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Rotolight Anova Pro 2 User Review

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The Anova PRO 2 is the fourth generation of Rotolight’s studio/location light, offering 70% more power output than its predecessor. It is claimed be one of the brightest LED lights ever launched in its class, delivering 10,700 lux at 3 feet yet consuming only 72 watts. Figure 1 shows the front with accessory mounting spigots (1), optional barn door...

Submitted by Andy McKenzie

Published 21 March 2019

The shining star of Dancing On Ice

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Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere. Nowhere is this more evident than on the set of dramatic TV shows such as Dancing on Ice, a hugely popular UK sho...

Submitted by Rod Aaron Gammons

Published 26 March 2018

A Pandoras Box to empower the filmmaker

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The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anch...

Submitted by KitPlus

Published 12 February 2018

Advances in LED lighting innovation with Rotolight AEOS

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i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons

Published 07 September 2017

The Benefits of LED Lighting in Broadcast

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The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast...

Submitted by Rod Aaron Gammons

Published 15 March 2017

The Future of LED Lighting

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From the moment the LED light entered the broadcast, media and entertainment world its key differentiator was its energy efficiency compared to traditional tungsten studio lighting. LEDs use far less energy in the region of 90% less than tungsten lights and produce less heat. In addition, they are far more portable and generally have a longer lifes...

Submitted by Rod Aaron Gammons

Published 25 August 2016

Rotolight ANOVA lights

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Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus

Published 01 December 2014

LED lighting comes of age

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by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall

Published 01 May 2014

Rotolight expand new range of award winning Anova flood l...

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Issue 81 - September 2013 Following the successful launch of the award winning ANOVA LED Floodlight last year, IBC 2013 sees the release of the ANOVA EcoFlood Version 2 (Bi-Colour LED system) and the ANOVA SOLO Single Colour Flood lights available in 5600K (daylight) or 3200K (tungsten). The expansion of the ANOVA Range of products to be premiered...

Submitted by KitPlus

Published 01 October 2013

Lights, Camera¦Action

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Rotolight was recently used as the light of choice for a high profile Shoot that took place at the Silverstone F1 Track. The Autosports awards shoot saw some of the best young future F1 stars competing in the gorgeous McLaren MP4-12C Supercar, Formula 2 Cars, and Mercedes DTM cars all afternoon, with the winning driver rewarded with the opportunity...

Submitted by Bob Pank#

Published 01 May 2012

Eye to Eye: Whats new in lighting

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The majority of modern digital video cameras and D-SLRs are capable of delivering high-quality images provided the lighting conditions are good. Attempting to shoot in low light introduces the risk of noise and limited depth of field. Whatever the claimed camera sensitivity, good lighting is as essential today as ever. The following is a short over...

Submitted by Bob Pank#

Published 01 March 2012