The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, the edit, even the script - yet it is often an area where budgets can be scrimped or squeezed
The news never sleeps. With a third of the year still left, 2013 has already seen a host of events that have captured the worlds attention. From the anticipation of a royal baby to the devastation of hurricanes, tornados and bombings, from encounters on the sports fields to clashes on the battlefields, whatever is happening, the world expects to see it as it plays out.
The original concept for the Enhanced Prompting Information Centre, an all-in-one prompter and talent monitor came about through the combination of customer requirement and our desire to offer a better talent monitor solution than the one we had introduced around eight years ago, to enable presenters to see the programme feed.
The majority of consumers watch television with a smartphone or a tablet in their hands. This is a genuine demand: consumers love the second screen. The key is for broadcasters to embrace it as an opportunity, and to ensure that the content and the portal for it, are under their control.
Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape ops and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media.
The transportation of live video and audio feeds over the internet has become a widely accepted technique. Each technique has its own place in the market, as there can be no one size fits all as application requirements vary considerably.
CABSAT is the Broadcast show for the Middle East, held annually in Dubai it have become a must go show for many UK manufacturers. With the 2010 show just over we spoke to Phabrix, a first time exhibitor, about their experiences and whether it would be a date for their 2011 calendar.....
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