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Lets do the Time Warp


Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey
Published 05 July 2023

Kiloview Powered the Live-Stream of Formula X Racing Week...


When tasked with the outdoor live streaming of the Formula X Racing Weekend, the organizer turned to Kiloview to achieve A FULL IP-BASED video live streaming. Formula X Racing Weekend is an Italian motorsport championship that competes on the main racetracks and includes numerous categories, generating an ever-increasing level of attention over...

Submitted by Judy Zuo
Published 04 July 2023

PSSI Global Services deploys Appear X Platform for REMI c...


Appear, the global leader in media processing and delivery technology, has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC®). PSSI Global Services will launch Appear’s X Platform for its global distribution of UFC coverage, beginning in May 2023. Appear’...

Submitted by Katya Pristiyanti
Published 17 April 2023

Rohde & Schwarz integration with Adobe Premiere Pro


Now recognised as one of the leading editing platforms for television and video post, Adobe Premiere Pro combines powerful functionality and a familiar user interface whilst remaining a competitive option. Simple integration with other applications in the Adobe Creative Cloud family, including After Effects (motion graphics), Audition (audio post)...

Submitted by Ciaran Doran
Published 24 February 2022

Cloud integration: The only way is up


In 2017 we saw the introduction of SMPTE 2110 and since then, the transition to IP has emerged as a priority for broadcasters looking to streamline their operations, decrease their footprint and effectively integrate with an industry in a rapid state of flux. A 2020 survey by Devoncroft found that almost 20% of broadcasters had already deployed SMP...

Submitted by Francois Vaillant
Published 12 January 2022

The Cloud - a measured approach


With the buzz of ‘cloud’ everywhere in our industry it would be natural to think that cloud is the only game in town. Isn’t it time to step back and consider very carefully how, or whether, you make that journey to the cloud?The pandemic has been front and centre in our minds for close to two years now. Overnight, facilities had to either shut down...

Submitted by Ciaran Doran
Published 07 December 2021

Avid and Rohde & Schwarz


As the pioneer of non-linear editing for broadcast, Avid retains its position as a popular choice. For many production companies, post houses and individual editors, its familiarity and functionality also make it a natural choice. Challenges begin, however, when leaving such a homogeneous ecosystem and scaling to serve a variety of different produc...

Submitted by Ciaran Doran
Published 15 October 2021

REVIEW - Hollyland MARS 400S PRO Digital Wireless Transmi...


HOLLYLAND MARS 400S PRODigital Wireless Video Transmission SystemBuilt by Hollyland and costing around £600 the Mars 400S is an easy-to-use wireless video transmitter/receiver system – it will be right up the alley of anyone who, like me, considers an instruction manual to be nothing more than box padding. The body is made of metal as opposed to...

Submitted by Phil Vinter
Published 12 February 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

KVM Trends for Broadcast Pros


G&D North America Inc., one of the world’s leading KVM manufacturers, presents their latest KVM trends 2020 for broadcast professionals. KVM systems play an essential role in broadcasting by forming the link between IT and broadcast structures and thereby offering operation across systems and independently from any platform. One of G&D’s highlights...

Submitted by Jochen Bauer
Published 26 March 2020

Responding to Change


The first days of 2020 seem like a good time to reflect on what will happen to our industry in the coming months and years. There are some things about which we can do nothing. The global political situation seems to be in turmoil. Populists seem to stop at nothing, and are certainly not hampered by the need to be truthful; the Middle East is in tu...

Submitted by James Gilbert
Published 27 January 2020

Testing Hybrid Workflows


‘As hybrid workflows that bridge the IP and SDI worlds become the norm, test and measurement tools that support hybrid environments become increasingly more important’ says PHABRIX’s Martin Mulligan, SVP Sales and Operations. With the industry’s steady migration from traditional HD-SDI to IP and/or 12G-SDI infrastructures, broadcasters are now face...

Submitted by Martin Mulligan
Published 03 November 2019

Live Streaming Workflows Examined


In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button
Published 03 November 2019

Undercover Remote Production


It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife...

Submitted by David Bradley
Published 10 September 2019

Why MADI is Still Relevant


While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony...

Submitted by Stephen Brownsill
Published 10 September 2019