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Investing in the Future of Broadcast Media

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At the time of writing, the summer World Cup is providing its usual challenge to camera crews trying to televise the bright sunlight of the stadium without losing detail in shaded areas such as the covered terraces. It is a perfect demonstration of the need for high dynamic range. Several broadcasters are experimentally covering this year's tournam...

Submitted by Clive Northen

Published 18 July 2018

Making an advert with the Blackmagic Cinema Camera

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by Brandon KahnIssue 80 - August 2013 When Mothers Basement came to us with an advert to put on UK cinema screens, I knew my trusty, but basic, XF 305 wasnt going to cut it. Sure, most ads you see in cinema are projected in regular HD and are often shot no higher than 1080, but I felt we needed some extra size. Some extra dynamic range and colour i...

Submitted by Brandon Kahn

Published 01 September 2013

The evolving face of post production

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By Will StraussIn the latter half of 2012, Assimilate made an interesting announcement about payment options for its Scratch and Scratch Lab software products. Instead of buying a license outright, it said, now you can choose to simply rent either of these Digital Intermediate (DI) ‘dailies’ tools for any period of time from a single day to three m...

Submitted by Will Strauss#

Published 01 February 2013

Off Trax interview for TV-Bay

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TV-Bay interviews Off Trax partners Crispin Kyle, Jonathan Dennis and Doug Urquhart. Tell me about Off Trax:Off Trax was set up in 1995 to fill a gap in the market as a specialist light grip company offering a unique dry and wet equipment hire service to the television and film industries. We are three partners, Crispin Kyle. Doug Urquhart and myse...

Submitted by KitPlus

Published 01 February 2013

An Authentically American firm with an Englishmans heart

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America has always been a land marked by pioneers and trailblazers, by entrepreneurship and vision. So, in 2004, when London based equipment hire firm HotCam sought to expand, founder Trevor Hotz could think of no better place to be. “Back then a lot of our competitors were opening up in Manchester and Glasgow but that didn’t appeal to me,” says Ho...

Submitted by Will Strauss#

Published 01 May 2012

How The SADiE LRX2 Is Making Location Multitrack Recordin...

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Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009