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The LED Lighting Revolution
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Back in April 2019, the National Association of Broadcasters hosted the annual NAB show in Las Vegas where over 90,000 people from more than 160 countries came to see the latest broadcast technology from around the world. Honouring the highlights of the show were NAB’s 2019 Product of the Year awards, where the newly launched Chroma-Q Space Force onebytwo – a bright, tuneable white LED softlight with a high CRI, TLCI and TM-30 - picked up one of these prestigious awards in the lighting category. |
| Tags: iss139
| ac-ent
| led
| lighting
| chroma-q space
| softlight
| studio force phosphor
| Neil Vann
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Increasing Diversity in the UK Indie Market
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London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table.
“Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from ethnic minorities remain underrepresented on screen. For example, it is rare to find a film where the lead character has a disabil ity, and that underrepresentation is worrying.”
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| Tags: iss139
| cards on the table
| feature
| diversity
| blackmagic
| ursa mini pro 4.6k
| lut
| davinci resolve
| Sam Addo
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Why MADI is Still Relevant
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While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape. |
| Tags: iss139
| madi
| tsl products
| aes10
| aes
| dolby atmos
| st-2110
| sam-q
| Stephen Brownsill
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Original KVM or KVM over IP
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Will the technology used in broadcasting solely consist of IP devices? For years, IP has been entering all areas of life. Especially control room applications as they are typically deployed in broadcasting benefit from the IP revolution in many ways. But an “IP-only broadcast world” is not yet here. Nevertheless, the trend clearly moves towards IP transmission, even though a large part of content production still uses traditional transmission paths. And therefore we continue to live in a hybrid world, using both original and IP-based technology. KVM experts Guntermann und Drunck still rely on both original KVM and KVM-over-IP™ to be able to offer their customers the best of both worlds. |
| Tags: iss139
| kvm
| gdsys
| guntermann and drunck
| kvm-over-ip
| Jochen Bauer
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Making Metadata Work
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I dare say that if you’re a keen reader of my column then you will be brushing up on your Dutch pronunciation and acclimatising yourself to mayonnaise on your chips rather than ketchup. If you’re really keen then you’ll also be making sure that you practise your Dutch jokes about the Flemish to ensure you don’t accidentally tell a Flemish joke about the Dutch at 2am on Sunday morning in a local bar somewhere near the red light district in Amsterdam. |
| Tags: iss139
| metadata
| class
| mrmxf
| ibc
| mesa
| Bruce Devlin - new
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REVIEW Canon UJ111x8_3B UHD Lens
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Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the world's news reporters now able to capture UHD video on their mobile phones, why give the production crews anything less? |
| Tags: iss139
| canon review
| uj111x8 review
| lens
| zoom
| digisuper
| uj90x9b
| hdtv
| ccu
| Andy McKenzie
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Undercover Remote Production
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It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!
The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife programming using remote production for many years with incredible results.
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| Tags: iss139
| ptz
| br remote
| 5g
| remote camera
| atlantic productions
| camball
| camball4
| David Bradley
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The Future of Broadcast Connectivity
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The use of KVM equipment has been essential to meet the evolving needs of the broadcast industry for many years. Over that time, many in the industry have recognised the importance of using IP-enabled KVM to break down technological barriers and enable real-time access to visuals wherever and whenever they’re needed. These components are vital parts in live production environments in particular. |
| Tags: iss139
| adder
| kvm
| ip kvm
| Jamie Adkin
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Covering Ironman Australia
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KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 events across 44 countries including long (IRONMAN and IRONMAN 70.3) and short (Sprint and Olympic) distance triathlons, mountain bike stage racing, road cycling and running, both marathon and trail. One of those events is IRONMAN Australia, which takes place yearly on the Australian east coast. |
| Tags: iss139
| ironman
| dejero
| streaming
| cellsat
| 5g
| engo
| mobile transmitter
| facebook live
| wi-fi
| cellular
| satellite
| KitPlus
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The University of the Third Age
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Here's a cliché - "We all get to be old one day - if we're lucky". There comes a point when things like "....mastered in Dolby Vision Domestic and SDR Rec 709....." become just a touch unimportant (and actually I never really understood that stuff in the first place). I retired for the third time last year - BBC producer, and before that cameraman, then freelance producer, trainer, do-your-own camera, sound, editor, blah blah, then 11 years university teaching. I did my bit - never a BAFTA, but certainly the first into a good few things - but it all has to come to an end sometime. |
| Tags: iss139
| u3a
| panasonic
| davinci resolve
| Bernard Newnham
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Review: JVC GY-HC900 Camera
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JVC has a long history of developing relatively low price-point equipment, dating right back to its success in the 1970s with the VHS tape format. JVC products sometimes impact the broadcast mainstream but generally find greatest success in niche market segments such as news production where price and portability take priority over the no-comprise quality and robustness demanded by the leading studio-based and OB content producers. |
| Tags: iss138
| jvc review
| camera
| sdhc
| sdxc
| mpeg-2
| nab
| gy-hc900
| Andy McKenzie
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Making the Workflow Flow
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The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workflow is made up of many technology pieces from open source code, through de-facto delivery specifications based upon SMPTE or Trade Association Specifications that in turn depend on full, International Standards to work. I can already hear some folks saying "In the good old days, everything used standards", but I beg to disagree. |
| Tags: iss138
| pye museum
| pye-philips
| smpte
| ietf
| ieee
| w3c
| aes
| Bruce Devlin - new
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State of the Nation: Wings, Fine Coffee and Fake Nudes
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One of the many attractions of this time of year is that I get to meet with my fellow judges for the IBC Innovation Awards, and see what the industry sees as the most important, most forward-looking projects of the day. For me, this says what the key talking points are going to be in September, far more eloquently than the endless press releases from vendors which are already tumbling into my inbox. |
| Tags: iss138
| ibc
| smpte 2110
| deepnude
| cisco
| Dick Hobbs - new
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Making a Difference in Wireless Transmission
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We are very proud to say that we are the only company that provides a highly specific service, and that is the hire of wireless video transmission solutions operating in the licence exempt spectrum.
