Articles
Future proofing post production storage
Josh Goldenhar Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynamically and dramatically accelerates data delivery.
Tags: iss135 | nvme | sas | sata | it | storage | post production | Josh Goldenhar
Contributing Author Josh Goldenhar Click to read or download PDF
Sony PWS-4500 Live Production Server Reviewed
Andy McKenzie Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and deliver easily controllable slow motion is a major asset. The PWS-4500 is already in use by many prestigious live production companies and broadcasters around the world.
Tags: iss135 | finepoint | sny | pws-4500 | review | production server | Andy McKenzie
Contributing Author Andy McKenzie Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
VR and the importance of tracking
KitPlus I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The technology used for this work is entirely different, though equally specialist – therefore it is important to understand the challenges of this kind of production in order to make informed kit choices.
Tags: iss130 | shotoku | vr | live production | KitPlus
Contributing Author KitPlus Click to read or download PDF
Understanding the process of video production
Joseph Adamson In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional results, but also saves time.This process can be tricky to understand and many videographers are self taught, including myself.
Tags: iss126 | video production | wasd | ail | africans in london | Joseph Adamson
Contributing Author Joseph Adamson Click to read
IP Based Remote Production
Ed Calverley Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris.
Tags: iss126 | remote production | IP | jt-nm | smpte 2110 | suitcase | Ed Calverley
Contributing Author Ed Calverley Click to read
Remote Production - Speed, Control, Infrastructure
Ian Cookson - new Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away.

Tags: iss125 | calrec | live production | pac-12 | artemis | Ian Cookson - new
Contributing Author Ian Cookson - new Click to read
Designing the correct workflow
Harry Smith Last year I took a year-long placement as a video editing support technician. The role exposed me to the common issues that students run into when editing their projects, and I developed an understanding as to why they might struggle understanding the complexities of video workflow.
Tags: iss124 | portsmouth | tvfutures | ccitv | post production | Harry Smith
Contributing Author Harry Smith Click to read
OBs are still outside and so are broadcasts
Mike Ransome - new With the advent of new and emerging technologies, and with the one getting the most oxygen at the moment being video over IP, a number of people are asking whether the ability to move control rather further way from an event has, or will, change the nature of OB production.
Tags: iss123 | remote production | ob truck | presteigne | ip | Mike Ransome - new
Contributing Author Mike Ransome - new Click to read
Live Remote Production Over IP
John Smith -new As broadcasters migrate to a more ubiquitous IP transport and switching network infrastructure, a key benefit is that the variable expenditures of remote on-site live productions can be dramatically reduced, as it is no longer necessary to carry the high field costs associated with these activities.
Tags: iss123 | medialinks | ip | remote production | John Smith -new
Contributing Author John Smith -new Click to read
The future of post production
KitPlus

Love it or hate it, 2016 will certainly be a year to remember, for many reasons.

In the world of post-production, we've seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We've even become stunned spectators as film steadily makes a comeback as a creative medium, and VR goes from tinkerer specific to becoming a fully-fledged consumer technology to buy.

Tags: iss121 | blackmagic design | post production | hdr | rec 709 | rip hamton oneil | simon westland | KitPlus
Contributing Author KitPlus Click to read
The vital role of communications in live production
Tom Turkington Live event production is extremely challenging under the best of circumstances. Whether it be sports, concerts, theater or some other event, live production only gives you one chance to get it right. Staging, sound, lighting, cameras, video, special effects, costume, makeup and more, can all go into making a successful live production. Starting hours or days before the show, right up to the critical moments of the actual performance, communications play a critical role across all production disciplines in the execution of a successful live event.
Tags: iss117 | live production | crewcom | intercom | pots | Tom Turkington
Contributing Author Tom Turkington Click to read
Top 10 Tips for Saving Time in Post
Max McGonigal Whether you're working on a shoestring or with feature film budgets, every production is under pressure to save money. And while cutting back on crew and downgrading your gearlist are effective ways of reducing costs, they invariably also reduce production value.
Tags: iss114 | forscene | post production | editing | forbidden technology | Max McGonigal
Contributing Author Max McGonigal Click to read
IP for live production
John Smith The production and transmission of a live sporting event is one of the most technically challenging assignments for any crew. After all, you can't ask to take the shot again at a live event! Multiple signals in a variety of formats need to be transmitted around the sporting venue, as well as being seamlessly integrated with feeds from a studio or other locations to form a complete broadcast stream.
