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VuWall Expands VuStream Series Encoders and Multiview Decoders to Deliver High-Quality Video Streams Across Corporate Networks Posted: 18/02/2020
VuWall Expands VuStream Series Encoders and Multiview Decoders to Deliver High-Quality Video Streams Across Corporate Networks

 VuWall, a leader in video wall control systems, has broadened its family of VuStream encoders and decoders. Demonstrated for the first time at ISE 2020 in Booth 15-K250, VuStream encoders and decoders support H.264 and Software Defined Video-over-Ethernet (SDVoE) standards. These solutions allow high-quality video streams to be delivered across an organization's standard IP network. The VuStream Series includes a range of appliances available in various form factors, resolutions, and performance features to suit any application, even within the same deployment.

 

Tags: VuWall | VuStream | Encoders | H.264 | SDVoE | VuScape | TRx AV
Submitted by InGear
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ROH Chooses Leader LV7300 Rasterizers for Technical Control Gallery Posted: 18/02/2020
ROH Chooses Leader LV7300 Rasterizers for Technical Control Gallery

 

Leader Europe has provided two LV7300 rasterizing waveform monitors to the Royal Opera House in London's Covent Garden. They were chosen as part of an extensive UHD/HDR upgrade carried out to the facilities used to relay stage performances for live viewing by cinema audiences in Europe and for distribution to other venues around the world.

"We needed instruments that would operate reliably in our current HD-SDR production environment and in the 4K-HDR standard to which we aspire," comments ROH Media broadcast engineer and production mixer Mark Thackeray. "The Royal Opera House in London has been broadcasting live to cinemas in 5.1 surround sound for 10 years. In any one season we transmit 12 or more productions."

"Our first 4K-HDR project was a documentary in 2017 for NHK. Leader lent us an LV5490 portable waveform monitor for that production as we needed the ability to capture, monitor and deliver Rec. 2020 wide color gamut video. The instrument functioned well both as an engineering reference and with its intuitive CINEZONE and CINELITE toolsets which are particularly useful during live production.

"For permanent installation, we decided on two LV7300 rasterizers which provide a full set of 12G/3G/HD/SD-SDI measurement facilities that our production staff can view on a larger display screen. The instruments are useful both to ensure accurate color matching of camera channels and for ensuring that we are delivering the best possible signal quality right through the production chain."

 

 

 

Tags: Leader Instruments | Asaca Shibasoku | video test equipment | audio test equipment | video waveform monitors | 3D video monitoring | surround sound audio monitors | rasterizers | loudness monitors | lipsync timing analysers | lipsync timing displays | 4K test equipm
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Bridgestone World Solar Challenge Streams Live to Social Media Channels With AVIWEST Solution Posted: 13/02/2020
Bridgestone World Solar Challenge Streams Live to Social Media Channels With AVIWEST Solution

AVIWEST, a leading provider of video contribution systems, announced today that the Vattenfall Solar Team recently equipped its solar car convoy with AVIWEST's AIR Series ultra-compact HEVC bonded-cellular transmitter and QUAD CellLink four-modem antenna during the Bridgestone World Solar Challenge. Thanks to AVIWEST's equipment, fans could follow the largest solar race in the world in real time. The race was held in October 2019, starting in Darwin, Australia, with the finish line in Adelaide. Amber Technology, AVIWEST's partner and Australian distributor, helped to ensure a smooth deployment and Dutch media company Stream My Event was in charge of the live video production feed that was streamed to the Vattenfall Solar Team's YouTube and Facebook channels.

The Bridgestone World Solar Challenge is a 3,000-plus km solar car race across Australia's deserts, involving teams comprised of tertiary and secondary students from over 30 countries.

Tags: World Solar Challenge | AVIWEST | video contribution system | AIR Series | ultra-compact HEVC | bonded-cellular transmitter | QUAD CellLink
Submitted by 202 Communications
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Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools Posted: 13/02/2020
Sinclair Broadcast Group to use Marquis Broadcast production storage optimisation and management tools

Sinclair Broadcast Group, one of the largest television broadcast companies in America, is deploying Marquis Broadcast’s Analysis Parking software with a new enterprise monitoring dashboard for its many facilities across the United States. During its expansion, Sinclair Broadcast Group has always focused on optimising best practices for its news technology and operations. Part of this focus was to streamline and simplify the management and monitoring of multiple Avid NEXIS® systems, helping users manage Avid projects and valuable storage space more efficiently.

