProGrid at NAB 2014

    Clear-Com ProGrid at NAB 2014

  • Clear-Com HelixNet Partyline at NAB 2014

    Clear-Com HelixNet Partyline at NAB 2014

  • Cobalt Digital at NAB 2014

    Cobalt Digital at NAB 2014

  • CueScript Prompters at NAB 2014

    CueScript Prompters at NAB 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Dejero at NAB 2014

    Dejero at NAB 2014

  • DPA Microphones at NAB 2014

    DPA Microphones at NAB 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Elemental Technologies Software-Defined Video at NAB 2014

    Elemental Technologies Software-Defined Video at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Ericsson at NAB 2014

    Ericsson at NAB 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • Haivision at NAB 2014

    Haivision at NAB 2014

  • IMT at NAB 2014

    IMT at NAB 2014

  • Inmarsat at NAB 2014

    Inmarsat at NAB 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • JVC concept products at NAB 2014

    JVC concept products at NAB 2014

  • Libec ALLEX slider system at NAB 2014

    Libec ALLEX slider system at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Matrox Capture Card at NAB 2014

    Matrox Capture Card at NAB 2014

  • ATEME at NAB 2014

    ATEME at NAB 2014

  • Atomos Shogun and Ninja Star at NAB 2014

    Atomos Shogun and Ninja Star at NAB 2014

  • Atomos Operating System at NAB 2014

    Atomos Operating System at NAB 2014

  • Atomos at NAB 2014

    Atomos at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Brainstorm Multimedia at NAB 2014

    Brainstorm Multimedia at NAB 2014

  • NAB 2014

    NAB 2014

  • BVE 2014

    BVE 2014

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • Cambridge Imaging Systems at BVE 2014

    Cambridge Imaging Systems at BVE 2014

  • RTS Omneo at BVE 2014

    RTS Omneo at BVE 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • Videosys Wireless Transmitters at BVE 2014

    Videosys Wireless Transmitters at BVE 2014

  • Angelbird SSDs at BVE 2014

    Angelbird SSDs at BVE 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • Tally Technologies at BVE 2014

    Tally Technologies at BVE 2014

  • Sony Camcorders at BVE 2014

    Sony Camcorders at BVE 2014

  • Sony Monitors at BVE 2014

    Sony Monitors at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Sennheiser HDM Pro at BVE 2014

    Sennheiser HDM Pro at BVE 2014

  • Wohler DPP at BVE 2014

    Wohler DPP at BVE 2014

  • DPA Microphones and Bubblebee Industries at BVE 2014

    DPA Microphones and Bubblebee Industries at BVE 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Guntermann and Drunck at BVE 2014

    Guntermann and Drunck at BVE 2014

  • Matrox Monarch HD and VS4 at BVE 2014

    Matrox Monarch HD and VS4 at BVE 2014

  • Metus Ingest at BVE 2014

    Metus Ingest at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • Wohler MPEG Monitoring at BVE 2014

    Wohler MPEG Monitoring at BVE 2014

  • TSL Products SAM1 MADI at BVE 2014

    TSL Products SAM1 MADI at BVE 2014

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • Grass Valley at BVE 2014

    Grass Valley at BVE 2014

  • ERA at BVE 2014

    ERA at BVE 2014

  • ERA Avere at BVE 2014

    ERA Avere at BVE 2014

  • Camdec at BVE 2014

    Camdec at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • Glensound Cub at BVE 2014

    Glensound Cub at BVE 2014

  • JVC HM850 at BVE 2014

    JVC HM850 at BVE 2014

  • Pinewood TOUR!

    Pinewood TOUR!

  • Belfast TOUR

    Belfast TOUR

  • Philip Bloom on Tour in Belfast

    Philip Bloom on Tour in Belfast

  • TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • Calrec Callisto at IBC 2013

    Calrec Callisto at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • DPA Microphones at IBC 2013

    DPA Microphones at IBC 2013

  • Glensound with the USB Commentary Mixer at IBC 2013

    Glensound with the USB Commentary Mixer at IBC 2013

  • Broadstream Solutions on the Oasys stand at IBC 2013

    Broadstream Solutions on the Oasys stand at IBC 2013

  • Oasys Chameleon at IBC 2013

    Oasys Chameleon at IBC 2013

  • Loft London Solutions with Cubix on the Oasys stand at IBC 2013

    Loft London Solutions with Cubix on the Oasys stand at IBC 2013

  • RTW at IBC 2013

    RTW at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Atomos Ninja2 Recorder at IBC 2013