Tags: iss111 | ip | live production | wan | media links | md8000 | John Smith
Contributing Author John Smith Click to read
Setting out your terms of business
Den Lennie Its one thing to win a client and work, but it can be a whole different thing getting paid. Setting out a simple one-page terms of agreement can protect you. Im not qualified to give legal advice so I encourage you to seek professional advice when setting up your own terms of business. In simple terms, you just need to write down clearly and concisely what you will and wont be responsible for when youre engaged with the client project.
Tags: iss107 | terms of business | terms of agreement | project | production | contract | Den Lennie
Contributing Author Den Lennie Click to read
Making remote production over IP a reality
John Smith Live sports broadcasting is one of the most technically challenging tasks for any production team. Multiple signals in multiple formats need to be transmitted around the sports facility. In addition, signals need to be integrated with feeds from other locations to create a complete broadcast stream. As a result, remote production over IP has recently become a much discussed topic! The possibility of simplifying networks by consolidating all media traffic onto a common platform, and taking advantage of the increasing availability of video devices that natively support IP could solve many challenges. However, recent advances which bring together both broadcast and telcos technology means we are now seeing the transportation of established broadcast signals over IP across established internal and external networks become a reality.
Tags: iss107 | remote production | ip | 3dhdi/sdi | networks | broadcast | John Smith
Contributing Author John Smith Click to read
The key to stability
Mark Scotton Moving shots dont just enhance video production, they bring it to life and allow the viewer to experience what they are watching. This isnt something new, but the options we now have available to bring productions to life are more varied and readily available than ever before. No longer do you need a Hollywood budget and a large crew of helpers to get some wonderful footage, you simply need your camera, a bit of decent equipment and some imagination.
Tags: iss106 | video production | camera operator | stabilizer | moving shots | floating shots | support | grip | Mark Scotton
Contributing Author Mark Scotton Click to read
Matrox VS4-based Multi-channel Recording System
KitPlus Skehan Communications, a leading video production and transmission company provides multi-camera HD video production, webcasting, satellite uplinks and other unique services to broadcasters, Fortune 500 companies, professional associations and government agencies. Though based in the Washington-Baltimore region, their projects have taken them to many impressive locations from San Francisco to Boston.
Tags: skehan communications | production truck | matrox | vs4 | multi-channel | KitPlus
Contributing Author KitPlus Click to read
Making multi-camera shooting faster & more affordable
Datsa Gaile Multi-camera filming has been known for years. There was a time when shooting any production involving multiple-camera positions would require a very large studio budget.  Today we have many solutions for live vision mixing and great editing platforms what offer multi-camera editing.
Tags: iss105 | multi-camera | shooting | filming | production | studio | editing | Datsa Gaile
Contributing Author Datsa Gaile Click to read
Dealing with clients
Den Lennie For many clients, the prospect of commissioning a video production leaves one key consideration in their minds and that is: how much is it all going to cost? Particularly for marketing departments or smaller businesses which may only spend a nominal amount of money on advertising. Video production by its very nature involves more personnel and more costs and will likely be inherently more expensive than some graphic design work or print advertising.
Tags: iss104 | video production | advice | tips | post production | business | Den Lennie
Contributing Author Den Lennie Click to read
The Lobster - achieving a textural grain
KitPlus Greek director Yorgos Lanthimos is about to debut his first English language feature with The Lobster, which will be in UK cinemas on the 15th of October. We speak to DaVinci Resolve colorist and long time collaborator Tony Ford about the meticulous approach to color grading this dystopian love story.
Tags: iss104 | yorgos lanthimos | the lobster | film festival | post production | film grain | texture | screen | KitPlus
Contributing Author KitPlus Click to read
The evolution of vision mixers
Liam Laminman At the heart of any multi-camera production is a vision mixer or production switcher as some people call them. Its core role is the switching of different sources, primarily cameras, often VTs and sometimes incoming external sources such as remote feeds from broadcasters. Even for non-TV types, thats relatively simple enough to get your head round several different incoming video signals can be switched from one to the next. Vision mixers come into their own when you look at their secondary features of keying graphics, transitions and digital effects.
Tags: iss104 | vision mixer | multi camera production | switcher | camera | vt | video signal | Liam Laminman
Contributing Author Liam Laminman Click to read
Looking at the teleprompter
Beth Zarkhosh Talking directly to the camera - a basic fundamental in the world of TV presenting. If youve dabbled, you'll probably know just how hard it is to remember an entire script word for word without taking your eyes away in order to keep things nice and smooth. So, (please excuse the pun) cue the teleprompter.
