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A Pandoras Box to empower the filmmaker
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The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anchor man Martin Stanford with Wesley Dodd, CEO of Celebro Media Group and Rotolight MD Rod Gammons in the studio. |
| Tags: iss129
| rotolight
| celebro
| anova pro 2
| led
| lighting
| wesley dodd
| rod gammons
| KitPlus
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Speed in a Changing Media Landscape
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We are living in the video era - the staggering statistics on video growth make that abundantly clear. According to Cisco’s Visual Networking Index: Forecast and Methodology 2016–2021, video will make up 82 percent of all consumer internet traffic by 2021, an increase from 73 percent in 2016. To put this in perspective, “it would take an individual more than five million years to watch the amount of video that will be crossing global IP networks each month in 2021.”
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| Tags: iss129
| hulu
| amazon
| netflix
| signiant
| svod
| Mike Nash
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AoIP in the intercom world
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Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing digital audio resources with other types of hardware? |
| Tags: iss128
| clearcom
| clear-com
| dante
| aes67
| beltpack
| isdn
| John Sparrow
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IP or not IP, that is the question
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There can be a one size fits all approach to prompting, but with the many forms of production in todays broadcasting world - from a major sporting event, to the biggest Saturday night entertainment show, to a 24-hour news operation or prompting on location - it is unlikely that a single system will suit every circumstance. The equipment needs to be designed for purpose, interchangeable and adaptable, since prompting, like other areas of the broadcast workflow, does not stand still.
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| Tags: iss128
| cuescript
| prompting
| prompter
| ptz
| ip
| Brian Larter
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The Transition to a full end to end IP video solution
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Most video professionals will agree that the future is IP. The question is, when and how do they make this transition? With manufacturers just introducing new IP products, many people are observing and waiting. However, the reality is that the move to IP is already rapidly taking place and is more transformational than the move from analogue to digital, SD to HD, or HD to UHD/HDR. IP will change the way that people interact with video, making it more flexible, more accessible, more scalable and will provide more opportunities for content delivery
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| Tags: iss128
| newtek
| ptz
| ip
| uhd
| streamstar
| xsplit
| vmix
| ndi
| Brian Olson
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Growing a news agency from the inside out
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Growing a new media outlet in todays highly competitive market requires taking a strong look at the new ways media is being consumed. Many of the most successful recent startups are community focused, often finding a niche market that wants to be engaged in a way they perceive themselves. Al-Araby TV is a London-based news and current affairs satellite channel that has set out to do just that for Arab citizens.
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| Tags: iss128
| gpl
| garland
| al-araby
| teracue
| x-player
| amino
| aminet
| icue
| Lorna Garrett
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The dangers of live streaming without a license
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The entertainment industry is visual and sound driven. Without these two elements there would be no such a thing as entertainment. Its obvious that there are people who create sound/s and visuals. Copyright laws were created to protect the industry and these artists. Many organisations have been created to look after musician, writers, poets and filmmakers. For example there are a number of bodies especially the MCPS [Mechanical-Copyright Protection Society], which is responsible for collecting royalties and licensing of music on behalf of musicians and music producers.
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| Tags: iss128
| ail
| youtube
| streaming
| license
| Joseph Adamson
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Reunion on Kingsman ensures efficient workflow for sequel
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Both on and off camera, there are some collaborations that are built to last. Armed with the success of their work on the first film adaptation of the Kingsman comic book (Kingsman: The Secret Service), director Matthew Vaughan reunited with cinematographer George Richmond, DIT Joshua Callis-Smith and colorist Rob Pizzey, to deliver Kingsman: The Golden Circle, the upcoming second installment in the spy comedy series.
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| Tags: iss128
| kingsman
| blackmagic
| goldcrest
| davinci
| arri
| dit
| KitPlus
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Leveraging licensed broadcast spectrum assets
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There are several different approaches to transmitting live and file-based content from the field to the studio. Traditional microwave Electronic News Gathering (ENG) provides high bandwidth, high-quality transmission with low latency. Using the secure, dedicated BAS spectrum keeps control in a broadcasters hands. The past few years have seen a shift in video technology toward acceptance, and adoption of IP-based links into ENG workflows.
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| Tags: iss128
| eng
| bas
| imt
| vislink
| imt-vislink
| John Payne
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How the Cloud can be enabled as traditional broadcast workflows evolve
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The Cloud itself is fairly simple, but for broadcasters it can be difficult to leverage. It isnt technically complex but broadcast still overlaps requirements that need real time, high resolution and quick turnaround solutions. Plus, this is coupled with the need to connect with dispersed geographic locations, reduce costs and access multi-format assets. As a result, broadcasters have moved away from asking the basic question what can I do in the cloud? to trialling projects and implementations are now underway or under evaluation.
