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Deja Soft releases Deja Edit Version 3 Posted: 28/05/2020
Deja Soft releases Deja Edit Version 3

DejaSoft has launched Version 3 of its media file synchronising tool DejaEdit.

DejaEdit is an essential application for productions enabling Avid editors to work together from any location. It ensures media and bins are copied securely in the background, between each remote editing station or Nexus / EditShare storage system.

Version 3 enhances editors' user experience, provides improved workflow management, efficiency, and additional reliable security features. These new developments are crucial toolsets that support producers and post supervisors in simplifying complex media file sharing activities across the entire production process.

Highlights in DejaEdit 3 include the option for users to use their own S3 account for Cloud media storage; upgraded “Private and Public” bin sharing abilities; sophisticated “Folder Support”; “Notifications”; partial media downloads to each editor; License key safeguards; and the brand new DejaEdit Manager feature.

DejaEdit uses an intuitive “email” style interface, presented within the Avid environment, where bins and metadata can be shared with other users by simply dropping it into the Outbox, ToSet or ToVFX folders. Version 3 now allows editors to add subfolders to these pre-set folders to further organise shared media assets. A new notification system now alerts editors to available content and location. 

 

 

 

 

 

 

 

 

Tags: DejaEdit | DejaSoft | Avid | Bins | Folders | Security | Workflows | productions | remote | collaboration | editors | editing | post-production
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Lightstorm Entertainment Advances Production Techniques Using Blackmagic Design Posted: 28/05/2020
Lightstorm Entertainment Advances Production Techniques Using Blackmagic Design

Lightstorm Entertainment used an extensive array of Blackmagic products, including the Teranex AV, Smart VideoHub 40x40 12G, ATEM 4 M/E Broadcast Studio 4K and more for their recent work during production for the “Avatar” sequels.

Tags: Blackmagic Design | Blackmagic | Avatar | James Cameron | 3D | Teranex AV | ATEM Switcher | ATEM 4 M/E Broadcast Studio 4K
Submitted by Blackmagic design
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Mediacorp Singapores Upcoming Classmates Shot and Posted by Echo Entertainment Using URSA Mini Pro and DaVinci Resolve Posted: 28/05/2020
Mediacorp Singapores Upcoming Classmates Shot and Posted by Echo Entertainment Using URSA Mini Pro and DaVinci Resolve

Blackmagic Design today announced that Singapore based Echo Entertainment used URSA Mini Pro G2 cameras shooting in Blackmagic RAW to capture the first season of Mediacorp Singapore’s upcoming TV dramedy “Classmates.” Echo Entertainment also used DaVinci Resolve Studio for color correction and VFX work, with the DaVinci Resolve Fairlight page used for audio editing.

Echo Entertainment, established in 2010, is a Singapore based motion picture company that handles television dramas of all genres, corporate videos, commercials and other multi camera productions. They provide all aspects of production and post production, from storyboarding to shooting and post production.

Tags: Blackmagic Design | Blackmagic | Fairlight | DaVinci Resolve | URSA Mini Pro | Filmmaking | Post Production
Submitted by Blackmagic design
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Leader Adds MaxFALL CLL HDR Metadata Error Logging to ZEN Series Test Instruments Posted: 28/05/2020
Leader Adds MaxFALL CLL HDR Metadata Error Logging to ZEN Series Test Instruments

Leader Electronics announces the addition of MaxFALL and MaxCLL HDR metadata error logging tools for production studios, postproduction suites and media laboratories working with SMPTE ST.2086 metadata to grade high dynamic range video. This new feature complements the recently launched SER31 Colorimetry Zone Display ‘real-time’ false-colour display plug-in module. It is fully compatible with Leader ZEN series broadcast test and measurement instruments which comprise the LV5300, LV5350 and LV5600 waveform monitors plus the LV7300 and LV7600 rasterizers.
With this enhancement, Leader ZEN series instruments allow operators to ensure that the MaxFALL and MaxCLL HDR metadata accurately reflect the content of their productions by specifying limits for MaxFALL and MaxCLL values. The integral Cinelite Advanced light meter can be used to locate out-of-range pixels and confirm their values both on the picture display and on the waveform monitor.

MaxCLL defines the maximum light level, in nits, of any single pixel within an encoded HDR video stream or file.

MaxFALL Metadata - Maximum Frame Average Light Level – defines the maximum average light level, in nits, for any single frame within an encoded HDR video stream or file.



Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment | surround
Submitted by Stylus Media Communications
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Magewell Expands Recording and Live Streaming Capabilities in Ultra Stream Encoders Posted: 26/05/2020
Magewell Expands Recording and Live Streaming Capabilities in Ultra Stream Encoders

Magewell has released a new upgrade for its award-winning Ultra Stream family of live streaming encoder hardware that further enhances the devices' exceptional ease of use and versatility. Available in all new units and as a free firmware update for existing customers, version 1.3 adds flexible new recording modes alongside expanded streaming protocol support and various minor refinements.