Tags: iss104 | teleprompter | tv presenter | script | production | studio | Beth Zarkhosh
Contributing Author Beth Zarkhosh Click to read
Picking the right prompter
Jon Hilton# There is so much choice available today for prompting devices. From phones and tablets to full Broadcast Studios systems and with non-word prompting techniques like Interrotrons becoming popular choosing the best prompting system for your productions needs some serious consideration.
Tags: iss104 | prompter | production | tablet | pc | reading matrix | talent monitors | jibs | cranes | Jon Hilton#
Contributing Author Jon Hilton# Click to read
Are you a trainer? Keeping up to date is vital
Graham Reed When you are a tutor in a training organization, or if you are a lecturer teaching TV production in a university, it can be very hard to keep up-to-date with all that is going on and changing in the world of broadcast.
Tags: iss104 | ittp | industry standards | tv production | university | assessment | Graham Reed
Contributing Author Graham Reed Click to read
How we got live streaming to work for us
Larry Jordan# We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited number of audio and video sources with a scalable architecture so that as our audience grows our stream will grow to support them.
Tags: iss103 | online | streaming | live web | production | webcasts | output | Larry Jordan#
Contributing Author Larry Jordan# Click to read
The IP revolution in television is only the beginning
Simen Frostad The fundamental change brought about by the delivery of video content via IP is perhaps the most significant development in the history of televised entertainment because it allows the viewer for the first time to shape the viewing experience. Time, in the sense of the linear delivery of channels, is dissolved, and possibly the concept of channels themselves will also dissolve. Viewers can store, cache and play back video when they want, and experience it at various grades of quality. In a sense the viewer can also be the curator of the service at the point of delivery.
Tags: iss103 | bridge technlogies | ip televsion | broadcast | 4k | production | Simen Frostad
Contributing Author Simen Frostad Click to read
Crossing the TV Divide
Kieron Seth# For years, Reels in Motion has been associated with producing high quality live events and corporate video.
Tags: iss102 | corporate | tv production | hd camera | footage | sync | record | Kieron Seth#
Contributing Author Kieron Seth# Click to read
Why fast production storage is just not enough
Martin Bennett UHD, 4k, 6k, 8k...the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format then we can kiss goodbye to 86,000 GB per hour! Then add to this the predicted increase in general video content IP video traffic is expected to be 79% of all consumer internet traffic in 2018 - this continual increase in media will test the storage strategies of all facilities, big and small.
Tags: iss102 | production | storage | ip video | traggic | media | Martin Bennett
Contributing Author Martin Bennett Click to read
Advantages of SSD Hybrid Solutions in Post Production Environments
James McKenna There's a plan for everything in life. Think on it, scope it out, ask around and come up with a consensus, you'll be prepared when it happens. Like post production for example - you're bidding on a job that's acquiring in 6K for a UHD DPX deliverable, and you want the whole deal, edit through delivery, so you make a plan. Transcode to Pro Res HD for edit, up-convert to 6K for finishing and grading, render out to UHD DPX for delivery. Well done, it's a good plan. But wait - the colorist wants to work in DPX, and offline/online sounds like old-tech to the young producer, and he wants to run 6K raw throughout. The best laid plans are thwarted thusly. The new plan may be to rebuild the facility from scratch with fatter interconnects, new workstations and bigger, faster storage.
Tags: iss102 | ssd | post production | solutions | hybrid | delivery | storage | James McKenna
Contributing Author James McKenna Click to read
An end-to-end solution
Kevin Shaw BBC Studios and Post Production (BBC S&PP), a commercial subsidiary of the BBC, provides an end-to-end solution for what we refer to as post-post-production. Our services include preservation of media in our Front Porch DIVArchive and an end to end service that includes digitization of film and tape, quality control, technical review, compliance editing, restoration and remastering, transcoding (including viewing copies and proxies), file delivery, and hosting.
Tags: iss102 | bbc | s&pp | post production | Front porch DIVarchive | Kevin Shaw
Contributing Author Kevin Shaw Click to read
Overcoming complexity in remote production leads to more and better live broadcasts
Henry Goodman Despite the instant accessibility of recorded media content, there are many events that are still best enjoyed as a live broadcast. At the same time, such broadcasts are becoming increasingly complex, and with increased complexity comes increased cost.
Tags: iss101 | remote production | live broadcast | recorded media content | broadcast | Henry Goodman
Contributing Author Henry Goodman Click to read
Hungerford and the 10 rules of making a Microbuster
Miles Bullough On April 27th 2015 Wildseed Studios' debut feature film, 'Hungerford', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term 'Microbuster' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what Drew Casson, 19, achieved when he made the film.