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| Tags: iss128
| ott
| primestream
| David Schleifer
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Looking back at IBC 2017
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IBC feels like a bit of a dim and damp memory now, but a few over-riding memories do remain however, not least of which was the Arri party to celebrate its 100th year. It was like an old-school manufacturers IBC/NAB party, back when manufacturers had marketing budgets, and lots of sales people. It got IBC off to a great start; thanks Arri. |
| Tags: iss128
| ibc
| arri
| red
| panasonic
| adamantean
| sony
| eva
| nokia
| ozo
| Duncan Payne
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Video Tape recorders cannnot die.
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This article concentrates on what is often described as the weakest link, namely 1) above i.e. the Playback Decks and what could be another weak link, namely 2) i.e. Tape Cleaning Facilities. I have read several articles recently written in the belief that the playback of magnetic video tape will be all but dead in about 20 years due mainly due to lack of working VTRs this inspires me to do something about it.
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| Tags: iss128
| rogcon
| vtr
| achiving
| betacam
| ravensoburne
| dct
| ampex
| dct700
| umatic
| KitPlus
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IP Prompting
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The potential nirvana of interoperable IT, Telecommunications and Broadcast convergent technology definitely felt a lot closer at this years IBC with the launch of many, many broadcast IP ready devices, workflow and solutions. While the big ticket camera and live production infrastructures dominated the headlines there were a number of smaller but equally important IP workflows that were launched which are fundamental to successful, professional TV production and this includes the often forgotten world of TV Prompting
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| Tags: iss128
| portaprompt
| ip
| prompting
| ippg
| windigi
| Jon Hilton#
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Managing Talent
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Presenting for television is a talent that is critically competitive. Budding presenters around the world produce showreels, attend acting schools and fight to be the next Ant and Dec¦ but what is it exactly that makes a successful television presenter? As a wannabe TV presenter myself, I wanted to explore the exact process talent managers follow when finding the next big thing and whether I have exactly what it takes. |
| Tags: iss128
| portsmouth university
| education
| bsc
| ccitv
| Nicole Inanc
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Multi-camera fly-away for live music production
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A specialist in multi-camera concert films and music documentaries, Toward Infinity began working with Trickbox TV around 18 months ago. Run by Producer, Director and Editor Tim Sidwell and Producer and DP Jeremy Mason, Toward Infinity is a creative collaboration that works with top flight venues including: Royal Albert Hall, Wembley Arena, the O2 Arena, Shepherd's Bush Empire and the London Forum, with artists in all genres. |
| Tags: iss127
| trickbox
| multicamera
| flyaway
| Aaron Dunleavy
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Why the IABM matters
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The broadcast and media industry is going through a once-in-a-generation transformation right now. Broadcasters and media companies are facing unprecedented challenges with enormous opportunities opening up for the winners. To grasp those opportunities though, broadcasters and media companies need a new generation of agile, cost-effective technology to power their operations to enable them to spin up new services in moments, to repurpose content and serve viewers on their device of choice, wherever they are and whenever they want it. |
| Tags: iss127
| iabm
| standards
| Peter White
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Peace of mind in a complicated world
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For many in the broadcast industry these are challenging times. With competition coming from all angles and different technological camps advocating different approaches to infrastructure and the way forwards. With the number of different variables increasing, the choices of whether to use SDI or IP infrastructures, and the choices around HDR and WCG let alone the on-going distraction of UHD / 4K. |
| Tags: iss127
| omnitek
| smpte 2110
| ip
| ultra tq
| 2022-6
| Alan Wheable
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The importance of storage
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In recent years, viewing habits have shifted dramatically; online video is becoming the preferred option for the younger generation. But its not just millennials who are cutting the cord with broadcasters and traditional platforms increasing numbers of people from all age groups are abandoning cable and instead enjoying TV online. In response to this growing trend, platforms such as Netflix and BBC iPlayer are rushing to invest in fresh digital content, in a bid to satisfy their ever-increasing audiences. |
| Tags: iss127
| limelight networks
| cdn
| pops
| Jonathan Smith
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Boradcast playout on-site and in the cloud
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Broadcasters come in many shapes and sizes, each with their own unique set of ambitions and their own preferred route to success. Some are happy to innovate, particularly if it increases staff efficiency or reduces operating costs. Others prefer to let their competitors do the innovating and then follow whatever path appears to work best. Thus the industry has advanced from dedicated hardware to more flexible and cost-efficient software running on 'enterprise-platform' comput-ers, and more recently to virtual devices. |
| Tags: iss127
| playbox
| playout
| cloud
| edgebox
| airbox
| neo
| cloudair
| Don Ash
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Immersive Audio
