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In Ear Monitors Help The Cast And Crew of Americas Got Ta...


Capturing performances for television is a stressful business, especially if the programme is being filmed live. You want everything to be perfect but you are also aware that many things can go wrong, even with the best laid plans. Reducing the list of potential disasters is therefore high on any production crew’s agenda and one area where it is po...

Submitted by KitPlus
Published 21 December 2020

IBC 2019 A Whistle Stop Rundown


I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff
Published 03 November 2019

The Biggest Toy Shop in the World


When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film hist...

Submitted by Emma Morrison
Published 08 September 2018

Tried and tested: DPA d:vice


KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same...

Submitted by KitPlus
Published 26 March 2018

Is everyone a journalist these days


i Today\'s content consumers have endless viewing and streaming possibilities thanks to the advent of smart phones and tablets that allow them to watch pretty much anything they want, on the go, and away from the confines of a television screen. Those very same smartphones and tablets have also brought another revolution to the broadcast industry -...

Submitted by Rene Morch
Published 01 August 2017

Cooking Up A Creative Storm With Patrick And Kylie


Issue 94 - October 2014Three years ago, Patrick Drake, who had recently left a lucrative job working at Goldman Sachs in London to follow his true cooking passion, met Kylie Flavell, a young woman who had abandoned her career as a high-stakes fashion journalist in Australia to pursue her dream of one day hosting her own escapist travel and food sho...

Submitted by KitPlus
Published 01 November 2014

How to choose the right broadcast microphone


By Ralph Dunlop, Director, Sound Network– UK distributor for DPA Microphones1. What are most common types of microphones for broadcast use and how far has microphone technology progressed in the digital world?Traditionally the most popular microphone used in broadcast and film sound recording was the “Boom” mounted mic. The problem with older boom...

Submitted by Ralph Dunlop
Published 01 June 2013

4K at NAB with Bob Pank


As we head once more to NAB you may wonder what this year’s big thing will be. I put my money on 4K. As I write there must be many exhibitors polishing up their ‘4K solution’ message, ready for their customers at the show. With the extraordinary situation of screens costing more than cameras, a viable business model clearly remains far off. But, to...

Submitted by Bob Pank#
Published 01 May 2013

What happened after NAB 2010.....


What happened next.......... On Wednesday the 14th April, evening time in Las Vegas, a text message came through from home reporting a Volcano in Iceland was affecting flights back to the UK, a wind up surely...did they not want us back.........?With NAB about to close for another year and 1000’s of Brit visitors and exhibitors at the show it beca...

Submitted by Bob Pank#
Published 01 June 2010

Location Sound Recording And Post-production with Chris W...


Sound is often regarded as playing a subordinate role to visuals in film, TV and video production, but the finest directors and producers have insisted on taking as much care over the sonics of a production as the visuals. Of course, on smaller-scale productions, it's still often the case that the soundtrack is whatever you capture while you’re bus...

Submitted by Dennis Lennie
Published 01 February 2010