    Atomos Ninja2 Recorder at IBC 2013

  • Atomos Ronin at IBC 2013

    Atomos Ronin at IBC 2013

  • Atomos new Samurai Blade at IBC 2013

    Atomos new Samurai Blade at IBC 2013

  • Autocue DSLR Prompter using iPad at IBC 2013

    Autocue DSLR Prompter using iPad at IBC 2013

  • Blueshape Batteries at IBC 2013

    Blueshape Batteries at IBC 2013

  • Datacolor Spyder on the Atomos stand at IBC 2013

    Datacolor Spyder on the Atomos stand at IBC 2013

  • i-Movix Slow Motion and D-Flicker at IBC 2013

    i-Movix Slow Motion and D-Flicker at IBC 2013

  • JVC GY-HM600 series camera updates at IBC 2013

    JVC GY-HM600 series camera updates at IBC 2013

  • Marshall Monitors at IBC 2013

    Marshall Monitors at IBC 2013

  • Metus MAM and Ingest at IBC 2013

    Metus MAM and Ingest at IBC 2013

  • Polecams range of accessories and minicams at IBC 2013

    Polecams range of accessories and minicams at IBC 2013

  • Tektronix at IBC 2013

    Tektronix at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • TSL Systems at IBC 2013

    TSL Systems at IBC 2013

  • Zylight LED Fresnel at IBC 2013

    Zylight LED Fresnel at IBC 2013

  • Pixel Power at IBC 2013

    Pixel Power at IBC 2013

  • Albis Technologies celebrating ten years at IBC 2013

    Albis Technologies celebrating ten years at IBC 2013

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Brainstorm with Aston demonstration at IBC 2013

    Brainstorm with Aston demonstration at IBC 2013

  • Brainstorm at IBC 2013

    Brainstorm at IBC 2013

  • Bridge Technologies QoE Monitoring with Mobile Videowall Display at IBC 2013

    Bridge Technologies QoE Monitoring with Mobile Videowall Display at IBC 2013

  • Broadpeak at IBC 2013

    Broadpeak at IBC 2013

  • Cobham transmitters at IBC 2013

    Cobham transmitters at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • Multidyne SilverBack, BullDog and Spider at IBC 2013

    Multidyne SilverBack, BullDog and Spider at IBC 2013

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • SIS LIVE and their products ManPak and DriveForce at IBC 2013

    SIS LIVE and their products ManPak and DriveForce at IBC 2013

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • ChyronHego Paint at IBC 2013

    ChyronHego Paint at IBC 2013

  • Cinegy at IBC 2013

    Cinegy at IBC 2013

  • ChyronHego Virtual Placement at IBC 2013

    ChyronHego Virtual Placement at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Global Distribution with mLogic at IBC 2013

    Global Distribution with mLogic at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Softron Media at IBC 2013

    Softron Media at IBC 2013

  • Viaccess-Orca at IBC 2013

    Viaccess-Orca at IBC 2013

  • Quantel Pablo Rio at IBC 2013

    Quantel Pablo Rio at IBC 2013

  • Quantels Stream-based Workflows at IBC 2013

    Quantels Stream-based Workflows at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • Matrox Maevex at IBC 2013

    Matrox Maevex at IBC 2013

  • Matrox Avio at IBC 2013

    Matrox Avio at IBC 2013

  • Matrox Video with Monarch HD at IBC 2013

    Matrox Video with Monarch HD at IBC 2013

  • NuGen Audio at IBC 2013

    NuGen Audio at IBC 2013

  • London TOUR!

    London TOUR!

  • Jampro Antennas at NAB 2013

    Jampro Antennas at NAB 2013

  • Vimond Control Center at NAB 2013

    Vimond Control Center at NAB 2013

  • BVE 2013

    BVE 2013

  • ProVideo2011

    ProVideo2011

  • IBC2011

    IBC2011

  • Atom Lite from Boxx at NAB 2017

    Atom Lite from Boxx at NAB 2017

  • KitPlus Show 2015 Highlights

    KitPlus Show 2015 Highlights

  • NAB 2015 Kit Overview

    NAB 2015 Kit Overview

  • Visionary Solutions at NAB 2013

    Visionary Solutions at NAB 2013

  • Telestream Vantage v5 at NAB 2013

    Telestream Vantage v5 at NAB 2013

  • Autocue at NAB 2013

    Autocue at NAB 2013

  • Visionary Solutions at NAB 2012

    Visionary Solutions at NAB 2012

  • Pixelution at BVE North 2011

    Pixelution at BVE North 2011

  • Harmonic at IBC2011

    Harmonic at IBC2011

  • S and T at IBC2011

    S and T at IBC2011

  • Camera Corps at IBC2011

    Camera Corps at IBC2011

  • Soft Vallee at IBC2011

    Soft Vallee at IBC2011

  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • KitPlus filming rig used at BVE 2017

