KitPlus | Articles

A hole in one - LiveU and Disc Golf remote production cas...

Disc Golf may not be a sport immediately familiar to many, but it has a long history dating back as far as the early 1960s. Previously known as frisbee golf, it’s a flying disc sport in which players throw a disc at a target. It uses rules similar to those for golf with the sport usually played on a course with nine or 18 “holes”. Very popular...

Submitted by Joss Armitage

Published 28 February 2024

Where Are You in Your Cloud Adoption Strategy

By Chris McCarthy, VP Media Solutions at TMT Insights The Media and Entertainment technology industry continues to evolve in its journey from on-premises infrastructure and workflows to the cloud-native landscape notably described in MovieLabs’ 2030 Vision whitepaper. Most major studios and content creators have adopted the cloud for some portio...

Submitted by Chris McCarthy

Published 27 February 2024

Driving Content Security Preparedness from Script to Scre...

By: Terri Davies, President, Trusted Partner Network (TPN) According to Cybersecurity Ventures, the global annual cost of cybercrime is predicted to reach GBP 7.5 million (USD 9.5 trillion) in 2024. As we continue to navigate these trends and forecasts, I encourage you to ask yourselves, what is your company’s content security risk management st...

Submitted by Terri Davies

Published 30 January 2024

Honey, I shrank the data. How DNA storage could reduce th...

By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus

Published 17 March 2023

The Future of Broadcast Technology

What vision do you have of the broadcast technology business moving towards 2030 and beyond?We are currently in the middle of a transition phase with migration to several new technologies, from the move to IP-based infrastructure and the shift from linear to video-on-demand (VOD). The question for all of us is how long that transition phase will l...

Submitted by Sebastian Richter

Published 18 August 2022

The Future of Broadcast Technology

1. What vision do you have of the broadcast technology business beyond 2030? Now that OTT and VOD have become more mainstream, many commentators talk about traditional broadcast methods, like terrestrial transmission, being a thing of the past. With so many new platforms and non-traditional content services carving out a growing slice of the marke...

Submitted by Manfred Reitmeier

Published 01 June 2022

A switch in time: how KVM can unlock the future of broadc...

One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the prev...

Submitted by Chris Smeeton

Published 10 March 2022

Streaming Technologies Explained

(header image courtesy of Wowza) The word streaming can relate to different technologies from different manufacturers in different scenarios and in this short article we are going to take a little tour of what it all means. When streaming video to the consumer you often see HLS DASH & CMAF mentioned. HLS is HTTP Live Streaming Dynamic Adaptive...

Submitted by Bruce Devlin - new

Published 17 February 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...

For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff

Published 22 December 2020

ERA IaaS at University of Salford

Seagate Storage Arrays form basis of ERA designed Storage, Edit Management and MAM system for the University of Salford's media and production coursesBACKGROUNDThe University of Salford (UoS) is widely recognised in both academic and professional circles as a leading educational establishment in acoustics and media production. In 2011 the Universit...

Submitted by KitPlus

Published 21 December 2020

ITN using Densitron Intelligent Display System across mul...

Currently marking its 65th anniversary, Independent Television News (ITN) is one of the UK’s most prominent and respected television production companies. Although it has increasingly diversified into producing content such as documentaries and sports programmes, news and current affairs remain the bedrock of its output. From its broadcast centre o...

Submitted by KitPlus

Published 16 December 2020

Using Modern Technology at Envy Provides a View into the...

As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer

Published 09 December 2020

Creating Opportunities For A Diverse and Colourful Future

The creative industry is awash with beautiful designs, animations and incredible imagery, created for one reason – to entertain and capture our imagination. An industry creating such amazing visualisations should represent all viewers, from different backgrounds, beliefs, cultures and orientations. ACCESS:VFX, could be the answer to a more diverse...

Submitted by Alex Humphries-French

Published 03 November 2019

Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

State of the Nation - Getting Connected

We are all familiar with statistics about the growth of the internet. Cisco’s latest report, for instance, says that global IP traffic is increasing at 26% a year, and will reach 4.8 zetabytes a year by 2022. The number of connected devices will be three times the world’s population by the same date. There is a nice chart in the Cisco report: in 19...

Submitted by Dick Hobbs - new

Published 10 September 2019