Matching shots between different cameras can be tricky at the best of times. But how do you match lens characteristics between a live action shoot and a CGI composition? The CP.3 XD lenses from Zeiss offer an efficient solution to this with their frame accurate meta-data.
IBC 2016 was very much a launching show, with more new products and updates than in many recent IBC's or NAB's. With so many of these announcements directly in the remit of a cameraman, blink and you'd miss the next big thing in camera and lenses news. With this in mind, this review focuses on camera and lenses only.
With the announcement of Blackmagic Cinema Camera at NAB 2012, Mark Linnhoff, a France based cinematographer, began to see the future of filmmaking in a new light. Finally, an affordable acquisition tool that doesnt compromise on image quality, he recalled.
This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want to post-repair a barrel-distorted Nelson's Column to remove the hint of banana.
As shooting on film for TV applications is increasingly being replaced with HD, there is a growing tendency for people to wish to apply film tools and methods to origination when using the electronic medium.
We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed.
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