Articles
#TVFUTURES
Callum O Leary When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed.
Tags: iss101 | tvfutures | students | cci tv | university of portsmouth | studio | Callum O Leary
Contributing Author Callum O Leary Click to read
REDucation - Real world RED camera training
Ben Sherriff Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I've used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). When I was asked to attend the course and write up the experience by Kit Plus magazine I naturally jumped at the opportunity.
Tags: iss101 | reducation | training | equipment | kit | red one | camera | Ben Sherriff
Contributing Author Ben Sherriff Click to read
Full reference testing helps ensure quality audio delivery
Adam Schadle With the ever-increasing amount and variety of programming, devices, screen sizes, quality levels, and delivery methods today, broadcasters and delivery networks must be able to measure the quality of audiovisual content - and their processes for delivering it - to ensure it will meet standards that satisfy audiences, subscribers, advertisers, and regulators.
Tags: iss101 | audio delivery | full reference | workflow | PEAQ | bit rates | Adam Schadle
Contributing Author Adam Schadle Click to read
CALM - A crucial act to follow
Martin Moore Sudden jumps in sound level between television programmes and commercials first came to the notice of legislators after a loud commercial interrupted a family dinner at the home of US House of Representatives member Anna Eshoo. The technical parameters adopted in the draft were based on an existing recommended practice document issued in November 2009 by the US Advanced Television Systems Committee.
Tags: iss101 | audio | sound level | technical parameter | perceptual loudness | Martin Moore
Contributing Author Martin Moore Click to read
Moving voiceovers into the 21st century
Leigh Emmerson There was a time when the only way to get a voiceover for your production was by contacting a voiceover agent who would obligingly send over a CD or two full of voiceover sparkle and you and your client would choose one, schlep on down to a studio and pay a small fortune to sit on a swanky sofa and watch said sparkle record your script.
Tags: iss101 | audio | voiceover industry | video producer | studio | dat tape | Leigh Emmerson
Contributing Author Leigh Emmerson Click to read
A wide spectrum of choice
Andy Clements Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today's large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, great performance, however as with many technologies careful investment will provide the best results.
Tags: iss101 | microphones | in ear monitors | intercom | distribution systems | broadcast | audio | Andy Clements
Contributing Author Andy Clements Click to read
Cautionary notes from GTC Member number 001
Dick Hibberd Recently I was invited to be on the panel of judges charged with selecting the winners of the 2014 'Bill Vinten GTC University Awards'. This was just the second year of this excellent scheme and, if the submissions from universities increase annually pro rata, then we will soon have a major logistics problem in simply viewing and judging all the entrants - but that will be a great problem to have.
Tags: iss101 | gtc | camera man | bbc | studio | golden age | history | equipment | skill | Dick Hibberd
Contributing Author Dick Hibberd Click to read
Overcoming complexity in remote production leads to more and better live broadcasts
Henry Goodman Despite the instant accessibility of recorded media content, there are many events that are still best enjoyed as a live broadcast. At the same time, such broadcasts are becoming increasingly complex, and with increased complexity comes increased cost.
Tags: iss101 | remote production | live broadcast | recorded media content | broadcast | Henry Goodman
Contributing Author Henry Goodman Click to read
5 must haves for sound recordists
Paul Zanders Every location has a different set of challenges and you have to deal with whatever sound your environment throws at you as best you can whilst looking after your gear and yourself. Here are 5 non-technical things that make my life on location easier.
Tags: iss101 | sound recordist | dedleg | tips | audio | equipment | must have | Paul Zanders
Contributing Author Paul Zanders Click to read
Fiber Transport for the future
Lars Hohmann What can handle fibertransport today, centralizedrouting tomorrow,decentralized routingthe day after, and signalprocessing all the time?
Tags: iss101 | fiber transport | centralised routing | signal processing | signal | audio | Lars Hohmann
Contributing Author Lars Hohmann Click to read
Transmitting love...live
Kieron Seth# A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it's a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised specifically for YouTube with fan participation and interactive social media at its heart. Transmitter allows fans to connect directly with their favourite artists and exposes them to both chart-topping and upcoming acts.