Sinclair Broadcast initially deployed Marquis Broadcast’s Analysis Parking in three major sites. The software understands the relationships between Avid projects, folders, bins and media, and runs automated Avid NEXIS analytics and visualization processes, enabling each station to maximise the use of space on their Avid NEXIS storage systems.

Paul Spinelli, director of engineering at Sinclair Broadcast Group, explains: “As a group, we’re continually evaluating new technologies that can realise further operational benefits and efficiencies. Our goal is to standardise technologies and workflows across all our Avid news operations, which now total over 60 sites. The new systems enable the recovery of large amounts of blocked-out – but usable – space and offers detailed enterprise-wide analytics on our Avid storage.”

Tags: Marquis Broadcast | Sinclair Broadcast Group | broadcast | Analysis Parking | Avid | Avid NEXIS | editing | enterprise | workflow | NAB 2020 | NAB 2020
Submitted by Brill Media Limited
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BirdDog Announces SDM Family Powered by BirdDog OS Posted: 11/02/2020
BirdDog Announces SDM Family Powered by BirdDog OS

BirdDog, a leading manufacturer of NDI tools has today announced the launch of the SDM Family, powered by BirdDog OS. BirdDog SDM Family, built upon the industry standard Intel® SDM platform is the most integrated and scalable NDI® to screen solution available. Without the need for wall boxes or patch panels, AV distribution is directly integrated within the display.

SDM Family features include:

• BirdDog OS, a complete Operating System for Intel® SDM platforms for distributing NDI®

• Planned support for Dante

• Crestron control library

• RESTful API for automation

• Resolution support up to 4Kp60

• Two models:

o M1 for NDI® sending and receiving based on Intel SDM-L module; and

o M2 for NDI® receiving based on Intel SDM-S module

Featuring a Crestron control library and a RESTful API, programming automation into the SDM Family is easy. Dante support will allow for smooth integration into a plethora of audio systems.

“BirdDog OS really feels like the culmination of all our technology coming together. It incorporates all our research and development over the last 4 years throughout the entire operating system," said Dan Miall, BirdDog Co-Founder and CEO.

"It’s incredibly intuitive and we are confident it’s going to create some beautiful and elegant installations. We are eager to see how our integrators deploy this solution.”

BirdDog SDM Family is being showcased for the first time at ISE and is scheduled to start shipping December 2020.

Tags: BirdDog | ISE | NDI | SDM family | AV | IP | 4K | Crestron control library | RESTful API
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Argosy focuses on convenience, operational flexibility and environmental considerations at CABSAT 2020 Posted: 10/02/2020
Argosy focuses on convenience, operational flexibility and environmental considerations at CABSAT 2020

Argosy, a leading international supplier of broadcast and AV cables and infrastructure products, will provide support for the Middle East and North Africa media market at CABSAT 2020 (31 March – 2 April 2020, Dubai World Trade Centre, stand G3-201). By providing a one-stop shop for systems engineers and designers, Argosy supports them in building sophisticated solutions quickly, simply and cost-effectively.

Argosy specialises in every aspect of media infrastructure, from cables and connectors to active hardware devices such as network switches, fibre transport and KVM switches. At CABSAT it will showcase a range of its offerings, including its own manufactured patching and termination panels, equipment racks and tactical fibre and SMPTE camera cables. Plus products from some of the market leading manufacturers including: BES, Canare, Cliff Connectors, Ghielmetti, and Neutrik.

Experts from Austrian vendor kvm-tec will also be available on the Argosy stand, explaining how the latest generation of high-bandwidth, IP-connected KVM (keyboard, video and mouse) solutions can deliver secure connectivity with low latency while linking multiple workstations to multiple computers. Such solutions reduce clutter in operational areas by needing only one set of keyboard, mouse and monitor while instantly accessing multiple services. This also helps to reduce cost by eliminating multiple monitors which contributes significantly to an improvement in environmental performance.

“With the media world changing so rapidly, demanding more outputs and higher resolutions, we know our customers need to be able to rely on suppliers to ensure they have the right infrastructure hardware, now and for the future,” said Chris Smeeton, CEO of Argosy. “We have a strong and long standing presence in the Middle East, and our many customers know that we are much more than just cable stockists – we can help finalise the details of installations, ensuring that the system works first time and stays working.

“CABSAT is a great opportunity for us to talk to our client base in the region,” Smeeton added. “They know us as problem solvers, and we enjoy finding solutions for them that are reliable, practical and, in an atmosphere of increasing environmental concerns, as green as we can make them.”