Tags: iss101 | microbuster | hungerford | film | sci fi | horror | film making | wildseed | film production | Miles Bullough
Contributing Author Miles Bullough Click to read
A box of delights
Dick Hobbs. In the immediate aftermath of NAB and its bombardment by new gizmos, I want to talk about Professor Noriaki Kano. In the 1980s, at the Tokyo University of Science, he came up with a simple model of product design for customer satisfaction.
Tags: iss101 | nab | science | diagram | product | baseline expectation | linear satisfiers | the delighters | Dick Hobbs.
Contributing Author Dick Hobbs. Click to read
Sky takes sports to the limit
KitPlus Sky, Europe's leading entertainment company with more than 20 million customers across five countries, is renowned for being one of the world's top sports broadcasters. From the massively popular Premier League, to a raft of other sports rights including rugby, cricket and darts, Sky provides sports fans with an unrivalled offering.
Tags: iss099 | red giant | sky | sports | sky production services | editor | suite | KitPlus
Contributing Author KitPlus Click to read
The road to Sundance Film Festival
Kivu Ruhorahoza Things of the Aimless Wanderer, the latest feature from Rwandese filmmaker Kivu Ruhorahoza (Grey Matter) is a beautifully crafted narrative about paranoia, mistrust and misunderstandings. Premiering at this year's Sundance Film Festival, audiences can expect an arresting film that reveals a series of cryptic and loosely connected narrative shards exploring the delicate relationship between 'Westerners' and 'local Africans'.
Tags: iss098 | sundance film festival | things of the aimless wanderer | moon road films | film production | Kivu Ruhorahoza
Contributing Author Kivu Ruhorahoza Click to read
Walking into manufacturing with a Dedleg
Paul Zanders I've been a freelance recordist since 1999. I've been lucky enough to be busy, working with many crews on some major shows like The Apprentice, Masterchef, X Factor, Top Gear, and many documentaries and corporate videos. I've worked with some great cameramen and some fantastic sound recordists. I enjoy what I do very much but for me and fellow recordists there has always been one big problem in that we have to wear the equipment we use.
Tags: iss098 | dedleg designs | sound recordist | support | production design | product manufacturing | Paul Zanders
Contributing Author Paul Zanders Click to read
Which camera is right for you?
Beth Zarkhosh So January has been and gone and it's out with the old and in with the new. This applies to the freshest and upcoming cameras for video making on the market; it's now time to get rid of your old equipment. With CES behind us, new innovations have taken many by surprise and with BVE currently going on there is lots to look forward to this year in video production. So this month we will be focusing on which cameras you should look out for this year.
Tags: iss098 | production camera 4k | gopro hero4 | nikon D3300 | canon 5D mark III | Beth Zarkhosh
Contributing Author Beth Zarkhosh Click to read
Venice live productions tools go to the consumer
Tim Felstead The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple target audiences in parallel. Rohde and Schwarz have invested heavily in its Venice Media Production Hub to ensure it is able to fulfil the requirements for the latter. A media production hub is a central component of media workflows, managing movements and transformations from one media type to another.
Tags: iss098 | studio production | live | multiple SDI input | panasonic P2 | sony XDcam | avid isis | Tim Felstead
Contributing Author Tim Felstead Click to read
Open Source for Film and TV Production
Dan Mulligan There's nothing like a new project to make you feel excited about life, and excited is definitely how I've been feeling since I adopted an Open Source policy to my companies' camera and workflow divisions.
Tags: iss098 | open source | tv film production | 4k | camera | axiom | raw | Dan Mulligan
Contributing Author Dan Mulligan Click to read
Studio furniture at the cutting edge
Graham Buchanan Custom Consoles was established in 1996 to meet the market demand for efficient and robust studio furniture at accountant-friendly prices. That may sound trite but we were working in SI roles ourselves and knew from direct experience how difficult it was to commission third-party desks built to the high standards our clients needed. As the company's name reflects, we specialised from the start in producing furniture tailored to the specific technical requirements and room dimensions appropriate to each project. Our objective was to reduce capital costs wherever possible. Custom Consoles built its name on the design and manufacture of bespoke furniture to a client base that includes the BBC, Channel 4, Carlton, TV4 Sweden, and Sony.