    KitPlus filming rig used at BVE 2017

  • Filming kit review from NAB

    Filming kit review from NAB

  • Digital Film Technology at IBC2011

    Digital Film Technology at IBC2011

  • Fujinon 18-55 Lens at BVE 2017

    Fujinon 18-55 Lens at BVE 2017

  • Photon Beard: Space Light at NAB 2013

    Photon Beard: Space Light at NAB 2013

  • DJI Innovations at BVE 2013

    DJI Innovations at BVE 2013

  • Cintel at NAB 2012

    Cintel at NAB 2012

  • IAC at ProVideo2011

    IAC at ProVideo2011

  • Cintel at IBC2011

    Cintel at IBC2011

  • Image Systems at IBC2011

    Image Systems at IBC2011

  • Tour Seminar - Everything you need to know about drones...

    Tour Seminar - Everything you need to know about drones...

  • Intelligent solutions from Broadcast Bionics at NAB 2018

    Intelligent solutions from Broadcast Bionics at NAB 2018

  • Marquis Broadcast show Backup Versioning at NAB 2018

    Marquis Broadcast show Backup Versioning at NAB 2018

  • Interra Systems Broadcast at NAB 2018

    Interra Systems Broadcast at NAB 2018

  • 3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018

    3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018

  • Broadcast Bionics show the Bionics Studio at BVE 2018

    Broadcast Bionics show the Bionics Studio at BVE 2018

  • Telos Infinity IP Broadcast Intercom from Telos Alliance shown at BVE 2018

    Telos Infinity IP Broadcast Intercom from Telos Alliance shown at BVE 2018

  • LiveCG Broadcast and LiveMedia Server from 3D Storm at BVE 2018

    LiveCG Broadcast and LiveMedia Server from 3D Storm at BVE 2018

  • Cloud Media Management with Medway from Marquis Broadcast at IBC 2017

    Cloud Media Management with Medway from Marquis Broadcast at IBC 2017

  • Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

    Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

  • Broadcast Bionics MOR Multi-Object Recorder at IBC 2017

    Broadcast Bionics MOR Multi-Object Recorder at IBC 2017

  • AQ Broadcast Company Update at IBC 2017

    AQ Broadcast Company Update at IBC 2017

  • QNews Newsroom system from AQ Broadcast at IBC 2017

    QNews Newsroom system from AQ Broadcast at IBC 2017

  • Skype TX for Radio from Broadcast Bionics at NAB 2017

    Skype TX for Radio from Broadcast Bionics at NAB 2017

  • Live Sports Broadcast Commentator from Glensound at NAB 2017

    Live Sports Broadcast Commentator from Glensound at NAB 2017

  • Broadcast Bionics PhoneBox at BVE 2017

    Broadcast Bionics PhoneBox at BVE 2017

  • Broadcast Bionics at BVE 2017

    Broadcast Bionics at BVE 2017

  • Marquis Broadcast at NAB 2016

    Marquis Broadcast at NAB 2016

  • AQ Broadcast News Room System at BVE 2016

    AQ Broadcast News Room System at BVE 2016

  • AQ Broadcast Broadcast Engine at BVE 2016

    AQ Broadcast Broadcast Engine at BVE 2016

  • AQ BROADCAST at NAB 2015

    AQ BROADCAST at NAB 2015

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Ianiro on BroadcastShow Tour May 2013

    Ianiro on BroadcastShow Tour May 2013

  • Gearhouse Broadcast on Tour May 2013

    Gearhouse Broadcast on Tour May 2013

  • IMT Broadcast at NAB 2012

    IMT Broadcast at NAB 2012

  • Marquis Broadcast at NAB 2012

    Marquis Broadcast at NAB 2012

  • Broadcast Pix at NAB 2012

    Broadcast Pix at NAB 2012

  • Thomson Broadcast at IBC2011

    Thomson Broadcast at IBC2011

  • Broadcast Networks at IBC2011

    Broadcast Networks at IBC2011

  • Virtual 1st from ChyronHego at NAB 2017

    Virtual 1st from ChyronHego at NAB 2017

  • October TOUR 2013 Roundup

    October TOUR 2013 Roundup

  • Leeds TOUR

    Leeds TOUR

  • IBC 2013

    IBC 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Manchester TOUR!

