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IMF Adoption
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The Interoperable Master Format isn’t new. It’s been around for more than six years. Despite this longevity, the broad adoption since the publication of SMPTE 2067 has been pretty slow. This is perhaps more because of the age old mantra “if it ain’t broke don’t fix it,” than the ease with which many could interpret the standard. However, it is safe to say that movie producers blazed a trail in using IMF for original content delivery. Perhaps the key is that those early adopters didn’t have any significant tape based infrastructure that had been modified for file-based working when receiving content. So, many longer established content distributors have the immense resources to create the vast array of versions required to address the ‘version issue.’ This being how do you get the same content to look good on the back of an aeroplane seat headrest or an iPhone in the back of car as well as a good old TV set. Over time these resources have been diminishing and many organisations recognise that they have to adopt workflow automation to survive. |
| Tags: iss137
| editshare
| imf
| standards
| smpte 2067
| Howard Twine
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Your two week editing future
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So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins.
When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation.
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| Tags: iss135
| editing
| mediacity training
| premiere pro
| dit
| Alex Macleod
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Grading BBC Sounds
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The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus.
BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists.
BBC Creative, the broadcaster’s in-house creative division, took the brief to agency Riff Raff Films and Megaforce directing duo of Charles Brisgand and Raphaël Rodriguez who in turn brought on board regular collaborators Time Based Arts.
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| Tags: iss135
| bbc
| grading
| bbc sounds
| davinici
| resolve
| blackmagic
| editing
| Simone Grattarola
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Accelerated Workflows with eGPU
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From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road. |
| Tags: iss134
| sonnet
| egpu
| amd
| post production
| editing
| Mike Griggs
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An Obituary to Timecode
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A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video devices. A joint activity between SMPTE and the EBU led to the work on Time and Control codes starting its journey to standardisation in the early 1970s. |
| Tags: iss134
| timecode
| smpte
| ebu
| edit
| Bruce Devlin - new
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Reunion on Kingsman ensures efficient workflow for sequel
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Both on and off camera, there are some collaborations that are built to last. Armed with the success of their work on the first film adaptation of the Kingsman comic book (Kingsman: The Secret Service), director Matthew Vaughan reunited with cinematographer George Richmond, DIT Joshua Callis-Smith and colorist Rob Pizzey, to deliver Kingsman: The Golden Circle, the upcoming second installment in the spy comedy series.
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| Tags: iss128
| kingsman
| blackmagic
| goldcrest
| davinci
| arri
| dit
| KitPlus
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TV Futures
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When I was younger my dad used to encourage me to be a Jack of all trades and a master of none. One of those clich© things parents hand down to their children. However, as I have grown and gone through different stages of education I have found this little piece of wisdom has followed me. Don't get me wrong, being amazing at one thing is a great skill to have, but for me having a good understanding of everything is also vital. |
| Tags: iss126
| tvfutures
| ccitv
| portsmouth
| preditors
| Jane Lawrence
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Top gadgets for 2017
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Wow - 2016 - we certainly didn't see you coming. Thankfully, one thing we can reliably see coming in the midst of our increasingly unpredictable futures, are the beautiful range of shiny inventions, gadgets and technological wonderment of the year 2017 - so put today's headlines to one side and enjoy this rare opportunity to take a look at a reliable and bright future. |
| Tags: iss120
| editors keys
| hitfilm 3 express
| vr
| fire tv
| touch bar
| a7r
| smart watch
| Beth Zarkosh
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The return of the Minimoog
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The iconic Minimoog is making a return and a return well worth the wait! As this was the world's first portable synthesizer and became the role model for all electronic keyboards, the Minimoog Model D was and now is a synthesiser force to be reckoned with. First released in the 1970's, it became popular worldwide and attracted attention for its fantastic sound of Moog's commonly known modular synthesizers.
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| Tags: iss116
| minimoog
| editors keys
| Beth Zarkosh
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Bringing Realiability to the Unpredictability of Reality TV
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Synonymous with reality TV, Endemol 's 2015 production of Wild Island was set in a remote location off the coast of Central America. The German-produced series, supported by MoovIT production services, featured 14 ordinary citizens left to their own devices to survive on an uninhabited tropical island with no food or water for 28 days. With six cameras covering the action and antics, the production team, who were located on a neighboring island fours hours away by boat, brought an EditShare XStream EFS with integrated Flow to wrangle the 20 to 30 hours of footage they received per day. |
| Tags: iss114
| xstream
| EFS
| editshare
| airflow
| Martin Bennett
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Saving your laptop from spills
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Whether you're a wedding videographer or a small production company, we all know the stress of the edit process, nothing adds to that stress more than the full destruction of your PC or Mac. So its the New Year and youre finishing off that last bit of mulled wine from over Christmas and ooops! You accidentally spill it all over your laptop! What do you do? Well here we explain some handy tips to take |
| Tags: iss109
| editors keys
| keyboard
| spills
| damage
| microfiber
| cover
| Beth Zarkhosh
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Cloud Editing at BVE
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As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with varying levels of proficiency and tight timelines thrown into the mix we needed a post-production solution that was quick to set up, easy to learn and provided a creative and reliable solution. After chatting with Forbidden Technologies for a while we decided to use their Forscene platform. |
| Tags: iss099
| bve
| forscene
| forbidden
| cloud editing
| studio
| video
| workflow
| KitPlus
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Still unsure about cloud editing? Read this..
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For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won't cloud editing use a lot of bandwidth, especially with 4K video? Those are fair questions, and ones that often keep people from incorporating the cloud into their workflows. |
| Tags: iss097
| cloud
| broadcast
| workflow
| editing
| post production
| Stephen Streater
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Increase productivity while editing
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Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools, Adobe Audition, Logic Pro, Propellerhead Reason or others. Professionals are not the only ones editing. We are now in the age of prosumers (consumers using pro equipment) using HD smartphone cameras uploading to YouTube as well as hearing music produced on home computers with programs like GarageBand and sharing with their friends on social media. There are many keyboard shortcuts to remember, and not always easy ways to navigate these programs with a mouse or keyboard. |
| Tags: iss097
| post production
| editing
| software
| finalcut pro
| timeline
| contour design
| Terry Goyette
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Studio furniture at the cutting edge
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Custom Consoles was established in 1996 to meet the market demand for efficient and robust studio furniture at accountant-friendly prices. That may sound trite but we were working in SI roles ourselves and knew from direct experience how difficult it was to commission third-party desks built to the high standards our clients needed. As the company's name reflects, we specialised from the start in producing furniture tailored to the specific technical requirements and room dimensions appropriate to each project. Our objective was to reduce capital costs wherever possible. Custom Consoles built its name on the design and manufacture of bespoke furniture to a client base that includes the BBC, Channel 4, Carlton, TV4 Sweden, and Sony. |
| Tags: iss097
| studio
| furniture
| custom consoles
| editing
| post production
| Graham Buchanan
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Monitoring made easy
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Making sure you capture the right sound correctly throughout your filmmaking is one of the most important aspects of the shooting process, an element that many seem to get wrong time and time again. Whether you're filming an interview, documentary or short film, the audio recording is an intrinsic part of a good quality production. Here's how you can make sure you manage great audio monitoring and avoid making the most popular mistakes. |
| Tags: iss095
| beth zarkhosh
| anx-10
| noise cancelling
| headphones
| editors keys
| Beth Zarkhosh
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