For more information, visit Argosy at CABSAT on stand G3-201.

Tags: Argosy | media infrastructure | broadcast cables | AV cables | infrastructure products | CABSAT 2020 | Dubai | cost-effective | switches | fibre transport | KVM swithces | equipment racks kvm-tec | Chris Smeeton | flexibility | MKM Marketing Communications
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M for Media installs GB Labs FastNAS intelligent storage Posted: 10/02/2020
M for Media installs GB Labs FastNAS intelligent storage

GB Labs, innovators of powerful and intelligent storage solutions for the media and entertainment industries, today announced that M for Media, an Abu Dhabi-based media production house that produces TV shows and adapts international formats for the GCC and MENA region, has installed GB Labs’ FastNAS shared storage system.

M for Media’s Andre Aouad said, “I first heard about GB Labs from the creator of MIMIQ for Avid systems, who forwarded some information that he thought would interest me.

“It did, particularly because, at the time, we had no existing storage and it was rapidly becoming a problem because of the volume of work we were taking in. You can’t keep running back and forth with arms full of hard disks. It’s unproductive, and it was beginning to show. However, GB Labs soon came up with the ideal solution.”

Supplied and installed by partner, MediaCast, the GB Labs FastNAS F-16 Nitro system installed at M for Media can be accessed by up to 10 users of Avid Media Composer, simultaneously if required.

As leaders in intelligent storage solutions, GB Labs recently introduced even more acceleration for FastNAS storage systems with the introduction of new 25 GbE connectivity.

GB Labs CEO-CTO Dominic Harland said, “Ultimately, the engine of the newly 25 GbE-enabled FastNAS is our powerful CORE.4 OS, an ultra-high-performance operating system that serves media files with intelligence layers that deliver high stability and unparalleled quality of service. We are delighted to have been referred to M for Media by acknowledged experts, which is further evidence of our growing reputation for excellence.”

According to Aouad, “Recognising that we needed to make a change, we had made numerous enquiries for recommendations for a shared storage system and felt that GB Labs offered the best value and highest performance ratio versus any other solution on the market. Once we had taken the decision, we were up and running with FastNAS very quickly and the benefits we expected were almost instantly felt.

“We have had a very positive experience with FastNAS and are already looking forward to working with GB Labs on future projects.”

FastNAS media production storage systems are available in a range of configurations, including FastNAS F-8 Nitro Studio; FastNAS F-8 Nitro; FastNAS F-16; FastNAS F.16 Nitro and FastNAS F-16 Nitro MAX.

For more information, visit www.gblabs.com

Tags: GB Labs | Intelligent STorage Solutions | M for Media | FastNAS | Mediacast | FastNAS F-16 Nitro system | Avid Media Composer | 25 GbE connectivity | CORE.4 OS | FastNAS F-8 Nitro Studio | FastNAS F-8 Nitro; FastNAS F-16; FastNAS F.16 Nitro | F-16 Nitro MAX.
Submitted by Manor Marketing
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Grass Valley IP Solutions Give Gravity Media a Smart, Flexible Live Production Infrastructure for Major Sporting Events Posted: 10/02/2020
Grass Valley IP Solutions Give Gravity Media a Smart, Flexible Live Production Infrastructure for Major Sporting Events

Grass Valley’s IP solutions have been selected by Gravity Media to form an open standards-based IP core built – together with Cisco Nexus 9000 IP switches – as part of an upgrade to its live production capability. The deployment includes Grass Valley UCP-25/50 Gateway cards and MV-821-IP multiviewers as part of a wider roadmap to full IP migration by the global provider of complex live broadcast facilities and production services to content owners, creators and distributors. The system was deployed at the UEFA Europa League final in Baku, Azerbaijan on 29th May, 2019 and also formed the heart of the live production environment at the UEFA Champions League final in Madrid on 1st June, 2019. It was more recently used for the core of a Grand Slam tennis tournament.

As consumer demands for captivating viewing experiences place pressure on existing baseband environments, Grass Valley’s advanced IP solutions help customers transition to flexible, scalable infrastructures and smart, agile workflows. To evolve its live production capability, Gravity Media began migrating towards a live IP-based production environment at a major sporting event in Australia in January 2019, making use of Grass Valley IP multiviewers to handle its monitoring requirements. The new Grass Valley IP core enables Gravity Media to leverage a powerful, future-proofed production environment that is agnostic to evolving production needs and can adapt rapidly – even during an event.