    Manchester TOUR!

  • Glasgow TOUR!

    Glasgow TOUR!

  • Glensound: RECCE HD at NAB 2013

    Glensound: RECCE HD at NAB 2013

  • Phabrix RX2000 at NAB 2013

    Phabrix RX2000 at NAB 2013

  • Zylight F8 LED Fresnel at NAB 2013

    Zylight F8 LED Fresnel at NAB 2013

  • Calrec at NAB 2013

    Calrec at NAB 2013

  • SGL at NAB 2013

    SGL at NAB 2013

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Articles
Tips and Tricks to Giving Sci-Fi a New Look
Mathieu Marano From Terminator to Blade Runner, Alien, and even E.T., science fiction is a genre that will never fail to capture an audience’s imagination. It’s also a genre that encompasses so much more than just space crafts or time travel: frequently providing filmmakers with a platform from which to not only highlight social and political issues, but also explore innovations in the world of filmmaking itself.
Tags: iss131 | sci-fi | blackmagic design | vfx | resolve | 4k | cinemadng | davinci | ursa mini | Mathieu Marano
Submitted by Mathieu Marano Click to read or download PDF
Security, Identity and Privacy
Bruce Devlin - new Put your hand up if you have more than one online-identity. Keep your hand up if the adverts for your latest online purchase follow you between identities as you surf the web. You can now let your hand fall into your lap because adverts that follow you indicate algorithms that have merged your multiple identities into the one and only you.
Tags: iss131 | class | Security | Identity | Privacy | gdpr | Bruce Devlin - new
Submitted by Bruce Devlin - new Click to read or download PDF
Informed Disruption
Marc Risby The industry is currently going through an enormous amount of disruption, and while many are charging in to embrace the changes, others are wringing their hands with indecision.
Tags: iss131 | boxer | ip | hdr | 4k | Marc Risby
Submitted by Marc Risby Click to read or download PDF
What is Next for Broadcast
David Schleifer The Broadcast industry is always chasing new technology. Some of that technology is further than it appears to be, and some of it is closer to adoption than it seems. In part, early adopted technology is accelerated because of customer or business demands, and in the case of IP based environments, the driving factors are speed, cost reduction, and flexibility of workflow. To counterbalance these efficiency-based factors is a desire by content creators and customers to see more 4K HDR content on their new big screens. In some ways the push to deliver 4K workflows also makes the need to manage cost/performance even more urgent.
Tags: iss131 | 4k | primestream | hdr | hls | mpeg dash | rtsp | rtmp | streaming | David Schleifer
Submitted by David Schleifer Click to read or download PDF
Broadcasting Indoor Sky Diving
Daniel Harker Barnes When you say you’re broadcasting skydiving, there are two types of reactions. One is the creative, who’ll say something along the lines of “Wow. Those shots must look great” and other is the engineer who’ll say “That must be a real hassle to get all the infrastructure in and secure.”
Tags: iss131 | sky diving | ally adams | roaming camera | Daniel Harker Barnes
Submitted by Daniel Harker Barnes Click to read or download PDF
TVFutures : Bouncing Back
Jane Lawrance When I arrived at the University of Portsmouth three years ago, I would never have thought in my wildest dreams I would end up where I am now. My time at university has been eye opening, informative and fun. Of all the lessons I have learned in the past three years, resilience is the one that has taught me the most. Starting out in the television industry is hard. Like many others, I’ve applied for graduate job after graduate job and been pipped to the post and rejected many times. I have also started projects and been faced with a variety of unexpected setbacks. Yet, my drive to enter this industry remains just as strong because bouncing back is the joy of resilience.
Tags: iss131 | portsmouth uni | graduate | job | Jane Lawrance
Submitted by Jane Lawrance Click to read or download PDF
Slow Motion Video Techniques
Phil Vinter Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) with a daily hire out charge of around £3,000 (including lighting and a technician). IDT’s OS series cameras produce equally high quality images at a cheaper price, but you’re still talking tens of thousands.
Tags: iss131 | slo-mo | phantom | idt | fs7 | fs5 | rx10 mk111 | hfr | Phil Vinter
Submitted by Phil Vinter Click to read or download PDF
Why is ST2110 important
Penny Westlake Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BBC trials in Alexandra Palace, London”.
Tags: iss131 | st2110 | rts | aes | madi | st2059 | wcg | hdr | Penny Westlake
Submitted by Penny Westlake Click to read or download PDF
Moving to an IP Platform Considerations
Stephen Brownsill Audio transport methods have remained virtually unchanged in the broadcast industry for more than half a century. Common approaches to routing audio around large broadcast facilities have closely followed methodology employed in telco central offices, with the use of X-Y crossbar or crosspoint switching.
Tags: iss131 | ip | smpte | st2110 | Stephen Brownsill
Submitted by Stephen Brownsill Click to read or download PDF
The Ongoing Evolution of Subtitling Technology
Dean Wales As a subtitling technology developer and manufacturer we’re currently and frequently hearing remarks along the lines of us ‘having it easy’ at the moment. This has typically spun out from the fact that there hasn’t been any really significant and therefore demanding technology shifts in the industry that have affected us for a while.
Tags: iss131 | captions | subtitling | ott | speechmatics | live subtitling | live subtitles | Dean Wales
Submitted by Dean Wales Click to read or download PDF
What is Serial Communication
Mike Colyer

