Rohde & Schwarz, a global leader in broadcast media technologies, today announces with great regret that it has withdrawn its booth participation from NAB Show 2021. This difficult decision has been taken in light of the ongoing travel embargo to the US for many of its global customers and technology staff, along with the risks presented by the continued rise in Covid cases.  

Triveni Digital today announced the new StreamScope® XM Dashboard software to simplify network monitoring, analysis, and maintenance for NextGen TV. Focused on flexible visual monitoring, the user-friendly software allows broadcasters to customize web-based displays containing real-time information from ATSC 3.0 IP and RF streams via Triveni Digital's award-winning StreamScope XM software. By providing customizable views of the characteristics of the video, audio, data, and metadata elements of ATSC 3.0 streams, and enabling the construction of monitoring walls tailored to operational paradigms, StreamScope XM Dashboard assures superior quality of service (QoS) for NextGen TV.

Triveni Digital today announced that it will showcase its world-class ATSC 3.0 solutions at the 2021 NextGen Broadcast Conference, hosted by ATSC, August 25-26, at the Ronald Reagan Building and International Trade Center in Washington, D.C. During the show, attendees can see how Triveni Digital's solutions simplify the transition to the next era of broadcast television and enable exciting enhancements such as advanced emergency communications, personalized advertising, service guides, and interactive programs.

Triveni Digital today announced that the company's leaders will share their expertise and insights on the ATSC 3.0 ecosystem, solutions, and forecasts through a series of interactive panel discussions at TVOT Live! Spring 2021. At the virtual event, Mark Corl, the company's senior vice president of emergent technology development, will predict how ATSC 3.0 will transform broadcast TV in the long term. Mark Simpson, president and CEO of Triveni Digital, will offer his thoughts on the benefits of ATSC 3.0 for automotive use cases.

Triveni Digital today announced that its ATSC 3.0 Cloud service has won the FUTURE Tech Leadership Award in the Best TV Infrastructure category. The ATSC 3.0 Cloud service was honored for enabling broadcasters to launch NextGen TV services faster and more efficiently.

ATEME, the leader in video delivery solutions for broadcast, cable TV, DTH, IPTV and OTT, has announced its TITAN Live platform was implemented in over half of all ATSC 3.0 deployments across North America in 2020, providing technology leadership and innovation to some of the US’s largest broadcasters.

Many prominent TV stations and station groups are now using ATEME TITAN Live for ATSC 3.0 launches as well as ATSC 1.0 refreshes with increased channel counts and consolidation of channels from different stations into a single tower. Sinclair Broadcast Group were among these leaders using ATEME's solutions, including at the first commercial ATSC 3.0 station launched in Las Vegas in May 2020. This station launch also provided another first by implementing a remote launch of ATSC 3.0, with ATEME’s highly efficient deployment method expected to become widespread as rollout at more stations continues.

Triveni Digital today announced that Hearst Television, a leading multimedia company with operations serving nearly three dozen U.S. cities, is deploying a software-based ATSC 3.0 solution from Triveni Digital for WMOR-TV in Tampa, Florida. With Triveni Digital's ATSC 3.0 Broadcast Gateway scheduler, GuideBuilder® XM ATSC 3.0 Transport Encoder, and StreamScope® XM ATSC 1.0 and ATSC 3.0 Combo Analyzer, WMOR-TV is the first Hearst station to serve as a lighthouse in their transition to NextGen TV.

Triveni Digital today announced that Meredith, a leading U.S. multichannel media company, is deploying Triveni Digital’s comprehensive ATSC 3.0 solution to streamline the transition to NextGen TV. Meredith television stations KPDX and KPTV in Portland, Oregon, will use Triveni Digital’s ATSC 3.0 Broadcast Gateway scheduler, GuideBuilder® XM ATSC 3.0 Transport Encoder, StreamScope® XM ATSC 1.0 and ATSC 3.0 combo Analyzer, and StreamScope XM Verifier software application to ensure quality of service for viewers who are watching ATSC 1.0 and ATSC 3.0 streams.

Triveni Digital today announced a new solution for streaming ATSC 3.0 from the cloud. Integrating Triveni Digital's software-based ATSC 3.0 Broadcast Gateway scheduler, GuideBuilder® XM ATSC 3.0 Transport Encoder, and state-of-the-art third-party systems, ATSC 3.0 Cloud enables broadcasters to launch NextGen TV services faster and more efficiently. The solution is available with a software-as-a-service (SaaS) business model, lowering the cost to market for new channels and services by eliminating capex costs.

The transition to ATSC 3.0 is underway, and simulcasting will be a requirement as broadcasters migrate to NextGen TV. At the 2020 NAB Show, Triveni Digital, an industry leader in digital TV data and metadata management and service quality assurance solutions, will demonstrate its full-fledged support for ATSC 1.0 and ATSC 3.0. Offering operationally efficient, cost-effective solutions for channel sharing, the repack, and dual-standards broadcasting, Triveni Digital is leading the charge for better TV. Utilizing Triveni Digital's solutions, broadcasters can simultaneously deliver ATSC 1.0 and ATSC 3.0 services with a coherent architecture.

