Kitplus - The TV-Bay Magazine

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Left side of the PXW-FS5 Top of the PXW-FS5 with the handle removed. POWER AND CONNECTIVITY, WIFI AND LAN This is a 12v camera so for power the camera uses the now common BP-U type batteries as used on the EX1, PMW-200 etc. Or you can power it via a DC socket on the rear of the camera. Thanks to the low power electronics (approx 12 watts) a BP-U60 will run the camera for an incredible 4 hours. That’s almost double the run time of the already low powered FS7. So with one battery in the camera and a spare in your pocket you should have enough power for a full day of shooting. Connectivity is very good, there are two XLR audio inputs, one on the rear of the camera body and one on the right side of the removable handle. So even when you remove the top handle you can still attach an external XLR mic to the camera. On the top handle there is Sony’s MI shoe so you can add a radio mic or further XLR input box if you wish without extra wires or cables (the handle also includes a GPS receiver for adding your location to the footage metadata). On the back of the camera there is an HDSDI output and HDMI output. The SDI is HD only and the HDMI can be HD or 4K (UHD 3840x2160) depending on the cameras shooting mode (Currently the HDMI output is not available when recording internally. However a fi rmware update will enable the HDMI while recording internally at a later date). It’s worth noting that there are no timecode or genlock inputs or outputs. In the future there will be a fi rmware option to add a raw output to the camera for the best possible image quality (there may or may not be a charge for this upgrade and I don’t know when it will be available). As well as the traditional video connections there is also a full size LAN port. The camera has wifi too, so you can connect to the internet or a network via either WiFi or a LAN cable and then use it’s built in streaming capability to stream your footage live or upload it via ftp at a later time. This is going to be great for breaking news or to stream corporate events for clients. Next year I’m going to try to stream the Northern Lights live from Norway. SENSOR AND SENSITIVITY The sensor appears to be the same sensor as the PXW-FS7 and PMW-F5, so it’s a dedicated 4K video sensor. This means that compared to most DSLR’s and many other large sensor cameras it has minimal image skew and low levels of rolling shutter. When I shot with it I didn’t fi nd any shots that were noticeably effected by rolling shutter even though I shot a lot of footage from a moving boat. Noise levels are well controlled even though the native ISO is 3200 ISO! It looks like the image processing in this camera is really rather good at reducing noise. In low light and the dark the pictures from this camera look very good. My understanding is that in order to keep the power consumption down and to keep heat levels low this camera uses different processing to the FS7. This makes sense as this camera does not have some of the more advanced functions of the FS7, like the CineEI mode, but on a camera like this the simpler menu structure and less complicated shooting modes really come in to their own as it helps make it a very easy camera to use. And for me, this was one of the best surprises with this camera. It’s very easy to use! EASY TO SHOOT WITH I had the 18-105mm power zoom lens which is available with the camera in the PXW-FS5K “kit”. It has to be said that this isn’t a high end cinema lens. It’s a low cost DSLR type lens with a powered zoom function. It’s a constant f4 throughout the zoom range but still small and compact. The camera includes electronic lens compensation that helps reduce some of the distortions and vignetting that would otherwise be visible (this does work in both HD and 4K with this camera). In addition with a Sony lens you can choose via the menu which direction the focus ring operates in. When paired together like this it’s almost like having an ENG handycam camera like the EX1 or PMW-200 again. You get a smooth power zoom that tracks focus reasonably well in a very compact package. OK, so it’s only a 6x optical zoom and the focus ring is one of those uncalibrated round and round servo jobs, but you know what, it works and it works pretty well. The camera even has Sony’s clear image zoom function that electronically increases the zoom range with virtually no image degradation. Apparently this can even be used with a prime lens to make it into a short zoom, although I was unable to test this clever feature out for myself. Once the production cameras come out I’ll be sure to try this! The autofocus is pretty good too! The camera has Sony’s face tracking auto focus which is great for shooting people on the go as it locks on to faces KITPLUS - THE TV-BAY MAGAZINE: ISSUE 106 OCTOBER 2015 | 59