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KitPlusTV summarise the Broadcast and Pro Video News 12th April 2021
4k and 12G flexible routers and multiviewers for broadcast and professional AV
Enabling live music performances across multiple spaces using NDI & Dante
What you need to know about media compliance, logging and analysis
Why not install a Dobly Atmos Studio at home?
Connecting legacy analogue audio equipment with the Dante® network.
How to remotely manage and search your media files
KitPlusTV summarise the Broadcast and Pro Video News 6th April 2021
How to add graphics and overlays to live video streams with free templates.
KitPlusTV summarise the Broadcast and Pro Video News 29th March 2021
PTZOptics SuperJoy PTZ controller and PTZ auto tracking
Dalet AmberFin scalable transcoder and workflow engine
Cloud Native or Cloud Based - Sustainable post production and why video should not cost the Earth.
Direct to Consumer services and the shift towards OTT Streaming
STaaS - Sales Team as a Service from International Sales Team IST
KitPlusTV summarise the Broadcast and Pro Video News 22nd March 2021
RISE mentoring program and the importance of gender diversity in our media & entertainment industry
AVIWEST BeOnAir hands on review for 4G remote streaming and production
KitPlusTV summarise the Broadcast and Pro Video News 15th March 2021
Africans in London - live and on demand TV channels.
SSL System T, remote audio production services for OB events and sports.
How to get 10-bit SD, HD and 2K output from any Thunderbolt enabled Mac or PC
What is latency, why do we have latency and how to improve latency.
JOBY GorillaPod Vlogging Kit reviewed
KitPlusTV summarise the Broadcast and Pro Video News 8th March 2021
Access your KVM system from anywhere with RemoteAccess-Gate
How is the recent budget going to help or hinder the TV, film & media production industry in the UK
The live IP enabled remote production eco system
IABM Reporting on the Broadcast and Media Industry
SONY FX6, and the Cinema Line camera. Experiences so far with Jake and Carl
Recent articles
A Broadcasters Guide to Microservices
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REVIEW - Hollyland MARS 400S PRO Digital Wireless Transmission System
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The Ki Pro GO is a portable multi-channel H.264 recorder offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities. Our friend Ben...
ERA IaaS at University of Salford
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Connect A Broadcast-Quality Miniature Camera To Your Computer!
Upgrade any home working or live streaming setup with a broadcast-quality professional webcam
The Business Case for Hybrid TV and AI
Video on demand (VOD) and OTT live services have come a long way since their introduction and, rather than solely competing with traditional broadcasting, they are becoming more important than ever in...
Five Rules for Creating a YouTube Business
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KVM Trends for Broadcast Pros
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CLASS Is Remote Cloud Working the New Norm
The Tuk-tuk driver has just dropped us off at the hotel in Jaipur. The guard has let us through the gates, past the dogs and the obligatory cow rummaging in the garbage. We wash our hands, head for th...
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In 2014 I had my first taste of underwater diving. I was on a family holiday and I happened across the experience of a lifetime. Within the first few minutes of that adventure I had decided that I wan...
An Argument for the Z Cam
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The Importance of Audio Production Systems
Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live &ls...
Control, as easy as pressing a button
A fundamental issue with control surfaces in modern broadcast operations is that they are, for the most part, old fashioned.
The ease, responsiveness, and functionality of touchscreens, especially in...
State of the Nation and Virtual Social Distancing
Under normal circumstances, I usually make my plans for NAB in November time. It’s when the airlines tend to have sales. This year, for personal reasons, I did not get around to booking back the...