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LiveU Launches the LU800 First Production-Level Field Unit Posted: 02/06/2020
LiveU Launches the LU800 and ndash; First Production-Level Field Unit

LiveU today unveiled its all-in-one production-level field unit for live news and sports coverage. The LU800 combines multi-camera production and superior video and audio capabilities with mission-critical transmission in a native 5G unit. Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.

The LU800 supports up to four fully frame-synced feeds in high resolution from a single unit, using powerful IP bonding of up to 14 connections. The unit also offers the highest-quality video performance, with up to 4Kp60 10-bit HDR transmission for optimal color depth and richness, as well as up to 16 audio channels for high-end productions.

Tags: 5G | cellular bonding | multi-camera | sports | LiveU Central
Submitted by Jump PR
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Matthews New 40x40 Inch Flags and Floppies Add Portability Posted: 02/06/2020
Matthews and rsquo; New 40x40 Inch Flags and Floppies Add Portability

 

Matthews introduces a full 40”x40” line of Flags and Floppies. Offering the multitude of benefits for which Matthews is known, this practical size answers the need for gear that’s portable enough to travel in a hatchback car like a Prius and compact enough to work in nooks and crannies of a tight location like a bathroom corner. When it comes to cargo, the 40”x40” dimension easily fits standard shipping limits.

As Matthews’ resident Grip Martin Torner explains: “With the popularity of our 40”x40” Flag, we have added more flavors to this wonderfully dynamic dimension, including Full Silk, Floppy and the new Matthbounce Floppy. Like the 48x48”, the 40x40 is still a good size flag when it comes to usability, but less bulky.”

Like the larger versions, the new frames are built with the same rugged 3/8” stainless steel tubing that’s securely welded for long life. The Flags, Floppies and Silks are meticulously sewn in Matthew’s Southern California headquarters.

Tags: matthews | flags | grip | mse | studio | equipment | hollywood | floppies | production | california | gear | cinematography | cinematographer
Submitted by Matthews Studio Equipment
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DIT EDUARDO EGUIA ON MAKING THE MANDALORIAN Posted: 29/05/2020
DIT EDUARDO EGUIA ON MAKING THE MANDALORIAN

The Mandalorian is about the travels of a lone bounty hunter in the outer reaches of the galaxy, far from the authority of the New Republic. It is the backstory vision of George Lucas’, to the Star Wars bounty hunter theme that tied together Boba Fett and Hans Solo in the epic tale of Episode V – The Empire Strikes Back. The vision was brought to life by series creator and Executive Producer Jon Favreau.With season 2 production just wrapping in early February and the post-production currently underway, with automated VFX pulls being delivered by FotoKem, and the final finishing being done at Company 3, Disney+ hopes to continue the momentum of this premier franchise that helped launch their streaming service last year.

Tags: CODEX | The Mandalorian | Eduardo Eguia
Submitted by Bubble Agency
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Cinegy announces TURBOCUT - Making Editing with Adobe Premiere Faster than Ever Posted: 28/05/2020
Cinegy announces TURBOCUT - Making Editing with Adobe Premiere Faster than Ever

Cinegy today announced TURBOCUT, a new Adobe CC plug-in which significantly accelerates the editing of H.264/HEVC by utilising the NVIDIA GPU’s hardware decoder. This announcement coincides with Adobe releasing version 14.2 of Adobe Premiere with several new features added, but still missing NVIDIA hardware accelerated editing and using the NVIDIA GPU for decoding H.264 and HEVC.

As Jan Weigner, CEO Cinegy GmbH explained, “For many years, tens of thousands of users have been using the Daniel2 Plug-in for Adobe CC, which already offered the NVIDIA accelerated export of H.264 and HEVC. So when we accelerated the editing and import features, it was obvious that the original product name didn’t match the main goal of the plug-in with the Daniel2 video codec technology. TURBOCUT enables faster editing and production with better video quality and it’s also much easier to remember than Daniel2 Plugin for Adobe CC!

Tags: Cinegy | TURBOCUT | Adobe CC Plugin | H.264/HEVC | NVIDIA hardware | NVIDIA GPU | Daniel 2 | editing | video codec | 8K
Submitted by Manor Marketing
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Lightstorm Entertainment Advances Production Techniques Using Blackmagic Design Posted: 28/05/2020
Lightstorm Entertainment Advances Production Techniques Using Blackmagic Design

Lightstorm Entertainment used an extensive array of Blackmagic products, including the Teranex AV, Smart VideoHub 40x40 12G, ATEM 4 M/E Broadcast Studio 4K and more for their recent work during production for the “Avatar” sequels.