“By taking an IP-based approach we have been able to vastly simplify the system. Now we can get the whole IP core up and running within a day – that is unheard of for a major sporting event,” explained Ed Tischler, acting managing director for the UK at Gravity Media. “As the frontrunner in the industry transition to IP, Grass Valley has the best pedigree, delivering the most accomplished solutions on the market. Their monitoring system is second to none and unlike solutions from other vendors – which require a lot of time spent in set up – with Grass Valley everything just works out of the box.”

Tags: Grass Valley | Gravity Media
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NINETNINE and Samira TV Launch Original Cooking Show with top French-Arab Influencers Posted: 10/02/2020
NINETNINE and Samira TV Launch Original Cooking Show with top French-Arab Influencers

NINETNINE, the leading content provider to Cable and OTT platforms, has partnered with Samira TV, an Arabic channel available in Middle-East, North Africa and France, which specializes in cooking TV shows focusing on local cuisine. The two companies have produced the first French-Arab TV show, ‘Ezawj Errahal’ presented by French travel and food social media influencers Salim and Linda, known as “the traveling lovers” (Les Amoureux Voyageurs).

The 13-episode series launches on 14th February on Samira TV and will also be available on-demand and via OTT on Le Bouquet Maghreb, the leading Arabic TV package in France. The unique format will deliver an exciting, new TV cooking concept that will take viewers on a culinary trip around the world, allowing them to learn simple, original and mouthwatering recipes created by Salim and Linda while on their adventures.

Salim and Linda were the winners of the French popular TV competition format Pékin Express, which aired on M6 and attracted multi-million daily viewers. They became social media superstars and decided to travel the globe to meet people, discover new cultures and share their stories.

Tags: Cooking show | content | unique content | Samira TV | NINETNINE | cable | OTT | on-demand | French | Arabic | North Africa | Middle East | social influencers | Salim | Linda | TV | cooking | travel show
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Italian Creative Agency Uses Ultimatte 12 for Building Virtual Reality Studio Sets Posted: 07/02/2020
Italian Creative Agency Uses Ultimatte 12 for Building Virtual Reality Studio Sets

Blackmagic Design today announced that ViSo Video Solutions has upgraded its virtual reality studios, relying on Ultimatte 12 compositing processors and URSA Broadcast cameras, to produce national television commercials and shows, for clients such as Sky Italia, Mediaset, ESL and Netco Sports.

Founded in 2010, the company not only offers clients its VR services, it also creates all computer generated (CG) and 3D assets needed in house, and provides all post production which includes editing and grading in DaVinci Resolve Studio.

“Augmented and virtual studio environments bring so many benefits to productions,” begins Luigi Nino, general manager at ViSo. “We chose to develop our VR system in house so that we could control every aspect, and customize materials, lighting, animations and effects for each clients’ specific needs.”

The studio’s VR set is 130 square meters and uses three tripod mounted URSA Broadcasts as well as a dolly mounted 4.5m jib on a six meter track. An ATEM 4 M/E Broadcast Studio 4K, with ATEM 1 M/E Advanced Panel, is used for live vision mixing.

Tags: Blackmagic Design | Blackmagic | Ultimatte | Green Screen | Compositing | Virtual Reality | VR | URSA Broadcast | DaVinci Resolve
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Sundance Nominee This is Not a Burial, Its a Resurrection Edited in DaVinci Resolve Posted: 07/02/2020
Sundance Nominee This is Not a Burial, Its a Resurrection Edited in DaVinci Resolve

Blackmagic Design today announced that DaVinci Resolve Studio was used to edit, grade and finish Lemohang Jeremiah Mosese's fiction feature debut, “This Is Not a Burial, It's a Resurrection.”

The film, which has its international premiere at Sundance Film Festival, was nominated for the Grand Jury Prize in the World Cinema Dramatic competition. Global sales rights have now been picked up by Memento Film's cinema arthouse label, Artscope.

"This project was very personal to me, as it drew on real events from my grandmother’s life in southern Africa for inspiration," explains Lemohang, who directed, edited and delivered the feature in just six months.

Normally based in Berlin, he traveled to his birth country of Lesotho to complete production, before finalizing the edit at Uhuru Productions in Cape Town. The grade was then delivered by colorist Nic Apostoli, at nearby Comfort and Fame Studios.

