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French commercial producers for Fructis shampoo, filming on a lake in South Africa, were also thrilled with the results. The most imaginative use was in Harry Potter and the Prisoner of Azkaban in the sequence where Harry takes a wild journey on a triple- decker bus. For the James Bond film Die Another Day it was used for the dramatic opening surfing sequence on a huge surf day in forty-foot waves. In the James Bond film Casino Royale it steadied the horizon for the speedy Venice chase sequence. It was also used in the latest James Bond Spectre in the water sequences on the Thames. One big difference between the Perfect Horizon and other stabilisers is that it is small and lightweight, weighing just 30 lbs (13,6 kg) and only 9 inches (23 cm) high. It can carry loads of up to 150 lbs (68kg), doesn’t get hot and takes about 15 seconds to spin up. All its seals are waterproof, so waves can easily crash over it without any damage. With a Mitchell plate top and bottom it mounts directly on the camera tripod; then the fluid head and camera are fixed on top of the Perfect Horizon. We also have an adapter plate for 100mm tripod bowls. Set-up time is about 5-10 minutes, which is a considerable saving as other stabilisers can take many hours to mount. On shoots where time is of the essence, or the camera is roving from one set-up to the next, this can be a great advantage. The primary advantage for the camera team is that the Perfect Horizon keeps the unwanted pitch and roll motion of a boat from reaching the fluid head and camera. Both are kept stable, which allows the camera operator to run the camera and fluid head in “hands on” fashion. The Perfect Horizon fits neatly into one pelican case, which fits in the boot of a car and travels as regular baggage on airlines. It can easily be transported from location to location. KITPLUS - THE TV-BAY MAGAZINE: ISSUE 110 FEBRUARY 2016 | 59