Don’t get me wrong - the advent of IP technology has done wonders for the broadcasting universe, especially here in Special Cams land where changing a setting could have involved a rather long walk and climb to a remote camera location! Nevertheless, this said, I still feel that serial communication is a huge contender - not only just in the realm of odd robotics systems, but also across broadcast in general.

In this article, I will walk through the very basics - introducing a few different types of serial and how they work.

Tags: iss131 | rs422 | rs232 | parity | rs485 | Mike Colyer
Submitted by Mike Colyer Click to read or download PDF
How to shoot the perfect lighting mix
Alan Ipakchian Advances in high-quality LED lighting over the past couple of decades might be one of the best things that’s ever happened to broadcast and cinema production. Compared to traditional tungsten fixtures, LED lights offer powerful operational and financial benefits from longer life and lower energy bills to brighter, more consistent light and greater control over color temperature. LEDs generate much lower heat and are relatively cool to the touch, meaning they can be used in much smaller rooms and studios without sweating out the talent and crew or damaging property. Plus, compared to traditional tungsten bulbs, LED lights are virtually maintenance-free and can deliver tens of thousands of hours of lamp life.
Tags: iss131 | litepanels | led | lighting | 2 person interview lighting | Alan Ipakchian
Submitted by Alan Ipakchian Click to read or download PDF
Listening to the needs of audio engineers
Alan Wheable Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio.
Tags: iss131 | omnitek | audio monitoring | aes | ebu | smpte 2110 | st2110 | smpte 352 | dolby | Alan Wheable
Submitted by Alan Wheable Click to read or download PDF
Artificial Intelligence and Economics
Dick Hobbs - new It’s May, so it seems inevitable that this month’s column should be a bit of a reflection on NAB. And it will, in due course. But first, some news which I think is interesting. Cisco, the IT giant, is selling off its video software solutions business. It is being bought by an as-yet unnamed new company, backed by venture capitalist Permira Funds.
Tags: iss131 | AI | dejero | evs | sky news | xeebra | state of the nation | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
Opting In or Opting Out
Peter Savage 2 Peter Savage, CEO of Azule, explains whether you should opt in or opt out of the current red tape nightmare facing businesses large and small.
Tags: iss131 | azule | gdpr | consent | Peter Savage 2
Submitted by Peter Savage 2 Click to read or download PDF
The Pitfalls of Online File Sharing and Sending Services
Mike Nash Easy-to-use, readily-accessible, and consumer-oriented, online file sharing platforms such as Dropbox and Google Drive are, to end users, a pleasant replacement to older file transfer methods such as FTP. FTP is complex to use and requires IT intervention to make almost any change. The pain associated with FTP, which was developed in the 1970s, is one of the factors that opened the door for the rise of online file sharing services in the workplace.
Tags: iss131 | ftp | signiant | efss | dropbox | google drive | ftp | ofss | media shuttle | Mike Nash
Submitted by Mike Nash Click to read or download PDF
Betting Industry Transformed by Video Technology
Chris Thornton In the betting and gaming industry, the streaming of live sports from across the globe is a big business. It’s proven that revenues increase when bettors are able to watch the event that they have placed a bet on, providing a far more engaging experience.
Tags: iss131 | sis | betting | latency | satellite | jpeg2000 | Chris Thornton
Submitted by Chris Thornton Click to read or download PDF
UHD 4k and HDR Picture Quality
Tobias Kronenwett And as good as it is, and as easy as it is to do, one of the raps on HDR is that some feel that it’s so bright and sharp that it looks odd, unnatural, almost harsh. It’s similar to when we did our first trials with 4K. The resolution was so high you could easily see, for example, even very minor blemishes. It’s perhaps an irony of new technology that the higher the resolution of natural objects the more artificial they tend to look. It’s often a case of capturing images with more resolution or a greater colour space than our eyes and brains can actually perceive.
Tags: iss131 | sonovts | uhd | 4k | hdr | oled | Tobias Kronenwett
Submitted by Tobias Kronenwett Click to read or download PDF
Delivering on the 4k Promise
Lorna Garrett It’s happened. Consumers are demanding 4K UHD content. They have the TVs, smartphones, tablets and other devices they need, and with much of Netflix and Amazon original content in 4K, as well as sports coverage from BT and Sky, consumers have tasted the future of content quality and are hungry for more. But broadcasters need not worry if their customers have enough bandwidth to receive 4K content - the solutions are ready to make 4K distribution a reality. New viewers are waiting if you’re ready to get to them first.
