Ikegami representatives head to the Dubai World Trade Centre in March for CABSAT 2020, the largest broadcast media show in the Middle East region. The exhibition together with its supporting conference and workshop will be held from March 31st through April 2nd. Highlights of the Ikegami exhibit on stand C4-20 will be the UHL-43 compact HDR camera which was shown in prototype at CABSAT 2019 and is now fully deliverable, the UHK-430 system camera with IP interface and the HQLM-3125X master grade video monitor.

The Ikegami UHL-43 is a compact HDR camera designed for applications such as robotic studios, outside broadcasting of live events, parliamentary television and point-of-view image capture.

Ikegami's UHK-430 is a 4K-native studio camera system with simultaneous HDR/SDR processing. Its three 2/3 inch CMOS sensors provide full 3840 x 2160 UHD resolution plus the depth of field needed for studio and outdoor production. The camera is equipped with a B4 bayonet mount compatible with 2/3 inch UHD and HD lenses. An optional SE-U430 expander accommodates large studio or OB lenses.

Ikegami's recently introduced HQLM-3125X is a 31 inch 4K-UHD master-grade monitor with 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square metre).

Riedel's Artist-1024 digital matrix intercom system and Bolero wireless intercom system are supporting state-of-the-art communications capabilities within Videe SpA's innovative new 4K HDR OB van, OBX VIDEE. The Riedel systems provide the power, density, and flexibility critical for pioneering remote production operations.

"Videe SpA is well known for its ability to leverage cutting-edge technologies to achieve the performance and functionality essential to demanding remote productions," said Giuseppe Angilello, Italy Sales Manager, Riedel Communications. "With Artist and Bolero, we've delivered on both counts to bring clear, flexible, and reliable communications to Videe's new OB van. As a true, native 4K unit, OBX VIDEE has the power and sophistication to support the most challenging projects — and the ease of use, compact size, and straightforward configuration of our intercom systems make them an ideal fit."

OBX VIDEE is a triple-expanding mobile production unit that can support up to 30 cameras. Based on client requirements, the van can be configured with dual control rooms or as one large, 75-square-meter production area that can accommodate up to 36 onboard team members. The OB van was engineered for the future by Videe and systems integrator Chromaline, with a design that meets each and every production demand with the best, most intuitive, and most efficient technical solution. As a top-end OB production system, OBX is ideal to provide host broadcasting services for major live sporting, music, cultural, and entertainment events worldwide. Integrating smoothly into the van's IP infrastructure, the Artist and Bolero systems along with 36 RSP-2318 SmartPanels, on board OBX VIDEE play a critical role by enabling clear communications tailored to the requirements of each production.

Primestream has expanded and enhanced its acquisition and ingest capabilities and will demonstrate them at IBC2019. For any media project, initial content acquisition is the most important stage in the workflow.

Cameras in the field need mobility, flexibility and reliability, especially in live and multi-cam situations. Control room operators need to monitor incoming content, as well as add information to support the asset management, editing, and distribution requirements later in the process. Even when moving files from an external storage location into the production environment, insufficient or erroneous metadata can be highly costly as the project moves forward.

RheinMain University of Applied Sciences in Wiesbaden, Germany, recently invested in Ikegami UHK-430 camera technology as the preferred solution for its studies in high dynamic range video imaging. The university's Enhanced Video Imaging (EVI) project involved the development of an automatic process to detect and brighten dark sections of video while at the same time sensing and enhancing detail in over-exposed sections.

Ikegami (www.ikegami.com), a leader in HD and UHD cameras and production equipment for television content creators and broadcasters, will introduce to the European market at IBC 2019 a 4K Media-over-IP gateway for the UHK-430 studio camera.

NAB 2019, 6-11 April, Booth SL8716: Cinegy, the global leader for broadcast playout software in the cloud, will launch ‘Cinegize’, which uses Cinegy‘s acclaimed Daniel2 GPU encoding technology to provide extremely low latency KVM-Over-IP.

Technology from Imagine Communications proved successful in an unusual challenge at Autodromo Nazionale di Monza in November 2018. Its systems power the new live Ultra HD production truck operated by Global Production, which took part in an extensive trial organised by Ferrari as part of its Ferrari Challenge World Final (1-4 November 2018). This trial determined who could deliver the most consistent and accurate live colour images across all resolutions — including, of course, Ferrari’s trademark red.

A remarkable outside broadcast truck, UHD1 HDR, built for Swiss production company tpc using technology from Imagine Communications, completed its first live broadcast – a match in the Swiss National Hockey League in Zürich on October 19, and is now in regular use. To deliver high-performance and multiformat capabilities across a broad range of productions, the truck uses standards-based IP connectivity. Providing extensive functionality in a compact form, the truck is the first step in tpc’s aggressive programme to move to an all-SMPTE ST 2110 production and delivery infrastructure.

Cinegy today announced that its channel-in-the-cloud solution highlighting Cinegy Multiviewer will be among the products on show at IBC2018, with Cinegy Professional Service also being unveiled during the show.

Transvideo will show the new StarliteRF-a, a wireless monitor with advanced camera control capabilities that can remotely control key functions of the ARRI ALEXA Mini and AMIRA cameras. The kit consists of a StarliteRF-a monitor-recorder and a TitanHD2 Tx-a that connects to the EXT socket of the ARRI cameras via a specific cable provided. You will have a hand held lightweight, high quality monitor receiving the camera picture wirelessly, and you can adjust key camera functions wirelessly by return to the camera. The camera functions are accessed via the monitors touch screen. You also have the ability to record and play back clips via the inbuilt recorder, which can be set up to record automatically when the camera records.