KitPlus | Articles

Calrec Craft Interview: Florian Brown, A1

Craft Interview: Florian Brown, A1 Summary: Last year, veteran A1 Florian Brown spent a full day at Florida-based Full Sail University talking to students about what it’s like to work as an A1 and the benefits of working in the broadcast audio. His talk covered many of the different freelance possibilities in audio, video, EVS, editing and...

Submitted by Alicia Root

Published 06 April 2023

State Of The Nation: Securing The Future

This magazine is a notable champion for education in our industry, and deserves much praise for its efforts. To my mind, there is all too little concern for our future. I have previously taken up your time in these pages on the subject of creating the next generation of talent, but I am largely unrepentant that I am going to do it again. Pretty muc...

Submitted by Dick Hobbs - new

Published 03 November 2019

Joanna Cuper - Demonstration Technician CVP

What is your role at CVP?I’m a demonstration technician at our Midlands office. What does that involve?My role as a demonstration technician involves a broad range of responsibilities. A large part of the job is providing integral technical advice to clients on choosing the right equipment for them and their specific project. This can vary from sim...

Submitted by Joanna Cuper

Published 03 November 2019

IBC 2019 A Whistle Stop Rundown

I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff

Published 03 November 2019

Creating Opportunities For A Diverse and Colourful Future

The creative industry is awash with beautiful designs, animations and incredible imagery, created for one reason – to entertain and capture our imagination. An industry creating such amazing visualisations should represent all viewers, from different backgrounds, beliefs, cultures and orientations. ACCESS:VFX, could be the answer to a more diverse...

Submitted by Alex Humphries-French

Published 03 November 2019

The University of the Third Age

Here's a cliché - "We all get to be old one day - if we're lucky". There comes a point when things like ".... mastered in Dolby Vision Domestic and SDR Rec 709.....\" become just a touch unimportant (and actually I never really understood that stuff in the first place). I retired for the third time last year - BBC producer, and before that camerama...

Submitted by Bernard Newnham

Published 10 September 2019

Post Production - Keeping Track

One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to work from, but also where you file them away in your project once imported. In the Avid world this is largely taken care of by the application itself, b...

Submitted by Alex Macleod

Published 10 September 2019

The Evolution of Audio Monitoring

Every user, production, environment, operation and application is different, meaning that universal tools simply cannot provide the versatility required by today’s customers. Audio monitoring continues to evolve as productions advance, with the need for multi-channel monitoring, configurable metering as well as the ability to adhere to the latest l...

Submitted by Stephen Brownsill

Published 16 July 2019

How LiveU Has Changed The Way We Work At ITV Daytime

As my job title suggests, I’m responsible for planning and executing technology projects across ITV’s Daytime, including outside broadcasts, which are central to what we do. We broadcast live for more than six hours every weekday with four shows: Good Morning Britain, This Morning, Lorraine and Loose Women. With a history as one of the main UK terr...

Submitted by Tim Guilder

Published 16 July 2019

Lighting with Gurdip Mahal

Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to p...

Submitted by Ian Muir

Published 04 June 2019

TV Futures - The Shadowing Experience

My name is Daniel Jones, and it is no accident that I’m currently studying BSc (Hons) Television and Broadcasting at the University of Portsmouth. Since completing GSCE media studies I have been constantly questioning what I watch with questions such as, “Wow, how was that filmed?” or “That looks amazing, I wonder how long that took?” It should com...

Submitted by Daniel Jones

Published 21 March 2019

Your two week editing future

So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins. When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation. As someone who gets hired to...

Submitted by Alex Macleod

Published 25 January 2019

Ruth Matos Interview - A Career Unfolds

We first met Ruth when we employed her as a student to help with our live studio at BVE in 2013. We were struck by her determination, passion and ‘I’ll do anything to help’ attitude. We became friends of Facebook and have since seen her career in the industry develop and unfold. We thought it was about time to catch up and share her inspiring story...

Submitted by Ruth Matos

Published 08 September 2018

Studio Invate - Case Studio

Studio INVATE is a video company based in Bangkok, with an inventive reputation. Its public persona is everyday commercial work, such as producing highly creative videos, live broadcasts and commercials, for companies ranging from large industrial brands and retail businesses to educational institutions. But in between the studio and on-location wo...

Submitted by KitPlus

Published 12 February 2018

TVFutures: Learning is the key

If you asked me the question ‘where do you see yourself after you graduate’ three years ago I would have probably answered ‘in a lot of debt, but if you don't think about it, it doesn't exist because three years is a long time right ?’. WRONG! These three years studying Television and Broadcasting at the University of Portsmouth have been the quick...

Submitted by Abbie Neill

Published 12 February 2018