“What is it about light that has us craving it?” Is the question asked in the opening seconds of Garth de Bruno Austin’s latest short, The Colour of Light.
Exploring this natural, human need as well as our innate desire to control it, Garth’s film showcases everyday people going about their lives in differing degrees of luminance, whether that be an artificial streetlight or a natural morning sunrise.
The director behind new indie short "Exit Plan" reveals just what it took to write, crowd fund, shoot and grade his very own proof of concept for a science fiction feature with DaVinci Resolve, a Pocket Cinema Camera, and only four crew members on set
When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size.
With the announcement of Blackmagic Cinema Camera at NAB 2012, Mark Linnhoff, a France based cinematographer, began to see the future of filmmaking in a new light. Finally, an affordable acquisition tool that doesnt compromise on image quality, he recalled.
As its nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, Ive picked my favourite production technology innovations of 2012. But, as were fast approaching the festive season, Ive compiled them in the form a Christmas shopping list. Yes, I know. Its genius. Why has no one ever thought of this before? They have? Oh well. Its too late now.
Hopefully, there should be something here for everyone in your extended family (assuming your extended family is either ensconced in the television industry or extremely weird).
Name & Title? Den Lennie, director of photography/Producer/Educator
Who are you? (about yourself and who you work for)? I am a director of photography and one of the worlds leading coaches on the new wave of digital filmmaking.
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