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How to solve a problem like 4k

with Peter Savage Issue 108 - December 2015 A lack of standards and content is holding back sales of 4k television sets and, until that situation changes, there is very little the consumer electronics business can do about it, writes Peter SavageSince the late 1960s and early 70s, when we began to ditch our old black and white TV sets in favour of...

Submitted by Peter Savage 2

Published 15 December 2015

4k - is it really worth it

by Beth Zarkosh Issue 108 - December 2015 4K; the holy grail of modern digital filmmaking. Weve all heard of it, but perhaps not all of us are ready for the change. Here we look at the perceptions versus the realities of shooting in 4K. Ultra High Definition is something that has derived from 4K, but now it seems most filmmakers are pressured into...

Submitted by Beth Zarkhosh

Published 15 December 2015

Test & Measurement: Ask the expert

by Alan Wheable Issue 107 - November 2015 What should an Eye diagram look like?There are basically two different approaches to capturing the Eye Diagram from an SDI signal. These are real-time capture (employed by Real Time oscilloscopes) and signal subsampling (employed by Sampling oscilloscopes such as the Omnitek Ultra 4k Tool Box). All broadcas...

Submitted by Alan Wheable

Published 01 December 2015

The beat goes on... 4k, 8k and the continual need for T&a...

by Adam Schadle Issue 107 - November 2015 Just a few short years ago, 4k was the future, but now that 4k televisions and other screens are becoming more widely available, the format is careening toward the present. 4k is still an emerging delivery format, to be sure. After all, there are still places in the world that have yet to transition from SD...

Submitted by Adam Schadle

Published 01 December 2015

Ed Sheeran goes 4k live at Wembley

by Steffan Hewitt Issue 106 - October 2015 Ed Sheeran has had a phenomenal ride to music success world wide. In July 2015 as part of his x World Tour he played three sold out concerts at Londons Wembley Stadium, his biggest solo shows to date with combined show audiences of 240,000 plus. Paul Dugdale and Jim Parsons whilst working for JA Digital pl...

Submitted by Steffan Hewitt

Published 01 November 2015

5 broadcast trends at IBC 2015

by Peter Savage Issue 105 - September 2015 Azule CEO Peter Savage gazes into his crystal ball to make predictions about the technology trends that could emerge from IBC 2015. 4k acquisition will go mainstreamOf course, 4k has been a hot topic for several shows but this year will see it move into the mainstream. Alongside the plethora of camera intr...

Submitted by Bernard Newnham

Published 01 October 2015

The IP revolution in television is only the beginning

by Simen Frostad Issue 103 - July 2015 The fundamental change brought about by the delivery of video content via IP is perhaps the most significant development in the history of televised entertainment because it allows the viewer for the first time to shape the viewing experience. Time, in the sense of the linear delivery of channels, is dissolved...

Submitted by Simen Frostad

Published 01 August 2015

4k storm chasing

by Alister Chapman Issue 103 - July 2015 15 years ago I got my first big Broadcast Commission. It was to produce a 1 hour special on Tornado Chasing vacations. Yes, people pay to go on storm chasing holidays. In 1999 this was a new thing, today its a booming business. Ive always been fascinated by natural extremes and filming tornadoes seemed like...

Submitted by Alister Champman

Published 01 August 2015

The importance of storage

by Larry Jordan Issue 102 - June 2015 "What\'s the best computer to edit video?\" It\'s a great question - it\'s just the wrong question. Yes, CPU speed is important and the Internet is buzzing with the latest specs on GPUs. But, today, virtually any currently shipping computer is more than adequate to edit video; even 4K. The critical component th...

Submitted by Larry Jordan#

Published 01 July 2015

Those pesky scientists

by Dick Hobbs Issue 102 - June 2015 This month\'s picture is of something I was given on a visit to the Grass Valley camera factory in Breda, maybe 10 years ago. I think it is a thing of beauty, which is why it sits in pride of place on top of the wine cabinet. It is the sharp end an HD system camera: the optical block and a CCD imager. We saw in t...

Submitted by Dick Hobbs.

Published 01 July 2015

NAB 2015 Highlights

by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh

Published 01 June 2015

DOPs discuss minicams, lenses, 4k and all

by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan

Published 01 May 2015

Open Source for Film and TV Production

by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan

Published 01 March 2015

Four must-haves for modern media workflows: Enhancing you...

by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet

Published 01 February 2015

High Resolution graphics for 4k and beyond

by Jesper Gawell Issue 96 - December 2014 It seems like 4K is everywhere these days - it\'s the dominant topic at broadcasting trade shows. Is there substance behind the hype? Will it transform television the way HD broadcasting did? Clearly, one of the "next big things\" in the media and entertainment world is higher resolutions and 4K delivery o...

Submitted by Jesper Gawell

Published 01 January 2015