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Rotolight Anova Pro 2 User Review

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The Anova PRO 2 is the fourth generation of Rotolight’s studio/location light, offering 70% more power output than its predecessor. It is claimed be one of the brightest LED lights ever launched in its class, delivering 10,700 lux at 3 feet yet consuming only 72 watts. Figure 1 shows the front with accessory mounting spigots (1), optional barn door...

Submitted by Andy McKenzie

Published 21 March 2019

The shining star of Dancing On Ice

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Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere. Nowhere is this more evident than on the set of dramatic TV shows such as Dancing on Ice, a hugely popular UK sho...

Submitted by Rod Aaron Gammons

Published 26 March 2018

A Pandoras Box to empower the filmmaker

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The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anch...

Submitted by KitPlus

Published 12 February 2018

Supporting creativity and driving better workflows

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For decades videographers and filmmakers have been pushing the boundaries when it comes to creativity all with the aim of delivering a visually spectacular and engaging experience to viewers. For the most part they rely on artistic vision and innate skill, but over the last few years technology has been playing more of a role in enabling that creat...

Submitted by Rod Aaron Gammons

Published 19 October 2017

Advances in LED lighting innovation with Rotolight AEOS

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i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons

Published 07 September 2017

The Benefits of LED Lighting in Broadcast

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The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast...

Submitted by Rod Aaron Gammons

Published 15 March 2017

The Future of LED Lighting

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From the moment the LED light entered the broadcast, media and entertainment world its key differentiator was its energy efficiency compared to traditional tungsten studio lighting. LEDs use far less energy in the region of 90% less than tungsten lights and produce less heat. In addition, they are far more portable and generally have a longer lifes...

Submitted by Rod Aaron Gammons

Published 25 August 2016

Ground breaking production tool

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with Stefan Lange Issue 106 - October 2015 NEO¢, the latest product from British LED manufacturer Rotolight, is a revolutionary on-camera or location LED lighting fixture designed for the most demanding of professionals. NEO¢ includes several industry first features that set it apart from the field, notably amongst which is an arsenal of Cinematogr...

Submitted by Stefan Lange

Published 01 November 2015

Rotolight ANOVA lights

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Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus

Published 01 December 2014

Capture and Produce

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Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Capture and Produce

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Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Product Spotlighting

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Issue 93 - September 2014The changing face of on-camera LED LightingIBC 2014, Europe’s largest and most anticipated Broadcast show will see the launch of the latest evolution of on-camera LED Lighting systems, in the form of the ROTOLIGHT NEO. IBC has previously seen the launch of the Multi-Award winning Rotolight RL48 Ring light, Rotolight ANOVA a...

Submitted by KitPlus

Published 01 October 2014

Rotolight ANOVA from the eyes of a DoP

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by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom

Published 01 July 2014

LED lighting comes of age

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by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall

Published 01 May 2014

In the Flesh: On set with the BBC

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by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready

Published 01 March 2014