Magewell's Ultra Stream encoders make live streaming remarkably simple even for non-professional users, enabling them to record or stream high-quality video with one click using on-device buttons, a browser-based web interface or an intuitive smartphone app. Designed for users who want to stream but may have minimal technical knowledge, the compact devices are ideal for addressing the increased need for live streaming created by today's stay-at-home and social distancing restrictions.

Tags: live | streaming | stream | encoder | hardware | recorder | recording | encoding | broadcast | professional AV | mobile | HDMI | SDI | Magewell | RTMP | RTSP | Facebook Live | YouTube Live | Twitch
Submitted by Write Turn Communications
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Why DejaEdit is considered an indispensable Collaborative tool in Film Productions Posted: 22/05/2020
Why DejaEdit is considered an indispensable Collaborative tool in Film Productions

Anna Knochenhauer is a well-respected Stockholm-based film producer/ post-producer with impressive titles to her name which include the likes of “Euphoria” featuring Alicia Vikander; “Welcome to Sweden” season 2 starring Jason Priestly and others.

Carving a successful career of VFX-heavy feature films and drama series, she declares DejaEdit is a revolutionary film tool that should be included in every production as industry standard. She uses DejaEdit in all her productions now, including recent films “Alone in Space” (2018), “White Wall” (2020) and “We Got This” (2020).

DejaEdit is a media file synchroniser that gives editors the ability to collaborate super-efficiently between multiple remote Avid editing platforms. “I depend on DejaEdit for all my productions because it ensures that the media files and timelines that we have created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. It all takes place quickly, securely and automatically in the background... 
The fact that DejaEdit ensures all media is pushed automatically to all connected Avids means that the Assistant Editor (AE) or Editors don’t ever have to search for any missing media files. DejaEdit has saved us a lot of time and headaches."

 

 

Tags: film | productions | remote | collaboration | workflow | file sharing | synchronizer | Avid | editing | editor | dailies | DejaSoft | DejaEdit | production workflows | DIT | VFX | postproduction
Submitted by DejaSoft
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AVIWEST Enables Viewers to Experience Compelling Live Content From PETRONAS Le Tour de Langkawi 2020 Race on Social Media Posted: 20/05/2020
AVIWEST Enables Viewers to Experience Compelling Live Content From PETRONAS Le Tour de Langkawi 2020 Race on Social Media

AVIWEST, a global provider of video contribution systems, today announced that Asia's most prestigious multistage cycling event, PETRONAS Tour de Langkawi 2020, was broadcast live on social networks using AVIWEST's flagship PRO3 Series bonded cellular transmitters, QUAD CellLink antennas, and StreamHub transceiver. Race event organizer Human Voyage offered sports fans and viewers captivating live footage of every stage of the competition.

"Our viewers didn't want to miss a second of the competition, and we needed to ensure there was zero delay during our live streaming sessions," said Shahaizereen A. Hamid, event director at Human Voyage. "We chose AVIWEST for the exceptional capabilities of its field units. AVIWEST's equipment enabled our motorbikes and helicopter to follow riders along the entire road so that they could live-broadcast the excitement of the race over cellular networks, no matter what the environment was like. AVIWEST's team provided us with highly professional support and technical expertise, staying by our side at every stage of the project."

 

Tags: AVIWEST | PETRONAS Tour de Langkawi | live broadcast | Race | Cycling
Submitted by 202 Communications
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Neil Coles Joins Leader as European Regional Development Manager Posted: 20/05/2020
Neil Coles Joins Leader as European Regional Development Manager

Leader Electronics is pleased to announce a new addition to its team with the appointment of Neil Coles as European Regional Development Manager. Based in London, he will be working directly with customers and via the Leader network of distribution partners to extend the company's presence across the continent.

"Neil is a popular and highly respected member of the broadcast industry with a good knowledge of the creative and commercial aspects as well as the technology on which our customers depend," comments Leader Europe Managing Director Koichi Fukagawa. "His areas of responsibility will include promoting the wide range of test and measurement solutions to the existing Leader user base and helping increase our share of the broadcast, digital film and web-TV market."

"Accurate, repeatable and cost-efficient test and measurement are essential in the highly competitive sphere of content creation, postproduction, storage and distribution," Neil Coles adds. "I am delighted to be joining a company which is clearly living up to its name as a world-leading producer of innovative, intuitive and affordable instrumentation. Leader has already made significant advances in the OB market which we see as an area with considerable growth potential both into the 4K UHD domain and, longer term, into 8K Hi-Vision."

