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IBC 2019 A Whistle Stop Rundown


I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff
Published 03 November 2019

Accelerated Workflows with eGPU


Customer:Creative BlokeIndustry: Media & EntertainmentChallenges:To enable a small independent visual effects facility, Creative Bloke, with a versatile GPU that contains a combination of portability and performance to cater to their wide and varied portfolio of clients. Solution:Creative Bloke utilized the AMD Radeon Pro WX 9100 graphics card in t...

Submitted by Mike Griggs
Published 09 November 2018

The work of five viewers with no transcoders


I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills
Published 01 April 2016

Dynamic display revolution!


Issue 104 - August 2015 Projection mapping and dynamic video displays have transformed live events and performance art. Blended projection and massive video walls have given event directors the ability to deliver a whole new level of creativity to theatre, music and outdoor events. One of the companies at the forefront of this revolution is SNP Pro...

Submitted by KitPlus
Published 01 September 2015

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Professional Media Card Readers


by Greg Laporte Issue 94 - October 2014 You\'re on location and you\'re done shooting for the day and you have a sizeable stack of fully recorded memory cards. It\'s a complex shoot, perhaps with multiple cameras from different vendors recording on different memory card formats. Now, how do you get the raw video files from all of those cameras into...

Submitted by Greg Laporte
Published 01 November 2014

Simplifying On Site Workflows


by Greg LaPorte Issue 90 - June 2014 On and off-set high-end post-production demands a new level in processing capability, storage speed, and general computing horsepower to handle the ever increasing standards for digital workflow. Utilizing PCI Express® (PCIe) performance and 20Gbps of throughput, Thunderbolt 2 technology offers the fastest way t...

Submitted by Greg Laporte
Published 01 July 2014

Ooh ahh.. just a little DIT with Will Strauss


by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#
Published 01 January 2014

Do you have the computing horsepower you need? XMac Mini...


by Greg LaPorteIssue 80 - August 2013 In high-pressure audio/video production environments, adequate computing horsepower is critical for handling the volume of tracks and channels to be recorded, played back, mixed, edited and streamed. The Apple® Mac Pro® offers great performance and extensibility but its heavy, bulky tower configuration doesnt l...

Submitted by Greg Laporte
Published 01 September 2013

The joy of field editing


In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#
Published 01 February 2013

Storage and archiving


Anyone looking closely at a helical scan video tape mechanism, particularly the miniature variety, might be forgiven for wondering how such an elaborate technology ever came to be invented. The first experimental video tape recorders were essentially audio recorders running at very high speed to achieve the bandwidth needed for television signals....

Submitted by Bob Pank#
Published 01 October 2011

RAID SATA Storage System for Music Production


In today’s music industry, it is no longer necessary to have a big studio to produce a hit. This is nothing new to Future Cut Productions, Ltd., a London-based music production studio comprised of Darren Lewis and Tunde Babalola. Utilizing a unique approach, Future Cut produces, mixes, and remixes most of its tracks using only a Mac® Pro in a small...

Submitted by Bob Pank#
Published 01 October 2011

IBC2011 must sees


Over 1,300 exhibitors will be supporting IBC2011, each bringing perhaps one, two or three new or enhanced products. My task is to distill these down to the 20 devices likely to be of greatest interest to TV-Bay readers, so far as that is possible several weeks before the show opens. As a recent convert to OS X, I note with gloom that Apple remains...

Submitted by Bob Pank#
Published 01 September 2011

BVE and the Year Ahead


In the IABM's market survey a year ago, the Director General, Peter White, forecast: “Although the worst appears to be over and a degree of optimism is discernible, 2010 is still shaping up to be a fairly lacklustre year. As we exit the year, however, we do expect to see better signs of market improvement with a more promising 2011 and 2012.” How p...

Submitted by Kieron Seth#
Published 01 April 2011

BVE 2011 retrospect


BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#
Published 01 April 2011