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In 2012, the Oculus Rift Kickstarter campaign burst onto the scene, initiating a new wave of public interest in sense-enveloping immersive experiences. 5 years later, the consumer reality is mixed with some very public let-downs like Google Glass (which is coincidentally enjoying a re-birth at the time of writing, now as a technical tool in the workplace), and other technologies such as Dolby Atmos® becoming almost commonplace experiences. What does this mean for the audio professional and how is the near future shaping up in 2018? |
| Tags: iss127
| immersive audio
| dolby atmos
| dts-s
| auro-3d
| oculus rift
| nugen
| Jon Schorah - new
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Supporting creativity and driving better workflows
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For decades videographers and filmmakers have been pushing the boundaries when it comes to creativity all with the aim of delivering a visually spectacular and engaging experience to viewers. For the most part they rely on artistic vision and innate skill, but over the last few years technology has been playing more of a role in enabling that creativity, like cameras, sound and lighting. |
| Tags: iss127
| rotolight
| led lighting
| aeos
| Rod Aaron Gammons
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The party is not over until the video is online
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When we were introduced to the team behind Sensation dance events in Amsterdam they had one big question for Timecode Systems: could our SyncBac VR wireless sync and control solution theoretically make it possible for a high quality, professional 360-degree video of a live dance music event to be edited in the time it takes the DJ to fly to his or her next gig? Intrigued by what our solution could help them achieve, in July they invited us to film at one of their iconic dance music events. Billed as The Final it was a sell-out farewell party to mark the last Sensation event in Amsterdam. |
| Tags: iss127
| syncbac
| vr
| 360-degree
| pro7
| 360rize
| gopro
| dj
| timecode systems
| Paul Scurrell
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Plan to be smart at IBC
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While chatting with a good friend last week, he told me he was full of foreboding about the coming IBC. It needs no introduction: this conference/exhibition is the largest gathering of broadcast professionals in Europe, and the second largest in the world, and everyone in our world knows about it. Ill give you some statistics later but, for now, lets look at why my friend was dreading it. |
| Tags: iss127
| azule
| finance
| ibc
| planning
| Peter Savage 2
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Strays - Telling a dark tale
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Independent filmmaker, Aaron Dunleavy, has used the backdrop of his hometown, Blackburn, to create a new short film as part of Channel 4 and Arts Council Englands Random Acts programme. The initiative - delivered by Tyneside Cinema (Newcastle), HOME (Manchester), and True North Productions (Leeds) - commissions bold, innovative expressions of creativity from young creative talent, and was a new and welcome challenge for Dunleavys third short film. |
| Tags: iss127
| strays
| blackmagic design
| vfx
| ursa mini
| grade
| grading
| Aaron Dunleavy
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Back to Basics with IP Video Production
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Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology change that will demand new skill sets and infrastructure. |
| Tags: iss127
| tek
| tektronix
| ip
| test
| Michael Waidson
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Production Communications in a Shrinking World
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Communications today is a critical issueno matter if you are producing broadcast television, doing a live festival or rock concert outdoors, setting up a musical on the West End, or producing a local school play. Over the last few years, the proliferation of cell phones and other wireless devices has made it clear that most people prefer to communicate untethered. |
| Tags: iss127
| pliant
| comms
| intercom
| duplex
| Gary Rosen
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Atomos Ninja Inferno REVIEWED
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Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear to fund his most recent short film Deserted in Paris, after he went over budget due to lost locations and actors pulling out.
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| Tags: iss127
| atomos
| inferno
| ninja
| review
| prores
| dnxhr
| gh5
| fs7
| lut
| Daniel Peters
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5 reasons to use a soft box with LED lighting
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LEDs are a highly efficient light source, and putting aside any color spectrum issues, (that have generally been improving) they still have limitations for lighting people. The naked illumination coming off a single emitter, or an array making up a larger fixture, such as a panel, is just not the soft, beautiful glow that we seek for human subjects. |
| Tags: iss127
| led lighting
| softbox
| soft box
| James Mathers
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50 years in and the show must go on
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At IBC we always look forward to meeting old faces and new. For those more recently acquainted with the broadcast industry, you may not realise IBC was born half a century ago in London. In 1967 the show, held at the Royal Lancaster Hotel, attracted just 32 exhibitors and 500 delegates. However, its popularity grew and the exhibition quickly upgraded with a move to the Grosvenor House Hotel in London, followed by the Wembley Conference Centre, before moving to Brighton. |
| Tags: iss127
| medialinks
| ibc
| amsterdam
| John Smith -new
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Canon CN-E 18-80mm T4.4 Review
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The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering for sharp prime lenses with clear and accurate markings for proper functionality. |
| Tags: iss126
| canon
| review
| cn-e
| 18-88mm
| t4.4
| Ben Sherriff
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