KitPlus | Articles

What are the challenges of AoIP

At the setup of a recent Outside Broadcast (OB), I was privy to an attempt to pass a signal across two independent Audio over IP (AoIP) enabled trucks. In an SDI world, this bridge would have been as simple as coupling two BNC cables together, but here the engineers quipped about the additional and sometimes challenging processes of connecting one...

Submitted by Craig Newbury

Published 15 March 2017

Ask the experts - Transitioning to IP

1) What has been the broadcast industry's feeling about the move to an all IP workflow?Transitioning from conventional signal transport to an all-IP environment in broadcast or content production operations seems to be a matter of "when\" rather than "if,\" as it brings a great number of advantages with it. IP is touted as offering numerous benefit...

Submitted by Craig Newbury

Published 22 July 2016

Confidence Monitoring in the Modern Broadcast Environment

by Graham Taylor Issue 95 - November 2014 Monitoring equipment is often the last element considered in a broadcast system build, and getting its deployment just right is not always a top priority. However, most operations managers and broadcast engineers readily acknowledge the critical role that effective monitoring plays in making their jobs easi...

Submitted by Graham Taylor

Published 01 December 2014

Manipulate and Edit

Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#

Published 01 November 2014

Back to Basics with Media Transformation

by Craig Newbury Issue 90 - June 2014 With their shift toward use of file-based digital audio and video, rather than tape- or film-based media, broadcasters and other media companies have moved into a world that demands some familiarity with the concept of media compression. Because the video and audio captured by cameras and microphones often resu...

Submitted by Craig Newbury

Published 01 July 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

Addressing challenges in multiformat signal management an...

by Brian PeterssonIssue 79 - July 2013 One of the many demands broadcasters face today is establishing effective multiformat signal management and confidence monitoring, which have become critically required capabilities, and there are several reasons behind this. The first is the broadcast industrys progressive evolution slow at first, but acceler...

Submitted by Brian Petersson

Published 01 August 2013

Evolving the industry audio monitoring systems

With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird

Published 01 June 2013

Whats new in audio

The NAB show is not the first event that comes to mind for pro-audio kit but in fact rivals any audio-specific exhibition on the planet. The following is a summary of significant new sound equipment seen during a tour of this year's exhibits. AKG's C 544 L head-worn microphone is designed to be worn by gymnastics or (almost the same thing in some c...

Submitted by Bob Pank#

Published 01 June 2011

Its a MADI World

At this year’s NAB Show in Las Vegas, 3D solutions were still a hot topic — but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and wh...

Submitted by Kieron Seth#

Published 01 June 2011

Evaluating Video Monitors

Video monitors have always been a critical component in any broadcasting operation — but they have evolved significantly as the industry-wide migration from analog broadcast to digital SD and HD has placed new demands on the monitoring function. Current products include feature sets that mirror the complexity of today’s monitoring operations, with...

Submitted by Bob Pank#

Published 01 March 2011

tv-bay IBC2010 double takes

Tv-bay Double Takes..!Acquisition For-A VFC-7000 Camera HD Variable Frame Rate CameraASA1800 Sensitivity, Native 720x1280 resolution with inbuilt up-convert to 1920x1080 and will output at 50 or 59.94 frame rates. 120 - 700 Frames per second recording speed. Two HD-SDI outputs enabling live and recordings to be viewed simultaneously. Standard onboa...

Submitted by Bob Pank#

Published 01 November 2010

Expanding Video Monitoring to Meet Todays Demands

With the rapid evolution of the industry, new technologies must offer users both value and performance in the short term, as well as the promise of continued utility in the long term. A number of key advances in the design of video monitoring solutions are giving broadcasters and other media companies the means to manage monitoring of a growing num...

Submitted by Bob Pank#

Published 01 August 2010

Top Tips Audio Monitoring Systems for On-Location Monitor...

1) Audio monitoring systems for on-location monitoring need to be able to handle all formats. This flexibility is crucial for all field applications, in which broadcasters frequently must accommodate a variety of formats, and not always those they anticipated. Formats supported by the audio monitoring system should include 3G/HD/SD-SDI, AES, and an...

Submitted by Dennis Lennie

Published 01 January 2010