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REVIEW with it. The image is better than the rubbish stock loupe that you have with the FS7 but it’s a long way off the quality of the DVF-EL 100 F55 viewﬁnder – that’s kind of anticipated given the pricing, but it’s not too dissimilar in price to other third party options (UK £1,345). The one slightly disconcerting aspect was that the automatic sensor in it turned the viewﬁnder off a few times mid interview, so I was shooting with no picture in the ﬁnder – I kept quiet and carried on pointing the camera nonetheless! Cabinet ministers don’t like the cameraman telling them they have no picture in the viewﬁnder and asking please hang on a minute. BETA 4.2 FIRMWARE WHAT A DIFFERENCE A DATA UPDATE MAKES! After my ﬁrst two days shooting with the camera I did the ﬁrmware update in preparation for my second and main test shoot with the system. Wow! Blackmagic Design really went to town with the update. Welcome to the 21st Century. The menu system seems to have taken a thing or two from the RED way of working and you can now access all the functions neatly grouped together on different pages in a sleek and stylish way. It is incredibly intuitive and a delight to operate and select the functions you require (unlike the Sony F55 Menu which takes a good while to get to grips with). It felt like a completely different camera system. Off frame rates were suddenly available together with the capability of recording up to 120fps in HD (not far off the 150fps available on board on the FS7 and F55). Also the ability to import custom LUTS from resolve off the CFast 2 cards is a great addition that will certainly help attract people to the system. The second ‘review’ shoot involved ﬁlming people and some promo models throwing paint at one another, it was time to put up the images alongside those from the Sony F55 (with Canon CN7 Full Frame servo zoom). The location didn’t have as much light as I would have liked, but it was a good test for both cameras as I had no choice but to work with mostly available light. The ISO range could be greater on the camera but with an Astra Bi-Colour LED Panel light (equivalent of a 2k output) I was able to shoot at 400 ISO quite happily. It’s a real shame that Blackmagic Design were unable to give us internal ND ﬁlters at this stage – all of the cameras it is competing with in the marketplace have this and it’s essential that they address this issue going forwards. It’s fantastic what Blackmagic Design have been able to achieve with their camera manufacturing in a few years and one can only imagine that they are going to continue to go from strength to strength. They seem to want to listen to the professional market and improve what they are offering. I hope that they follow the RED approach a little bit. I like the fact that the camera is conﬁgurable. If they can make it even more modular and take inﬂuences from the likes of the Arri Alexa Mini, the Red Dragon and the Panasonic Varicams then we ought to see some exciting developments over the coming years. It’s a serious piece of equipment no mistake. The image genuinely stacks up very well against the F55, that’s testimony to the great job that they have done with this camera. A £6000 setup intercutting alongside a £50,000 setup. I wonder whether rental houses will get to a stage where they purchase them? There are a variety of situations and people who are going to love shooting with the Ursa mini 4.6k. I certainly did. It works brilliantly on the Steadicam, has great dynamic range (apparently 15stops), and a disturbingly good image quality generated by it’s enormous super 35mm sensor. I’d like to see the colour science improved with more detailed options in camera but given what they’ve done with the new beta ﬁrmware I’ll wager that’s not far off either. 4k and beyond acquisition seems to have been democratised by several leading camera companies; whilst the camera probably isn’t the completely universal do everything solution that Blackmagic Design would like it to be it’s certainly got a wide array of applications. It’s a camera not without its shortcomings but it certainly is a star performer in terms of value for money and image quality. List price of 4.6k Ursa Mini EF, Viewﬁnder, Shoulder Mount Kit £5,904 Sony FS7 around £7,000 plus accessories. 62 | KITPLUS - THE TV-BAY MAGAZINE: ISSUE 119 NOVEMBER 2016