Tags: iss097 | studio | furniture | custom consoles | editing | post production | Graham Buchanan
Contributing Author Graham Buchanan Click to read
Stability not short-term subscriptions
Lewis Kirkaldie I've been watching the prospect of subscription-based tools with interest. I talk to customers a lot, and they too are monitoring the situation. Some can see advantages; others are wary. I think it depends very much on what the tool is. Being able to switch a service on and off is attractive for some applications. I can see that a particular set of video effects, for example, could be vital for a production and previously it was hard to justify a purchase for a one-off job. If you only pay for the time you use it, that is good.
Tags: iss097 | subscription | tools | software | post production | cinegy | applications | Lewis Kirkaldie
Contributing Author Lewis Kirkaldie Click to read
Four must-haves for modern media workflows: Enhancing your MAM solutions
Laurent Fanichet It's always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn't keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietary file and file system formats. In the last decade or so, IT-based solutions have finally caught up, and open solutions for shared storage are now readily available at price points affordable for even boutique post houses.
Tags: iss097 | MAM | media | workflow | post production | 4k | Laurent Fanichet
Contributing Author Laurent Fanichet Click to read
Archiving as a service at BBC Studios and Post Production
Kevin Shaw BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production." Our services include digitization of film and tape, quality control, technical review, compliance editing, restoration and remastering, transcoding (including viewing copies and proxies), file delivery, and hosting.
Tags: iss097 | kevin shaw | post production | bbc studios | digital media services | archive | Kevin Shaw
Contributing Author Kevin Shaw Click to read
Post Production gear guide - what new products to watch out for in 2015
Beth Zarkhosh With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year.
Tags: iss097 | post production | guide | 8k | ultra hd | monitor | thunderbolt | d2 | standing desk | backlit editing keyboard | panasonic | hxa500 | Beth Zarkhosh
Contributing Author Beth Zarkhosh Click to read
Increase productivity while editing
Terry Goyette Using non-linear editing software (NLEs) and digital audio workstations (DAWs) are staples of multimedia editors around the world. Many professionals use an NLE on a Windows PC or a Mac such as Adobe Premiere, FinalCut Pro, Sony Vegas or Avid Media Composer or edit music or sound with a DAW such as Pro Tools, Adobe Audition, Logic Pro, Propellerhead Reason or others. Professionals are not the only ones editing. We are now in the age of prosumers (consumers using pro equipment) using HD smartphone cameras uploading to YouTube as well as hearing music produced on home computers with programs like GarageBand and sharing with their friends on social media. There are many keyboard shortcuts to remember, and not always easy ways to navigate these programs with a mouse or keyboard.
Tags: iss097 | post production | editing | software | finalcut pro | timeline | contour design | Terry Goyette
Contributing Author Terry Goyette Click to read
Still unsure about cloud editing? Read this..
Stephen Streater For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won't cloud editing use a lot of bandwidth, especially with 4K video? Those are fair questions, and ones that often keep people from incorporating the cloud into their workflows.
Tags: iss097 | cloud | broadcast | workflow | editing | post production | Stephen Streater
Contributing Author Stephen Streater Click to read
Fixing it in parallel
Daniele Siragusano Whenever something went wrong in television production, the cry was always "We'll fix it in post". Except that there was rarely enough time, in a broadcast schedule, to fix anything. Today we expect every programme - even routine television programmes like daily dramas - to look and sound perfect. But we still do not have enough time to correct everything in post. The only answer is to find a better way of working.
Tags: iss097 | editing | post production | workflow | filmlight | coronation street | visual effects | Daniele Siragusano
Contributing Author Daniele Siragusano Click to read
3sixtymedia implements Universal Videohub 288 with ITV
Taig McNab Taig McNab joined ITV in the Spring of 2011 and was quickly thrown into project managing the move of 3sixtymedia, ITV's post facility, from Quay Street in Manchester to MediaCityUK. Brought onboard as technical manager, not only was Taig responsible for looking after all of the operational aspects of 3sixtymedia's existing facility, he also had to start planning for the move to Salford, which at that moment in time was a little under a year away.
Tags: iss097 | itv | 3sixtymedia | universal videohub 288 | post production | mediacityUK | Taig McNab
Contributing Author Taig McNab Click to read
Eye to Eye: Video Post-production
N/A Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editing systems. The expression 'colour comes later' returns to mind. IBC will see the introduction of quite a lot of new video-post kit including a respectable amount designed to handle 3D content which I will start off with.
Tags: eye to eye | post production | 3d post | binocle | dashwood | editshare | for-a | miranda | 2d post | miranda | blackmagic design | deltacast | digital vision | eyeheight | matrox | panasonic | iphone | vericorder | N/A
Contributing Author N/A Click to read
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