Stop by the 2020 NAB Show booth to see how Triveni Digital is empowering its customers to deliver innovative service guides, addressable content delivery, interactive program enhancements, and data broadcast applications.

Blackmagic Design today announced that the latest series of Germany’s legendary stand up show, Quatsch Comedy Club, has been edited and graded on DaVinci Resolve Studio.

The Sky Deutschland show is filmed in front of a live comedy club audience with three live acts and one host taking to the Quatsch Comedy Club Theatre inside Friedrichstadtpalast in Berlin. Post production supervisor, Marius Fischer, has graded the show with DaVinci Resolve since 2015 and this year opted to expand its use on the series to encompass the edit as well.

Marius explains that all of the shows, including the revue style, as well as standalone solo episodes, are filmed, then all of the rushes are passed through to post, which normally takes around 60 days to deliver an entire season. “I was keen to put the editing side of Resolve through its paces on a major project, as I could see that there were efficiencies to be gained in our series workflow.”

A minimum of seven cameras capture every comedy set, meaning Marius has to manage a huge amount of footage for each of the shows. “I’ve found features such as Sync Bin essential, as it allows smooth playback, but without the massive file size of a multicam clip. Once all of that heavy lifting is taken away from your process, you have so much more time to focus on the actual editing and making the very best production that will keep audiences entertained.”

Marius has also cut this season working with the DaVinci Resolve Editor Keyboard, which he believes has added yet another layer of efficiency to his post workflow. “You can work freely with both hands and there’s very little need to use a mouse. I wanted to measure the time savings, so I carried out a little experiment. I tried to make nine cuts within a one minute long multicam clip from the series. Working with the keyboard took two minutes less.”

“I love how simple and reliable the whole approach is. Productions rarely follow a linear delivery path once in post and the ability to do everything in one application makes so much more sense,” he reveals. “The idea of jumping in and out of pages to make small changes when needed is far more intuitive and saves a huge amount of time. You can continue to finesse and refine the edit at any stage during post production, without ever needing to render out a new timeline.”

“Quatsch Comedy Club is such an institution in Germany. In fact, I grew up watching it with my family. It can feel quite surreal that I’m not only working on it, but that I’ve also been able to bring the very latest developments in post production, thanks to DaVinci Resolve, to keep the show fresh and funny for the next generation watching at home.”

Fincons Group, a leading IT business consultancy, will be presenting its new Smart Digital Platform (SDP) designed to accelerate Next Gen TV roll-out for media and broadcast businesses at CES this January.

The SDP introduces a revolutionary publishing tool that redefines application development as it enables automatic generation of applications, thus accelerating Hybrid TV and OTT service delivery. The framework distributes functionalities in logical “SMART” modules that form the basis for Hybrid TV solutions. It enables Broadcaster Apps to have advanced monetization models through Addressable Advertising, provides contextual information through a Now/Next and Channel dashboard and encourages greater viewer engagement via an Electronic Program Guide (EPG), video on demand sections and catch-up content. Fincons’ SDP uniquely also features full automation of the Hybrid TV asset preparation chain. It is the first platform that is entirely compatible with both European HbbTV and new US ATSC 3.0 standards, a feature that derives from the company’s unique pioneering role in the development of both standards.

At CES broadcasters will be able to see the platform in action in deployed, live applications that leverage the TV personalization potential of AI.

Fincons Group, a leading IT management consultancy for the Media & Broadcast sector, through its German subsidiary Fincons.DE GmbH, joins Deutsche TV-Plattform, the German non-profit association whose purpose, since its foundation in 1990, is to introduce, disseminate and further develop digital Television in Germany.

Fincons Group has played a pivotal role in the development of HbbTV technology in Europe – the standard aimed at harmonising the broadcast and broadband delivery of entertainment services to consumers through connected TVs, set-top boxes and multiscreen devices - and has contributed to define best-practice in the new US ATSC 3.0 standard. The company is thus well placed to make a significant contribution to Deutsche TV-Plattform, while continuing to scout for new broadcast technologies and to acquire new skills in the field by working with major players in Italy and Europe.

Andre Prahl, CEO of the Deutsche TV-Plattform: "We are very pleased to see Fincons Group joining Deutsche TV-Plattform. This underlines the relevance of the Smart Media topics and projects we are pushing forward - in particular the minimum requirements for HbbTV-2 devices, which pave the way for new HbbTV services from broadcasters, and our initiative to harmonise metadata requirements for the distribution of audiovisual content".

Fincons Group, a leading IT business consultancy with a significant footprint in media and broadcast, has published a new whitepaper to help European broadcasters understand the benefits emerging from the adoption of ATSC 3.0 across the USA. The aim of the whitepaper is to serve as a guide to European broadcasters to ensure they are equipped to revamp their existing HbbTV systems, tackle future market demands and remain competitive in a globally expanding marketplace.

V-Nova today announced that is has become a member of the influential Advanced Television Systems Committee (ATSC) - the international non-profit organisation that develops digital television standards.