Articles
Why MADI is Still Relevant
Stephen Brownsill While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape.
Tags: iss139 | madi | tsl products | aes10 | aes | dolby atmos | st-2110 | sam-q | Stephen Brownsill
Contributing Author Stephen Brownsill Click to read or download PDF
The Evolution of Audio Monitoring
Stephen Brownsill Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest loudness guidelines remaining at the top of the must-have list.
Tags: iss138 | tsl products | st-2110 | lip synce | ip | ptp stauts | amwa | nmos | Stephen Brownsill
Contributing Author Stephen Brownsill Click to read or download PDF
Singularity - QA and compliance monitoring in one box
Martin Dyster The task of maintaining loudness-compliant, high-quality delivery for broadcast audio is no longer a question of simply using ones ears. Audio channels produced for todays fast-paced productions come in embedded SDI workflow with streaming signals containing a mix of mono, stereo, surround, Dolby encoded and descriptive audio, as well as alternative mixes and multiple language tracks. Maintaining a quality audio track using this disparate mix of audio elements is one part of the QA equation facing broadcasters.
Tags: iss079 | tsl products | audio | workflow | loudness | monitoring | PAM2 MK2 Audio Monitoring Unit | Martin Dyster
Contributing Author Martin Dyster Click to read
Total Articles: 3 [1-3]
Broadcast Solutions Used OB
Phabrix QX Series
Grass Valley Switchers
3D Storm NDI - HDMI
Photon Beard Highlight LED Softlight
Magewell Pro Convert
Signiant - Big Files, Big Challenges