Tags: iss131 | garland | 4k | uhd | hevc | hc11000 | media excel | Lorna Garrett
Submitted by Lorna Garrett Click to read or download PDF
Tried and tested: DPA d:vice
KitPlus KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same time as the Olloclip came out we were testing the Fostex AR4i which was a very exciting development at the time. You have a portable device, that you carry everywhere with you, connected to the world but with very limited audio capabilities. A stereo interface with decent microphones was a real boon!
Tags: iss130 | dpa | dvice | iphone | journalist mic | filmic | ios | microdot | KitPlus
Submitted by KitPlus Click to read or download PDF
The shining star of Dancing On Ice
Rod Aaron Gammons Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere.
Tags: iss130 | rotolight | led lighting | anova pro 2 | chris yacoubian | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Click to read or download PDF
Grand slam IPTV and digital signage platform
Joe Walsh Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the stadium, hosting more than 2.7 million fans during its 2015 winning season.
Tags: iss130 | iptv | vitec | eztv | Joe Walsh
Submitted by Joe Walsh Click to read or download PDF
How IP-based KVM can improve workflow in broadcast control rooms
John Halksworth One of the most significant shifts the broadcast industry has seen over recent years is the adoption of IP technology as a standard infrastructure across the entire broadcast workflow. IP provides a network suitable for routing audio, video and control around a broadcast facility and is providing the answers to many industry challenges.
Tags: iss130 | kvm | adder | adderlink | alif100t | John Halksworth
Submitted by John Halksworth Click to read or download PDF
TV Futures, Tales on Location
Georgia Thirtle If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the production company behind the upcoming Tomb Raider film, I mean, what!?
Tags: iss130 | portsmouth university | tomb raider | cci tv | ccitv | Georgia Thirtle
Submitted by Georgia Thirtle Click to read or download PDF
Transforming asset management and monetization
Chad Hamilton FremantleMedia is one of the largest global television-production companies in the world — with one of the biggest and most valuable catalogs. We operate in 36 markets, creating, producing, and distributing content across traditional TV and digital platforms at a rate of more than 10,000 hours of programming per year.
Tags: iss130 | freemantlemedia | core | wazee | Chad Hamilton
Submitted by Chad Hamilton Click to read or download PDF
Why OTT needs multicast ABR
Damien Lucas Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay.
Tags: iss130 | ott | abr | adaptive bit rate | cdn | dsl | lte | Damien Lucas
Submitted by Damien Lucas Click to read or download PDF
Reliable back-up at the Music City Bowl
Sam Gordon WLEX – LEX18 – is the NBC affiliate in Lexington, Kentucky, and part of the Cordillera Communications Group. As a very popular local station with a broadcast area that covers 40 counties across central Kentucky we have a big commitment to news, broadcasting more than seven hours of live programming on a typical day.
Tags: iss130 | wlex-tv | dejero | engo | gobox | cellsat | Sam Gordon
Submitted by Sam Gordon Click to read or download PDF
NAB is all about people
John Smith -new The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge.
Tags: iss130 | media links | nab | mdp 3020 | md8000 | John Smith -new
Submitted by John Smith -new Click to read or download PDF
Meet the experts: Six steps for award winning sound design
Chris Turner Few can argue that great sound design is one of the most important elements to any moving picture. Mute most horrors, and the difference in fear factor will be enormous. Visualize Jaws or Star Wars, and John Williams’s iconic score will instantly come to mind.
Tags: iss130 | jungle studios | fairlight | blackmagic design | davinci | Chris Turner
Submitted by Chris Turner Click to read or download PDF
VR and the importance of tracking
KitPlus I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The technology used for this work is entirely different, though equally specialist – therefore it is important to understand the challenges of this kind of production in order to make informed kit choices.
Tags: iss130 | shotoku | vr | live production | KitPlus
Submitted by KitPlus Click to read or download PDF
Interview with Peter Rowsell, Polar Graphics
Polar If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years.
Tags: iss130 | polar graphics | apantac | bluefish | cinedeck | focalpoint | mediaproxy | stardom | storagedna | Polar
Submitted by Polar Click to read or download PDF
State of the Nation
Dick Hobbs - new

