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London to Capetown, by bike part 1

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South Africans are known for being to the point, so when I was told that I had done the whole thing ‘Arse Backwards’ I wasn’t unduly upset, but I did feel a need to justify the way I had approached this project. I had just arrived in Cape Town and was rather pleased with myself, having just completed a year long journey through some of Africa’s mos...

Submitted by Dennis Lennie

Published 01 October 2008

tv-bay interviews Malcolm Robinson

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How long have you been with Sony?Just over 4 yearsAnd where were you before?I originally trainedat Ravensbourne before moving to CNN where I worked on stories such as the Russian Coup. I then worked for Cine Video where amongst others covered the West Indies cricket tours. After working for Visions I contracted for 4 years before moving to Sony. Wh...

Submitted by Dennis Lennie

Published 01 August 2008

One man and his boat

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It all started when I decided to build a boat in the garage. A fifteen-foot gaff rigged pocket cruiser to be precise. I bought the plans from a naval architect in Wiltshire and had the hull planks computer cut by a specialist boat builder in Kirkcaldy. Then I searched the Internet for a DVD about boat building for beginners but found nothing. So I...

Submitted by Dennis Lennie

Published 01 May 2008

The Reflecmedia Chromaflex portable chromakey system

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The use of keying a foreground image over a background image to form a composite is an established and widely used technique in film and TV production. For most cameramen this will usually involve them in shooting a subject against a coloured background, typically green or blue. Sounds simple but reality can be far from it, anecdotes abound of nigh...

Submitted by Dennis Lennie

Published 01 May 2008

Hands on the EX-1

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High Definition at 1920x1080 means 5 times more detail, resolution and sharpness than SD. With this in mind lens selection and focus become absolutely critical when out shooting in the field. I’m sure we’ve all at some point been on a shoot when our precise focus has been a little out but the lens is wide and we’re shooting DVCAM so can ‘get away w...

Submitted by Dennis Lennie

Published 01 April 2008

The Sony PMW-EX1 what can we expect?

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We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008