“Using Lesotho as a location was wonderful, but it did bring its own set of challenges. Largely made up of locals, most of the cast had never been in front of a camera, and there was no electricity or other infrastructure to speak of," said Lemohang.

To get around this, Lemohang and his assistant acquired a generator for power and set up a temporary edit suite on location using quad core Mac Pros. It was here that they transcoded all of the rushes, and assembled a rough cut.

“With no electricity or working infrastructure to speak of, we really put DaVinci Resolve through its paces. It's testament to the software's overall stability that we didn't experience any performance related issues while on set. I also like how modern and fresh the UI is; it actually makes the process of editing fun.

"Going into post production, I had so many ideas, and Resolve made the job of pulling together the cut, so much simpler. I was then able to shape the story once back in Cape Town, using the NLE and retiming tools in Resolve to finesse the story’s narrative, building in tension subtly.

"A few years ago, I'd actually stopped editing altogether," Lemohang concludes. "My previous NLE had become too difficult to use, and very prone to crashing. When I tried DaVinci Resolve for the first time, I rediscovered my passion and enthusiasm for editing. It's a whole other world! Being able to complete post production using a single piece of software makes so much more sense to me creatively. I haven't looked back since."

Tags: Blackmagic Design | Blackmagic | Sundance | Film Festival | DaVinci Resolve | Editing | NLE | Post Production
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Germanys Quatsch Comedy Club Edited with DaVinci Resolve Editor Keyboard Posted: 07/02/2020
Germanys Quatsch Comedy Club Edited with DaVinci Resolve Editor Keyboard

Blackmagic Design today announced that the latest series of Germany’s legendary stand up show, Quatsch Comedy Club, has been edited and graded on DaVinci Resolve Studio.

The Sky Deutschland show is filmed in front of a live comedy club audience with three live acts and one host taking to the Quatsch Comedy Club Theatre inside Friedrichstadtpalast in Berlin. Post production supervisor, Marius Fischer, has graded the show with DaVinci Resolve since 2015 and this year opted to expand its use on the series to encompass the edit as well.

Marius explains that all of the shows, including the revue style, as well as standalone solo episodes, are filmed, then all of the rushes are passed through to post, which normally takes around 60 days to deliver an entire season. “I was keen to put the editing side of Resolve through its paces on a major project, as I could see that there were efficiencies to be gained in our series workflow.”

A minimum of seven cameras capture every comedy set, meaning Marius has to manage a huge amount of footage for each of the shows. “I’ve found features such as Sync Bin essential, as it allows smooth playback, but without the massive file size of a multicam clip. Once all of that heavy lifting is taken away from your process, you have so much more time to focus on the actual editing and making the very best production that will keep audiences entertained.”

Marius has also cut this season working with the DaVinci Resolve Editor Keyboard, which he believes has added yet another layer of efficiency to his post workflow. “You can work freely with both hands and there’s very little need to use a mouse. I wanted to measure the time savings, so I carried out a little experiment. I tried to make nine cuts within a one minute long multicam clip from the series. Working with the keyboard took two minutes less.”

“I love how simple and reliable the whole approach is. Productions rarely follow a linear delivery path once in post and the ability to do everything in one application makes so much more sense,” he reveals. “The idea of jumping in and out of pages to make small changes when needed is far more intuitive and saves a huge amount of time. You can continue to finesse and refine the edit at any stage during post production, without ever needing to render out a new timeline.”

“Quatsch Comedy Club is such an institution in Germany. In fact, I grew up watching it with my family. It can feel quite surreal that I’m not only working on it, but that I’ve also been able to bring the very latest developments in post production, thanks to DaVinci Resolve, to keep the show fresh and funny for the next generation watching at home.”

Tags: Blackmagic Design | Blackmagic | DaVinci Resolve | Resolve | Editing | Editor Keyboard | Quatsch | Comedy | Post Production
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DigiBox Highlights Pro-AV Partners at ISE 2020 Posted: 07/02/2020
DigiBox Highlights Pro-AV Partners at ISE 2020

ISE 2020, 11-14 February, Stand 10.K165 — DigiBox, the UK’s leading distributor of technologies for the pro-AV and Broadcast industry, will participate in ISE 2020, the world’s largest pro-AV show, taking place at the RAI Amsterdam alongside partners Haivision, SNS and BirdDog.