On the most recent occasion I was trimmed, my hairdresser had just returned from a holiday in Hawaii.

Where she thought she was going to die. She thought this because the state’s emergency alert system was triggered, sending messages across all available platforms, for 38 minutes, that a ballistic missile was about to strike. That, I suspect, is the sort of thing that casts a pall across your holiday.

Why did it happen? Essentially it happened because an operator selected the wrong menu item. “I feel very badly from what’s happened,” he is quoted as saying, in a somewhat mangled version of English which may at least in part explain his difficulties with menu items.

Tags: iss130 | alertsense | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
Out of the box: Sennheiser Ambeo VR microphone
Jon Pratchett 2 The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the masses to put out reasonable quality, certainly watchable, 360 video.
Tags: iss130 | vr | virtual reality | audio | ambiosonic | Jon Pratchett 2
Submitted by Jon Pratchett 2 Click to read or download PDF
Technological advances in the broadcast industry
Alan Wheable Since it is Omnitek’s 20th anniversary this year, I thought it would be interesting to look back over the technological advances in the broadcast industry over the last few decades and look at the similarities between then and now.
Tags: iss130 | omnitek | test and measurement | smpte 2110 | untra tq | 2022 | sdi 2022-6 | Alan Wheable
Submitted by Alan Wheable Click to read or download PDF
A Pandoras Box to empower the filmmaker
KitPlus The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anchor man Martin Stanford with Wesley Dodd, CEO of Celebro Media Group and Rotolight MD Rod Gammons in the studio.
Tags: iss129 | rotolight | celebro | anova pro 2 | led | lighting | wesley dodd | rod gammons | KitPlus
Submitted by KitPlus Click to read or download PDF
Steadicam M-1 Volt: Tried and Tested
John E Fry Early in November some of us lucky Steadicam Operators from around the UK were invited to try out the new Tiffen M1 Volt, which is essentially an electronic motorized horizon assist unit attached to the gimbal of the latest Steadicam M1. Is it a good idea? As experienced Steadicam Operators, directors or producers, why would we be interested? Let’s investigate KitPlus fans!
Tags: iss129 | steadicam | volt | tiffen | m1 | John E Fry
Submitted by John E Fry Click to read or download PDF
Epictech makes headway: A case study
Daniel Harker Barnes Founded in January 2014, EpicTech Media have been providing high end video production to companies and musicians across the U.K. for over three and a half years. When approached earlier this year by the band Bodkin Lane, we relished the challenge of producing a video of their charity concert, in aid of Headway (www.headway.org.uk), despite the challenging size of the venue. 
Tags: iss129 | polecam | epictech media | ptz | povcam | Daniel Harker Barnes
Submitted by Daniel Harker Barnes Click to read or download PDF
Playing with Pink Floyd
KitPlus For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR.
Tags: iss129 | hangman | james tonkin | david gilmour | pink floyd | Sony F55 | Sony A7RII | RED Dragon | URSA Mini | blackmagic | DJI Drone | KitPlus
Submitted by KitPlus Click to read or download PDF
TVFutures: Learning is the key
Abbie Neill If you asked me the question ‘where do you see yourself after you graduate’ three years ago I would have probably answered  ‘in a lot of debt, but if you don't think about it, it doesn't exist because three years is a long time right ?’. WRONG! These three years studying Television and Broadcasting at the University of Portsmouth have been the quickest three years of my life. Back when I started I didn't really have any idea what I wanted to specialise in and the dreaded four letter word AVID used to be my biggest enemy. However I persevered through the 3792871 hours of lectures learning how to use the software, how it functions, neither did I think I'd be a one woman match of the day by graduation'.
Tags: iss129 | ccitv | portsmouth | university | avid | Abbie Neill
Submitted by Abbie Neill Click to read or download PDF
State of the Nation
Dick Hobbs - new This morning I was eating my healthy muesli and idly listening to Radio 4 when someone came on who claimed to be from the Oxford University Computational Propaganda Project.
Tags: iss129 | fake news | facebook | tv globo | amagi | robot | ai | artificial intelligence | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
Canon C200: Tried and Tested
