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21st Century Technology for 20th Century Content

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A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners h...

Submitted by James Hall

Published 25 January 2019

Transforming asset management and monetization

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FremantleMedia is one of the largest global television-production companies in the world — with one of the biggest and most valuable catalogs. We operate in 36 markets, creating, producing, and distributing content across traditional TV and digital platforms at a rate of more than 10,000 hours of programming per year. Besides producing some of the...

Submitted by Chad Hamilton

Published 26 March 2018

The 7 Steps to Saving Film

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i We live in a world where - thanks to everything from smartphones to cheaper professional gear - more and more footage is being shot today than ever before. It\'s a little known fact, however, that as more movies are made, archived physical film works all over the world are in danger of being lost to the damage of time. The Library of Congress alo...

Submitted by KitPlus

Published 07 September 2017

Lessons Learnt - Webcasting live to the web

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by Larry Jordan Issue 105 - September 2015 When I first started in this industry, more than 40 years ago, live television broadcasts were plentiful and popular. In fact, I got my start as a director in live television. However, the only way to create a live broadcast was with lots of equipment, large crews and plenty of money. Today, the paradigm h...

Submitted by Larry Jordan#

Published 01 October 2015

Archiving as a service at BBC Studios and Post Production

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by Kevin Shaw Issue 97 - January 2015 BBC Studios and Post Production (BBC S&PP) is a commercial subsidiary of the BBC that competes for work from both the BBC and the market at large. In the Digital Media Services (DMS) department, we provide an end-to-end solution for what we refer to as "post-post production.\" Our services include digitization...

Submitted by Kevin Shaw

Published 01 February 2015

From archival master to usable video with Mark Gray

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by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray

Published 01 September 2013

Ask the Experts: Content Storage, Security, Archive and M...

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The media and entertainment industry is currently experiencing an unprecedented level of financial pressure. This comes from not only the turbulent economic era in which we are living, but also from increased competition and the need to repurpose content for consumption on different platforms and devices. In order to succeed, businesses need to do...

Submitted by Bob Pank#

Published 01 October 2012

Safekeeping for the Future

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A CIRENCESTER audio archival engineering company has just finished working on a set of African recordings that are more than a century old. Paul Turney, of Sirensound Digital, was commissioned to digitize the wax cylinders for future safekeeping of the audio. Wax cylinders were patented by Thomas Edison and were one of the earliest form of sound re...

Submitted by Bob Pank#

Published 01 October 2010