KitPlus | Articles

Calrec Craft Interview: Florian Brown, A1

Craft Interview: Florian Brown, A1 Summary: Last year, veteran A1 Florian Brown spent a full day at Florida-based Full Sail University talking to students about what it’s like to work as an A1 and the benefits of working in the broadcast audio. His talk covered many of the different freelance possibilities in audio, video, EVS, editing and...

Submitted by Alicia Root

Published 06 April 2023

NEP Student Day

The world of broadcasting is in constant flux, with undefined boundaries between broadcast, TV, film and interactive media. With a changing consumer demographic now a key influence on the industry, many companies no longer specialise in a single medium, but have had to become adaptable to deliver multiple services through a combination of media. Wi...

Submitted by KitPlus

Published 09 November 2018

Smashing the WTA Tour

The Women’s Tennis Association (WTA) is the global leader in women’s professional sport with more than 2500 players representing nearly 100 nations competing for a record $146 million in prize money. The 2018 WTA competitive season includes 54 events and four Grand Slams in 30 countries. In 2017, the WTA was watched around the world by a total TV a...

Submitted by Danny Ridler

Published 08 September 2018

State of the Nation

I am writing this in the middle of a record-breaking heatwave in southern England. Yet it is time to be thinking about the mists and mellow fruitfulness of autumn, or at least the predictably damp and chilly Amsterdam when IBC hits town. What will be the hot talking points of IBC this year? I am not in a position to talk about what the big vendors...

Submitted by Dick Hobbs - new

Published 18 July 2018

AoIP Solutions at Sky TV

Sky UK has recently moved the whole of its Sky News operation into new, state-of-the-art facilities in the Sky Studios building on the Sky TV campus in Osterley, West London. Described as being both the most sustainable broadcast facility of its kind in Europe as well as the most technologically advanced, the Sky Studios project is set to completel...

Submitted by Tom Pidsey

Published 18 July 2018

Remote Production - Speed, Control, Infrastructure

i Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away. Many of these events might be of restricted interest, and may be broadcast to a narrow audience demographic. They may be regional news ev...

Submitted by Ian Cookson - new

Published 01 August 2017

Mixing console displays - central to usability

Since the introduction of assignable controls on mixing consoles, it has been essential to provide sound engineers with a clear picture of what the function and status is of each fader and other associated controls. Consoles can have over 100 faders. To allow the sound operator to keep track of the function of each panel and its current settings, c...

Submitted by Paul Hooper

Published 15 February 2017

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

Monitoring Q & A

Issue 107 - November 2015 What elements of modern console technology has made a large impact on your craft?Rob Wolifson: Historically, shows were set up differently, you had more time to prepare. For example, if a show was on at noon in one studio, the breakfast show would be done in a different studio, so transitioning from one show to the next wa...

Submitted by KitPlus

Published 01 December 2015

Overcoming complexity in remote production leads to more...

by Henry Goodman Issue 101 - May 2015 Despite the instant accessibility of recorded media content, there are many events that are still best enjoyed as a live broadcast. At the same time, such broadcasts are becoming increasingly complex, and with increased complexity comes increased cost. It\'s a fact that limits the number of events broadcasters...

Submitted by Henry Goodman

Published 01 June 2015

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Guaranteed Training?

by Mark Reed Issue 93 - September 2014 My dictionary says that training is “the action of teaching a person or animal a particular skill”. I’m not sure how many animals work in the TV industry but the point is, sound in the broadcast arena definitely requires taught skills. I consider myself one of the lucky ones. I went to a college recognised as...

Submitted by Mark Reed

Published 01 October 2014

Take it to the bridge

by Will Strauss Issue 91 - July 2014 Since the late 1980s, studios, facilities, OB trucks and many other professional broadcast set-ups have relied on digital video standards such as SDI (Serial Digital Interface) to move audio and video around. Using SDI it has been possible to happily construct a reliable, error-free, plug-and-play, real-time ope...

Submitted by Will Strauss#

Published 01 August 2014

Will Strauss rounds up IBC 2013

by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

NETWORKING AND THIRD PARTY CONTROL

Since the advent of digital technologies, the way audio and video is controlled and transported around broadcast facilities has been constantly evolving in the search for greater efficiencies and improved workflows. Today, broadcasters are demanding more and more versatility and integration from their equipment, and in turn, the capabilities now av...

Submitted by Bob Pank#

Published 01 June 2012