Tags: Blackmagic Design | Blackmagic | Avatar | James Cameron | 3D | Teranex AV | ATEM Switcher | ATEM 4 M/E Broadcast Studio 4K
Submitted by Blackmagic design
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EditShare and Adobe Collaborate to Enable Remote Production and Group Editing Workflows Posted: 27/05/2020
EditShare and Adobe Collaborate to Enable Remote Production and Group Editing Workflows

Updated Flow Panel for Premiere Pro, and EFS support for project-locking in Premiere Pro’s Productions, bring outstanding remote editing and collaboration workflows to Adobe users - on premise, in a hybrid environment or in the cloud

 

 

 

Tags: EditShare | Adobe
Submitted by Zazil Media Group
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BUBBLE AGENCY APPOINTS MELANIE WEBB TO GROW BROADCAST PRODUCTION PORTFOLIO Posted: 27/05/2020
BUBBLE AGENCY APPOINTS MELANIE WEBB TO GROW BROADCAST PRODUCTION PORTFOLIO

Bubble Agency, the global PR, marketing and events specialist for the media and entertainment technology and services sectors, today announced the appointment of Melanie Webb, as a PR and marketing consultant. Melanie brings to Bubble over 15 years of experience working in the production and distribution end of the broadcast sector at agencies including Premier PR and Franklin Rae.

Melanie has held various positions within production, including TV producer, further exemplifying her strong expertise in managing and delivering corporate publicity for TV, film, media companies and brands, as well as consumer programme publicity for a range of broadcasters, independent production companies, distributors and content providers. Her client experience includes: Rough Cut, A&E Networks, Edinburgh TV Festival, Independent Films, Women in Film & Television Awards, DRG and more.

Tags: Bubble Agency | Sadie Groom | Melanie Webb | appointments | Broadcast production | Rough Cut | A&E Networks | Edinburgh TV Festival | Independent Films | Women in Film & Television Awards | DRG
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Trickbox TV celebrates 10th birthday Posted: 27/05/2020
Trickbox TV celebrates 10th birthday

As of May 2020, Trickbox TV is officially 10 years old. The company provides multi-camera solutions for a variety of broadcast projects and hosts its own central London studio overlooking Tower Bridge. Experienced in live streaming, they have recently branched out with a successful Virtual Events service.

Reflecting on the decade, Trickbox’s Founder and Managing Director, Liam Laminman, commented, ‘Trickbox has had an eventful life so far. From our beginnings in the wake of the financial crisis to celebrating our tenth anniversary during a global pandemic, we’ve adapted to the challenges that have come our way. Trickbox’s successes have been in the experiences we’ve gained by working on many different projects and alongside an amazing team. We’ve built a strong network of clients and suppliers and we’re looking forward to the new decade and the opportunities yet to come.’

Trickbox TV has worked on projects with many big industry names; BBC, ITV, Sky, Netflix, Vodaphone, The Financial Times and Oracle.

Tags: Trickbox TV | Anniversary | Birthday | Ten | 10 | Broadcast Facilities
Submitted by Trickbox TV Ltd.
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Magewell Expands Recording and Live Streaming Capabilities in Ultra Stream Encoders Posted: 26/05/2020
Magewell Expands Recording and Live Streaming Capabilities in Ultra Stream Encoders

Magewell has released a new upgrade for its award-winning Ultra Stream family of live streaming encoder hardware that further enhances the devices' exceptional ease of use and versatility. Available in all new units and as a free firmware update for existing customers, version 1.3 adds flexible new recording modes alongside expanded streaming protocol support and various minor refinements.

Magewell's Ultra Stream encoders make live streaming remarkably simple even for non-professional users, enabling them to record or stream high-quality video with one click using on-device buttons, a browser-based web interface or an intuitive smartphone app. Designed for users who want to stream but may have minimal technical knowledge, the compact devices are ideal for addressing the increased need for live streaming created by today's stay-at-home and social distancing restrictions.

Tags: live | streaming | stream | encoder | hardware | recorder | recording | encoding | broadcast | professional AV | mobile | HDMI | SDI | Magewell | RTMP | RTSP | Facebook Live | YouTube Live | Twitch
Submitted by Write Turn Communications
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LiveU TV Brings Compelling Digital Stories to Social Media Posted: 26/05/2020
LiveU TV Brings Compelling Digital Stories to Social Media

LiveU has helped customers captivate audiences using live video for over a decade. Now the company is launching a series of original live programs under the LiveU TV umbrella to educate, inspire, and engage with viewers at home. The shows, presented on LiveU’s official Facebook page, are produced remotely using the latest LiveU innovations including mobile field units, the LU-Smart app, IFB and Video Return.

In this time of social distancing, Stay Connected spotlights customers creating unique live content for corporate, house of worship, government, nonprofit, and a host of other markets to stay connected with their communities. The LiveU Sports Show highlights what sports customers like the WWE, New York Jets, NASCAR, and others have produced using LiveU technology and what they are doing now to continue to generate content and connect with fans while sports are sidelined.