There are other companies that provide licensed equipment and offer a diverse range of wireless solutions based on different modulations, but our products, coupled with the offerings of others rather than competing with them produce a wireless workflow that is greater than their separate capabilities.
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| Tags: iss138
| boxx
| production
| wireless
| 4k
| Lukasz Malankowski
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How the Womens World Cup was Boosted by Broadcast
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As we write this article, England’s Lionesses have just beaten Norway 3-0 and are smashing viewing figure records, with 6.9 million viewers tuning in to watch them play Cameroon on BBC One. Rewind to the previous World Cup in 2015, and England’s group and early stage knockout games tempted up to 2.5 million viewers for each match. It’s safe to say that women’s football is finally having its moment; what was perhaps once considered a niche sport is finally gaining momentum in the mainstream space with broadcasters giving it the attention it deserves. |
| Tags: iss138
| wwc
| world cup
| spicymango
| diversity
| John Griffiths
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How LiveU Has Changed The Way We Work At ITV Daytime
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As my job title suggests, I’m responsible for planning and executing technology projects across ITV’s Daytime, including outside broadcasts, which are central to what we do. We broadcast live for more than six hours every weekday with four shows: Good Morning Britain, This Morning, Lorraine and Loose Women. With a history as one of the main UK terrestrial broadcasters – of course, we have also evolved alongside the industry in terms of viewing options – we have high standards. We constantly generate new ideas to keep audiences engaged and we also need to be responsive to the latest breaking news. |
| Tags: iss138
| liveu
| itv
| daytime
| cobham
| explorer 8100
| satellite
| lu600 hevc
| ka-band
| lu300
| garland
| Tim Guilder
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News Out Of The Cloud - Technology At The Front Line Of Journalism
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Throughout history, journalists have always had to seek and adapt to new technologies to deliver news in a format and at a speed that consumers demanded. Today, recent technological changes in the media environment have led to another inflection point. If modern media outlets want to empower journalists to remain agile and turn news stories around quickly and efficiently, they have to start embracing new, innovative technologies, like cloud-based media solutions. |
| Tags: iss138
| sony
| ofcom
| cloud-based media
| intelligent
| Stuart Almond
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The World of 12G 4K/UHD Processing
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Technology moves fast and when it comes to audio and video broadcasting, there is always room for improvements in audio and video quality and ease of production. One of the main goals of broadcasters and content providers today is to create an immersive experience for the viewers, giving them the feeling of being part of the viewed content. The 4K/UHD buzz has been in the consumer world for some time but what does that actually mean for the content producer? |
| Tags: iss138
| lynx technik
| ott
| greenmachine
| yellobrik
| conversion
| Varun Patel
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The Evolution of Audio Monitoring
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Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest loudness guidelines remaining at the top of the must-have list. |
| Tags: iss138
| tsl products
| st-2110
| lip synce
| ip
| ptp stauts
| amwa
| nmos
| Stephen Brownsill
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NAB 2019 Highlights
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The NAB Show in Las Vegas never loses its capacity to surprise. With NHK already transmitting in 8K and the Tokyo Olympics just a year away, this might have been the year that 8K equipment prices descended from the stratosphere to just plain expensive. The main trends at NAB 2019 were an increasing focus on HD-HDR, Media-over-IP and 4K. 8K was pretty low key except for a very promising demo on the Sharp stand: an extremely compact 8K camera at an impressively low price point: $4,000. Shooting at 30 frames per second to an internal card and using a prosumer-style Olympus lens, it looked very much an entry-level product but one with phenomenal potential for any videographer looking to work with very large display screen sizes. |
| Tags: iss137
| finepoint
| nhk
| media-over-ip
| canon xa50
| xa55
| huddlecam
| jvc
| gy-hc550
| panasonic aw-ue-150 ptz
| samsung
| 8k signage
| hdr10+
| livetrakl-20
| mediakind
| Paul MacKenzie
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Cinegy Channel Playout
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Canis Television & Media is a UK-based specialist broadcast services company, providing its clients as a one-stop shop for everything from production facilities to asset valuations to traffic control. In response to growing demand from its clients, Canis identified a need for channel playout facilities. |
| Tags: iss137
| cinegy
| canis media
| David Wright
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Preparing for the holiday peak
