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His reply: “Hi there G raham, I complete ly agree w ith the lac production k of a train s. We prid ing standa e ourselve just simply rd for both s in being expecting TV and ﬁlm honest wit highly skil free. Unfo h people a led technic rtunately, nd never ians and c the ﬁlm “in budget ﬁlm reatives to dustry” in s and the this countr work for high budg really in th y consists et proﬁtab e UK. It m of mainly le ﬁlms th uddies the considers low at are mad waters wh themselve e are a nic en anyone s compete he with a Red We try to s nt or even or DSLR the next R eparate ou oger Deak rselves by and we ha ins. at the very ve a strict least ensu po minimum ring we pa wage, whic licy of no skilled wo y somethin rkers bein h whilst is to pay, it is g g paid less n’t the am more than ount we’d than the majori Some of o love to ha ty of our e ur crew, e ve the bud quals at th specially th our Sound get is level of ose at the Mixer and ﬁlmmakin head of de our curren mainstrea g. partments t short list m TV show such as of DoPs h s or music get on ﬁlm ave consta videos, th s like ours nt work on ey howeve and take a technique r love the way so mu s that they input they ch in term can experi allowed to s of learnin men do on main g new stream pro t with. Something th experienc e that allo ey are seld ductions. ws everyo We offer a om at the very ne to walk shared lea least they away with rning are never previous ﬁ a new exp out of poc lm festival erience th ket for tak nominatio ﬁlms and at ing part in ns we are this reﬂec . With our getting so ts heavily to boost th me tractio on our cas eir desirab n with our t and crew ility to pro who are a One of the spective e ble to use mployers. most over this arching re ﬁlm to sta asons tha y low budg t we ﬁnd is et, is the la by the UK causing lo ck of subs governme w budget tantial fun nt and the Most fund ding initia big media ing is sma tives set o companie ll batch an potential ta ut s and broa d unfortun lent that m dcasters. ately alien ost are stu do howev ates so m ck in a cyc er think it any people wou le of makin playing to and g “no” bud our egos o ld be fair to not ass get ﬁlms. ume that a r even wo a minority I rse, using ll of us at , we aren’t this level a people to by any me are learnin that end. W re ans alone g or makin hils in trying to g a living. be fair to p t possibly We are no eople who t in this to either mak of others. e money fo When I sa r y we are n that this p ot in this to ourselves or take ad roduction vantage make a pro is a stepp honing ou ing stone r skills, or for those o ﬁt or money, I mean even a gre establishe f us startin at piece o d that cho g out or f extra exp ose to sha director an erience fo re their alr d writer of r those alr eady acqu this ﬁlm, I ego or eve eady ired skills. am not loo nh As the king to ge make a ﬁlm elp me get noticed, t people to rather I wa out of pas support m nt to get e s ﬁlm festiv y veryone to al circuit fo ion and love for a c gether to raft and th r a chance or the cam en send it that some era depart out into th one may lo ment are d everyone e ve what th oing and s from the ru e sound g elect it for nners to th is at recog uys their festiv e produce nised for b al. That w rs have a eing well m ay, ﬁlm under Kind Rega ade by an their belt th rds...” industry b at ody or pro fessionals . So is working for free good for training, or is it playing on peoples hope and dreams for proper work, over the centuries many great artists have died in poverty, is it now the turn of fi lm makers to suffer the same fate? Discuss! KITPLUS - THE TV-BAY MAGAZINE: ISSUE 102 JUNE 2015 | 37