In conjunction with partner Haivision, a market-leader in video streaming solutions, DigiBox will showcase the many benefits of Haivision’s award-winning Makito X4 video encoder, a highly-secure, ultra-low latency HEVC and H.264 video encoder that delivers exceptional video quality, next-gen performance, SRT streaming, and best-of-breed 4K UHD and HD encoding density. Also featured will be the newly launched Haivision Play Pro, an iOS App which offers a quick and easy way to watch and monitor SRT video streams from anywhere on a mobile device.

Haivision will also demonstrate the benefits of SRT, the open-source protocol that optimises streaming performance over unpredictable networks to deliver high quality, low latency media. SRT will feature on a continuous showreel of highlights and applications.

SNS (Studio Network Solutions) leaders in media storage will be showing how EVO shared storage works with your favourite NLE with the latest updates to ShareBrowser, including AI Autotagging that eliminates hours of manual metadata logging, extended file support for previews, and new integrations for Adobe Premiere Pro, Final Cut Pro X and After Effects. Get hands-on with EVO DPX, their highest performance EVO system yet.

In addition to this, DigiBox will be exhibiting alongside BirdDog also in Hall 10 on Stand K160. Anticipating the launch of some exciting new products specifically designed for the AV market, BirdDog will be featuring products from its PTZ range of cameras which are equipped with BirdDog’s proprietary silicon chip developed internally specifically to encode and decode full NDI.

DigiBox CEO Mike Heaney said, “We are dedicated to providing the best technical solutions our dedicated partners and internal team have to offer. Our experience in content distribution, digital conversion, and systems integration offers unrivalled benefits for new and long-term professionals in a wide range of pro-AV markets, virtually all of which will be represented at ISE 2020.”

DigiBox representatives will be available on attending partner stands including Adder Technologies, Stand 10.P180; AJA on Stand 8.G110; Gefen, Stand 1.N50, and Theatrixx on Stand 14.K130 as well as canvassing the ISE show floor for opportunities to establish new, complementary partnerships.

 

Tags: DigiBix | ISE | AV | Broadcast | Production | AJA | Adder | BirdDog | Haivision | SNS | Gefen | Theatrixx
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AVer Europe launches new enterprise grade PTZ video conferencing camera Posted: 04/02/2020
AVer Europe launches new enterprise grade PTZ video conferencing camera

AVer Europe, the award-winning provider of video collaboration solutions and education technology solutions, today announces the UK launch of the CAM520 PRO enterprise grade PTZ (Pan/Tilt/Zoom) camera.

The CAM520 PRO is perfect for mid to large conference rooms and features SmartFrame, IP based management, True WDR (wide dynamic range) and up to 100 programmable presets. With 18X total zoom, 1080p HD and whisper-silent Pan/Tilt/Zoom, the CAM520 PRO results in crisp images for an outstanding video experience at a competitive price.

The CAM520 PRO perfectly complements AVer’s EP65 interactive flat panel featuring Zoom Rooms integration. The 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

The CAM520 PRO plug-and-play USB conference camera is designed for workgroups of six to twenty people that need the power of enterprise grade video capabilities and want the convenience of remote management through a web browser or centralised management software. Users can connect to live video content from the CAM520 PRO and stream to a cloud or physical network. It is compatible with all main favourite videoconferencing applications, including Zoom Video Communications, Inc.

Tags: AVer Europe | AVer | PTZ | camera | video | Zoom | meeting room technology
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GRAVITY MEDIA TAKES OVER STAGE 5 AT MELBOURNE DOCKLANDS STUDIOS Posted: 30/01/2020
GRAVITY MEDIA TAKES OVER STAGE 5 AT MELBOURNE DOCKLANDS STUDIOS

Gravity Media, the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors, has agreed the long-term licensing of Stage 5 at Docklands Studios Melbourne. The 750m2 sound stage is equipped for entertainment, game, panel, lifestyle, live-audience television shows, commercial shoots and events. The decision to take on the large site is part of Gravity Media’s plan to extend its local service offering and also meet growing demand for high-end studio space from content creators.

A key attraction with Stage 5 is its location, just five minutes from the centre of Melbourne, which is widely considered the screen and arts capital of Australia. The facility is ideal for all types of productions. It can hold an audience of up to 400 people and has many of the features of a traditional television studio with a sound attenuation of 50dB(a), motorised lighting hoists, silent air-conditioning and a super flat epoxy floor for camera pedestals. It also comes with eight dressing rooms, an audience holding area and production space.

Tags: Gravity Media | Australia | Melbourne | production | facility | broadcast | Docklands Studios
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