Tags: cellular bonding | social media | HEVC | phone app
Submitted by Jump PR
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Why DejaEdit is considered an indispensable Collaborative tool in Film Productions Posted: 22/05/2020
Why DejaEdit is considered an indispensable Collaborative tool in Film Productions

Anna Knochenhauer is a well-respected Stockholm-based film producer/ post-producer with impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander; “Welcome to Sweden” season 2 starring Jason Priestly and others.

Carving a successful career of VFX-heavy feature films and drama series, she declares DejaEdit is a revolutionary film tool that should be included in every production as industry standard. She uses DejaEdit in all her productions now, including recent films “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020).

DejaEdit is a media file synchroniser that gives editors the ability to collaborate super-efficiently between multiple remote Avid editing platforms. “I depend on DejaEdit for all my productions because it ensures that the media files and timelines that we have created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. It all takes place quickly, securely and automatically in the background... 
The fact that DejaEdit ensures all media is pushed automatically to all connected Avids means that the Assistant Editor (AE) or Editors don’t ever have to search for any missing media files. DejaEdit has saved us a lot of time and headaches."

 

 

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | editor | dailies | DejaSoft | DejaEdit | production workflows | DIT | VFX | postproduction
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Intinor to Demonstrate How to Do Remote Production in Live Webinars With Skaarhoj Posted: 21/05/2020
Intinor to Demonstrate How to Do Remote Production in Live Webinars With Skaarhoj

Intinor Technology, Sweden’s leading developer of products and solutions for high quality video over the internet, will be demonstrating how to do remote production in a series of live webinars with Danish company Skaarhoj, manufacturers of universal broadcast control panels. The aim is to showcase how the remote production tools from both Intinor and Skaarhoj complement each other to give a flexible, secure workflow for live production using a variety of different content sources and locations.

Interest in remote production workflows (or REMI) has been on the increase for some time now already. Even before the current global social distancing requirements created an added incentive for broadcasting companies to seek an alternative to the traditional travel-dependent methods of production, the economic and productivity benefits that REMI offers enables companies to more easily meet the rising demand for live content.

Tags: Intinor | SKAARHOJ | Remote Production | Control Panels | live production | workflows | REMI | PTZ Camera | live video | SRT | RTMP | BRT Bifrost error correction | adaptive bitrate | ARQ | network Bonding | IP
Submitted by Manor Marketing
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SubtitleNEXT selected by University of Warsaw for live subtitling courses Posted: 20/05/2020
SubtitleNEXT selected by University of Warsaw for live subtitling courses

Responding to the growing demand for further education, the Department of Interpreting Studies and Audio-visual Translation (ISAT), as part of the University of Warsaw’s Institute of Applied Linguistics -  selected SubtitleNEXT for their subtitling courses.

ukasz Dutka is a lecturer at the Institute of Applied Linguistics, and a consultant for streaming and broadcasting companies in the field of accessibility and AVT quality. He is a member of the University of Warsaw’s Audio-visual Translation Lab (AVT Lab), Polish Association of Audio-visual Translators (STAW), European Society for Translation Studies (EST) and European Association for Studies in Screen Translation (ESIST).

Tags: University of Warsaw | broadcasting | TVP | Polish broadcaster | television live subtitling | subtitles | subtitling software for broadcasters | SubtitleNEXT
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Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil Posted: 20/05/2020
Dejero to Deliver Historic Footage of Return to Human Space flight from American Soil

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has joined a consortium of technology providers delivering a range of broadcast technology to media partners and Dejero customers, to facilitate the coverage of NASA and SpaceX’s historic May 27th launch of the first US astronauts from the United States since 2011.

Dejero’s technology will enable the worldwide distribution of feeds from multiple pool cameras positioned to cover the launch to the International Space Station. The request to support the broadcast came from a group of news organizations looking for a solution to provide dynamic launch coverage while following social distance guidelines at the NASA press site.

 

Tags: Dejero | space | human space flight | NASA | SpaceX | Kennedy Space Center | cloud-managed solutions | International Space Station | PathWay | MultiPoint | WJXT | WayPoint | Ali Hassan | WJXT/WCWJ | Robert Behnken | Douglas Hurley | astronauts | Elon Musk | MKM Marcomms
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Calrec provides online demonstrations of Assist UI for virtual mixing Posted: 20/05/2020
Calrec provides online demonstrations of Assist UI  for virtual mixing

Expanding upon its online demonstration offers,Calrec is hosting virtual demonstrations of its Assist UI, a browser-based virtual console environment with multiple versions available for a variety of Calrectechnologies.

Calrec’s Assist Web UI provides users with a virtual desk, available on any device running Chrome as a browser, wherever in the world users are. Assist works over TCP/IP and has minimal control lag, making minor adjustments easy and quick. The demonstrations show Assist controlling a Type R core, with other variants of Assist able to control Calrec’s remote production technology RP1, the VP2 virtualised console, as well as Apollo and Artemis desks.

Tags: Audio | Calrec | IP | AoIP | console | Assist | virtual | software | demo | GUI
Submitted by Jump PR
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