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The summer holiday getaway of 2018 hit the headlines for all the wrong reasons. A UK airport's non-functional departure boards left travellers unable to find their flights. Meanwhile, an airline cancelled over 2,000 flights due to a computer glitch. One European city closed its airspace entirely. |
| Tags: iss137
| adder
| kvm
| server
| Jamie Adkin
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A Truly Mobile Fly On The Wall
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Fly on the Wall Entertainment is responsible for over 2000 hours of programing that have aired on multiple networks. As the Executive Producers of CBS’s summer sensation Big Brother, going into its 20th season this summer, they have been the key to the growth and evolution of one of the most groundbreaking entertainment franchises ever on broadcast television. As a team, they constantly push the boundaries of unscripted television, creating programing unimagined by anyone else. |
| Tags: iss137
| dejero
| fotw
| engo
| KitPlus
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What is the JT-NM Tested Program
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The National Association of Broadcasters (NAB) Show 2019 has come and gone with the usual onslaught of product announcements, launch parties, demonstrations and the usual high-density crowds preventing any high-speed movement between halls. The IP showcase, this year, featured a JT-NM tested program. If you're unfamiliar with the JT-NM, then it's worth checking out their website jt-nm.org where you can find out about the work being done to coordinate the different aspects of building an inter-working ST 2110 eco-system. The JT-NM tested program catalogue can be downloaded from the website and it highlights a series of tests that were performed prior to NAB on various products to see how they performed against the written standards upon which the ST 2110 eco system is based. |
| Tags: iss137
| st2110
| class
| jt-nm
| nab
| ieee
| secuirty
| amwa
| Bruce Devlin - new
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Lighting with Gurdip Mahal
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Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to performances by major artists such as U2, Beyonce and Lady Gaga. |
| Tags: iss137
| ac entertainment
| gurdip mahal
| lighting
| stage lights
| light assistant
| Ian Muir
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Capturing Haute Couture
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As the fashion world returned to the French capital for the most prestigious of the 'Big Four’ fashion weeks, historical venues such as the Carrousel du Louvre and the Grand Palais played host to famous emblematic brands such as Chanel, Valentino, Louis Vuitton and Stella McCartney, showcasing their autumn/winter 2019 collections. |
| Tags: iss137
| blackmagic design
| ursa mini
| freecaster
| atem
| KitPlus
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The Latest Trend in Cloud Ingest Portals
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The unique demands of the media industry have created an equally unique ecosystem. With high-resolution video constantly moving over the Internet during production, post production, and multi-device, multi-channel distribution, as well as the need for flexible storage and security at every stage — all under impossibly tight timelines — there isn’t another industry like it. It’s not surprising then that technologies that work for some industries often don’t work the same in media, and cloud ingest is a great example. |
| Tags: iss137
| signiant
| saas
| ftp
| dropbox
| file transfer
| media shuttle
| Megan Cater
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IMF Adoption
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The Interoperable Master Format isn’t new. It’s been around for more than six years. Despite this longevity, the broad adoption since the publication of SMPTE 2067 has been pretty slow. This is perhaps more because of the age old mantra “if it ain’t broke don’t fix it,” than the ease with which many could interpret the standard. However, it is safe to say that movie producers blazed a trail in using IMF for original content delivery. Perhaps the key is that those early adopters didn’t have any significant tape based infrastructure that had been modified for file-based working when receiving content. So, many longer established content distributors have the immense resources to create the vast array of versions required to address the ‘version issue.’ This being how do you get the same content to look good on the back of an aeroplane seat headrest or an iPhone in the back of car as well as a good old TV set. Over time these resources have been diminishing and many organisations recognise that they have to adopt workflow automation to survive. |
| Tags: iss137
| editshare
| imf
| standards
| smpte 2067
| Howard Twine
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State of the Nation - If Winter Comes
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Here’s an important fact that might get lost in all the noise of the moment. HBO’s Game of Thrones, which is relentlessly covered in the press as well as being talked about by its fans, is not actually terribly popular. The opener of the current (and last, thank goodness) series attracted a consolidated audience of about 3.5 million – that includes 2.7 million who watched the first showing at 2am, plus those who watched it at a more civilised hour, or who recorded it. Informed comment seems to be that those who watch on catch-up at some time in the following week or so might add a million more. |
| Tags: iss137
| gof
| games of thrones
| 8k
| hdr
| Dick Hobbs - new
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