Ben Sherriff There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us – the users of these technologies. So, what’s all the fuss about?
Tags: iss129 | spellbinder | canon | c200 | c100mkii | c300 | red | alexa | asx-r7 | Ben Sherriff
Submitted by Ben Sherriff Click to read or download PDF
The Outlook for 2018
Duncan Payne January has arrived…and the New Year promises great opportunities for those prepared to seek them out, with the one certainty that change is constant.
Tags: iss129 | adamantean | finance | cvp | netflix | amazon | arri | hdr | sadie groom | rise | Duncan Payne
Submitted by Duncan Payne Click to read or download PDF
Panasonic GH5: Tried and Tested
Tim Bearder My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum.
Tags: iss129 | panasonic | gh5 | dslr | senheirser avx | c200 | Tim Bearder
Submitted by Tim Bearder Click to read or download PDF
Empowering connectivity choice in the field
Yvonne Monterroso Reliability, flexibility and ease of use are the key requirements when covering the news and live events, especially when the location could be anywhere. Connectivity is one of the biggest concerns in the field when the pressure is on to capture a key event – if you cannot establish a reliable transmission path to send your video back to the broadcast studio, there is no story.
Tags: iss129 | dejero | satellite | streaming | ku-band | cloud | Yvonne Monterroso
Submitted by Yvonne Monterroso Click to read or download PDF
Capturing the spirit of Mexico
Leonardo Dalessandri Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce genuinely breathtaking final results.
Tags: iss129 | watchtower of turkey | davinci resolve | blackmagic. corona | Leonardo Dalessandri
Submitted by Leonardo Dalessandri Click to read or download PDF
A Bluffers Guide to Batteries
Mike Colyer The Christmas decorations are down; the family have all headed home – and the New Year’s festivities have drawn to a close. I put my hand up to it – I’m a little drained. As such, I figured I’d start the new year with a Bluffer’s Guide to Batteries. With the cold weather setting in, it can be a nightmare to pick the right disposable batteries for small kit – and maintain rechargeable batteries in larger items. This article will take an overview of which batteries will last longer under certain usage conditions – and how to achieve the cell’s maximum potential.   
Tags: iss129 | batteries | alkaline | ni-mh | li-ion | lithium | Mike Colyer
Submitted by Mike Colyer Click to read or download PDF
Innovation in cameras moving to 4k
Tony Valentino For a number of reasons, wireless camera links needed time to migrate to 4K. However Broadcast Sports International, BSI, designs their own cameras and builds their own hardware and their transition to 4K is already complete.
Tags: iss129 | bsi | ref-cam | wireless | 4k | Tony Valentino
Submitted by Tony Valentino Click to read or download PDF
Class: Do we still need standards
Bruce Devlin - new On the 1st January 2018, I officially took on the post of SMPTE Standards Vice President. The role has responsibility for all of SMPTE’s standardisation activities and it fills me with equal measures of excitement and terror.
Tags: iss129 | smpte | st2110 | dpp | Bruce Devlin - new
Submitted by Bruce Devlin - new Click to read or download PDF
Studio Invate - Case Studio
KitPlus Studio INVATE is a video company based in Bangkok, with an inventive reputation. Its public persona is everyday commercial work, such as producing highly creative videos, live broadcasts and commercials, for companies ranging from large industrial brands and retail businesses to educational institutions. But in between the studio and on-location work for clients, the company’s crew of 14 employees and a few dozen freelancers enjoy live-streaming video game tournaments.
Tags: iss129 | invate | newtek | tricaster 8000 | 3play | 4800 replay | blonde robot | KitPlus
Submitted by KitPlus Click to read or download PDF
Taking the lead in the HEVC and 4k revolution
Malcolm Harland There’s probably a good reason that BVE is held in late February — it offers you a few weeks to set your annual plans in place. Then, once you’ve decided on the opportunities you want to take advantage of and improvements you want to make, you have a chance to visit this massive exhibition to see the latest technological innovations that will help to bring your plans to fruition.
Tags: iss129 | garland | hevc | liveu | hc11000 | media excel | ntt | bws | lu600 | Malcolm Harland
Submitted by Malcolm Harland Click to read or download PDF