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VOD BRIDGING THE GAP BETWEEN BROADCAST AND ONLINE Petter Ole Jakobsen The new tool makes engaging content rapidly available to today’s audiences on any device. Social media and VOD services have increasingly become more important platforms for the telling of news and current affairs stories. Just a few years ago news producers would create a show for a particular time slot but now, news segments are published online almost immediately after being created. To do this however, each platform having its own format and preferred settings, content must be exported for upload in a specific way. There hasn’t been access to a tool that automates this activity well enough to allow content producers to easily achieve the fast- paced nature that online audiences expect. With today’s file-based production processes, editing systems have export templates for specific formats. One can be setup to export content for YouTube’s preferred media settings, one for Instagram, one for Twitter and so on. There are also specific media encoders that can be adopted for a more granular choice of export options. The addition of broadcast-style graphics can create more problems for the output of content as it adds another element that must be edited specifically within the export settings. The graphics would need to be ingested into 58 | KITPLUS - THE TV-BAY MAGAZINE: ISSUE 114 JUNE 2016 a system but if they needed editing it would need to be done so in a separate system and reimported to fit the desired formats. Once the challenge of getting content exported into multiple formats has been met, the story now has to be uploaded to social or online platforms. There are web-based applications or plugins that allow producers to upload content to multiple online channels at once but they aren’t for a professional, traffic-heavy stream of content. While using an editing systems’ templated export settings gives users multiple options for the content they need to export, the problem with using them is that they’re just that – templates. Fairly un-editable, if the template doesn’t fit exactly the format needed, users will need to start to build their own template. Similarly, for something like Facebook where the aspect ratio of the video is unique to its platform templates likely wouldn’t fit the need. At the same time, the amount of options within a third party media encoder that need to be adjusted and selected would create a very time consuming process.