Articles
The World of 12G 4K/UHD Processing
Varun Patel Technology moves fast and when it comes to audio and video broadcasting, there is always room for improvements in audio and video quality and ease of production. One of the main goals of broadcasters and content providers today is to create an immersive experience for the viewers, giving them the feeling of being part of the viewed content. The 4K/UHD buzz has been in the consumer world for some time but what does that actually mean for the content producer?
Tags: iss138 | lynx technik | ott | greenmachine | yellobrik | conversion | Varun Patel
Contributing Author Varun Patel Click to read or download PDF
Manage and Monitor
Will Strauss# News analysis from Will Strauss
Tags: iss093 | news production | Broadstream | Quantel | MOG Technologies | media management | Digital Nirvana | transcoding | Telestream | storage | Disk Archive | test and management | Phabrix | conversion | Cobalt Digital | workflow | Sony | facility management | Xytech | audio | monitoring | quantum Leap Technology | MAM Cambridge Imaging | Suitcase TV | quality control | Venera | Archimedia | Will Strauss#
Contributing Author Will Strauss# Click to read
Cameras, conversations and conversions at Camera Diner with Teranex
Paul Genge Every Thursday evening, around 500 viewers tune in online to Camera Diners live show getting a unique look at the latest in film and still camera technology, as well as exclusive interviews with some of the imaging worlds biggest names. The whole thing is streamed live from a basic set-up in Oxford, England.
Tags: iss076 | camera diner | teranex | ATEM 1 M/E Production Switcher | conversion | streaming | live | Blackmagic Design | 2D processor | Paul Genge
Contributing Author Paul Genge Click to read
Post Production Ask The Experts
N/A Its a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs a 720 59.94p version for transmission. Or, maybe the client wants to replay a 1980s SD program series on a new HD channel. These jobs can become unexpectedly complex and time-consuming if content arrives in a less-than-ideal state.
Tags: iss052 | snell | scanning | 23.98psf | conversion | dolby e | pcm audio | blu-ray compression | dvd | mixed cadence | Dolby Guard-Band Alignment | stereoscopic 3D | N/A
Contributing Author N/A Click to read
Does 2D to 3D really work?
Bob Pank# It is widely said that 3D has to be done well as, if its not, then it actually can hurt the viewer and give 3D a bad name. Certainly there have been big efforts to make good 3D, with Sky going to great lengths to ensure they set a high standard. Unlike the old 3D celluloid films, digital 3D can be a completely stable medium; it does not degrade with repeated showings and does have the tools available to make excellent results.
Tags: iss047 | 3d | 2d to 3d conversion | 2d-3d | Sony 3D MPE-200 | imec | Philippe Gerard | 3Dlized | 3D production | animation | Bob Pank#
Contributing Author Bob Pank# Click to read
Converting for displays
N/A Behind every great display theres a great converter, ever since television started to go digital in studios and post production, the number of digital formats has grown.
Tags: iss032 | doremi | display | conversion | hd-sdi | 3g-sdi | dvi | hdmi | monitor | ghx-10 | N/A
Contributing Author N/A Click to read
Total Articles: 6 [1-6]