To view this page ensure that Adobe Flash Player version 11.1.0 or greater is installed.

WORLD NEWS Technically brilliant racing C hannel 4 announced that the number of viewers for the Grand National this year was in the region of roughly 8.9 million, representing 61% of the UK television at 4.15PM. Overall, judging from social media networks, the audience was more than happy with the Channel 4 coverage this year as were production and all of the technical facilities providers. Broadcast RF are exclusive RF suppliers to NEP Visions for the Channel 4 horseracing coverage which since the new deal was established in 2013, now includes events such as The Grand National, The Epsom Derby and Royal Ascot. These ‘Crown Jewel’ events have been broadcast on the BBC for over 50 years, so all eyes were focused on Channel 4’s inaugural delivery of the recent Grand National at Aintree. The wireless cameras provided were two steadicams, two tracking vehicles equipped with gyro stabilised cameras, five roving reporter cameras, 1 “Camcat” wirecam, 1 helicopter camera and a roving super slow motion camera. The roving super slow motion camera required a special remote control system to allow the VT (EVS) operator to “recall” the slow motion recorded packages, that the camera operator had captured, over the RF link. This was Broadcast RF’s bespoke remote control system which provides the recall control in addition to the usual camera “paint” functions. Denise Large, Programme Director, Channel 4 Racing stated: “It was an excellent three day meeting at Aintree, where everything worked outstandingly. Technically it was brilliant and it was organised with great precision. The wireless cameras went into areas never covered by the BBC, namely the stables. The performance of the tracking cameras, helicopter, and hand helds was a credit to Broadcast RF both at the Cheltenham Festival and Aintree. Wonderful guys, thank you very much.” www.broadcastrf.com AJA Ki Pro Quad now shipping AJA Video Systems have announced immediate availability of its Ki Pro Quad, a new solid-state portable video recorder enabling true 4K camera- to-editorial workflows. Ki Pro Quad enables a breakthrough 4K/Quad HD/2K/HD workflow with the efficiencies of Apple ProRes and the flexibility of RAW data in a compact, solid state recording and playback package that easily mounts directly onto a variety of cameras supporting workflow needs today and into the future. www.aja.com TV-BAY MAGAZINE: ISSUE 77 MAY 2013 | 21 TV-BAY077MAY13.indd 21 02/05/2013 21:17