Tags: iss101 | transmitter | lovelive | music | pop | social media | the saturdays | the wanted | union j | jessie j | Kieron Seth#
Contributing Author Kieron Seth# Click to read
Finding the Oracle of audio capture
Simon Tillyer With over 300 hours of YouTube video uploaded every 60 seconds it's not hard to understand why any manufacturer would be looking closely at the new generation of emerging filmmakers whether they be in the consumer (creating content for "fun") or prosumer (creating content for a fee) markets. You might however question what interest a specialist audio manufacturer would have.
Tags: iss101 | sennheiser | consumer | prosumer | video content | avx system | Simon Tillyer
Contributing Author Simon Tillyer Click to read
A box of delights
Dick Hobbs. In the immediate aftermath of NAB and its bombardment by new gizmos, I want to talk about Professor Noriaki Kano. In the 1980s, at the Tokyo University of Science, he came up with a simple model of product design for customer satisfaction.
Tags: iss101 | nab | science | diagram | product | baseline expectation | linear satisfiers | the delighters | Dick Hobbs.
Contributing Author Dick Hobbs. Click to read
Marketing is everything and everything is marketing
Den Lennie Marketing for filmmakers can be very intimidating. I think it must have something to do with being creative; we seem to be more concerned with creating content than creating new business.
Tags: iss101 | marketing | filmmaker | business | economy | film business | Den Lennie
Contributing Author Den Lennie Click to read
Digital media services need more than just standard protection
Simen Frostad Standards are conceived in abstract. They are set up and negotiated between interested parties in a process that can last several years, with each party to the negotiations pressing its own case, and the standard that emerges at the conclusion is usually compromised in some way. At worst it can simply be a lowest-common-denominator that reflects the political wrangling of the committee that spawned it. Wriggle room is usually left for different flavours of the standard, to allow for the features that one party favoured, but which conflicted with another party's interest.
Tags: iss101 | standards | ETR290 | gold ts reference | inter related systems | Simen Frostad
Contributing Author Simen Frostad Click to read
NAB 2015 Highlights
Beth Zarkhosh For those of us lucky enough to visit this year's annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn't get the chance to make it, then here's a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!
Tags: iss101 | nab 2015 | highlights | kit | equipment | drone | camera | virtual reality | 4k | Beth Zarkhosh
Contributing Author Beth Zarkhosh Click to read
Audio basics
Larry Jordan# It is an absolutely true statement that the best way to improve the quality of your image is to improve the quality of your sound. Viewers will happily watch grainy, black-and-white images and consider it "art." However, nothing you can say will keep them in their seats if the audio is too loud or unintelligible.
Tags: iss101 | audio | science | display | levels | decibels | scale | Larry Jordan#
Contributing Author Larry Jordan# Click to read
The IP Solution - intercom systems without extensive new cabling
Manuel Brico When a broadcasting or TV station wants to install a new intercom system in its broadcast centre or headquarters - or wishes to replace its entire intercom system - it is faced with two big investments. One concerns the capital investment in terms of hardware and software. This will include investment in equipment such as the intercom matrix, keypanels and accessories. The second concerns the installation and the commissioning itself, as a new system requires new cabling due to different standards and system topology.
Tags: iss101 | ip | intercom systems | cabling | broadcasting | tv station | Manuel Brico
Contributing Author Manuel Brico Click to read
Hungerford and the 10 rules of making a Microbuster
Miles Bullough On April 27th 2015 Wildseed Studios' debut feature film, 'Hungerford', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term 'Microbuster' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what Drew Casson, 19, achieved when he made the film.
Tags: iss101 | microbuster | hungerford | film | sci fi | horror | film making | wildseed | film production | Miles Bullough
Contributing Author Miles Bullough Click to read
Total Articles: 19 [1-19]