 

 

 

Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment | surround
Submitted by Stylus Media Communications
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Leader LV5350 and LV7300 Test Instruments Chosen for Major African Football Tournament Posted: 18/05/2020
Leader LV5350 and LV7300 Test Instruments Chosen for Major African Football Tournament

Leader LV5350 portable waveform monitors and LV7300 rasterizers have been chosen as reference test instruments for broadcast television coverage of a major football tournament scheduled to be held next year in Cameroon. The games are scheduled to take place in January and February at city venues for live transmission across Africa and around the world. The instruments are being provided by Leader Europe's Brussels-based distribution partner Studiotech SA.

"The LV5350 encapsulates in a compact and portable unit all the features OB and studio gallery colorists need for matching multiple camera channels," says Studiotech's General Manager Nicolas Tardieu. "Live stage and sports events send adrenaline levels very high for TV production teams as well as the contestants. Dependable and easy-to-navigate tools are essential. With its integral multi-view monitor screen, the LV5350 is exceptionally easy to configure and control. The LV5350 and LV7300 incorporate practically every reference tool OB technicians need for live signal evaluation plus the drill-down facilities required during initial system line-up and continuity checks."

 

Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment | surround
Submitted by Stylus Media Communications
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CTV Invests in Leader Master Reference Test Instruments Posted: 18/05/2020
CTV Invests in Leader Master Reference Test Instruments

CTV, one of Europe's longest established providers of mobile television production facilities, has chosen Leader LV7300 and LV7600 rasterizing waveform monitors as master reference instruments for its OB3 and OB12 outside broadcast vehicles.

"Leader test instruments have proved highly reliable, efficient and operator friendly right back to our first purchase of LV7770 multi-SDI rasterizers six years ago," comments Paul Francis, CTV's Chief Technical Officer. "Some of the projects we work on are massive in scale, taking in feeds from well over 100 cameras. High-precision monitoring of HD and UHD signal flow is vital, both to achieve accurate matching of incoming feeds and to ensure that we are maintaining the full available dynamic range from source right through to output. This latest purchase comprises 12 LV7300 and two LV7600 instruments. Both models can be fully operated from the front panel which, combined with their compact size, makes them ideal for use in OB suites.  The LV7300 and LV7600 have a very similar control menu structure so operators can move freely between them. The resultant measurements are precise, repeatable and can be copied off to USB memory for easy logging or sharing."

 

 

 

Tags: Leader Instruments | video test equipment | audio test equipment | video waveform monitors | 12G waveform monitors | 12G video analyzers | IP video analysers | video noise meters | HDR test equipment | true-hybrid test equipment | Hi-Vision test equipment | surround
Submitted by Stylus Media Communications
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Pocket Cinema Camera 4Ks and DaVinci Resolve Studio Cut Page Used for Into The Mist Tabletop Gaming Series Posted: 18/05/2020
Pocket Cinema Camera 4Ks and DaVinci Resolve Studio Cut Page Used for Into The Mist Tabletop Gaming Series

Blackmagic Design today announced that RealmSmith.tv is using its products to live stream the hit tabletop gaming series “Into the Mist” on Twitch, and using DaVinci Resolve Studio’s cut page to quickly edit each show’s highlights for YouTube.

RealmSmith.tv is a Toronto, ON based live streaming and tabletop gaming company, and “Into the Mist” features improvised live play of Dungeons & Dragons’ “Curse of Strahd” campaign setting. Jason Azevedo, founder and president of RealmSmith.tv, acts as Dungeon Master alongside weekly players gathered around an immersive table setup, where players and viewers are made to feel they are part of the game experience. Joel Augé, co owner of RealmSmith.tv, manages all aspects of the stream’s production and workflow.

When RealmSmith.tv embarked on “Into the Mist,” they decided to produce the show as a multi camera live stream to keep viewers entertained throughout the episodes. They initially invested in an ATEM Television Studio HD live production switcher, two Blackmagic Micro Cinema Cameras and two Blackmagic Pocket Cinema Camera 4Ks to achieve a more cinematic feel. They later incorporated two additional Pocket Cinema Camera 4Ks so they could further enhance the experience by capturing more camera angles.

“While a lot of live streams are based on a single, frontal view where players call in from their own homes with webcams, we wanted ‘Into the Mist’ to show everyone in the same room with multiple camera angles and proper lighting,” said Azevedo. “We really separate ourselves by having such a professional, cinematic look to our live streams.”

Tags: Blackmagic Design | Blackmagic | BMD | Live Streaming | BMPCC4K | DaVinci Resolve | Cut Page
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ProBalances New Stay Home PSA Shot and Graded With Blackmagic Design Cameras and DaVinci Resolve Posted: 18/05/2020
ProBalances New Stay Home PSA Shot and Graded With Blackmagic Design Cameras and DaVinci Resolve

Blackmagic Design today announced the new ProBalance PSA “Stay Home” was shot by Clio Award winning director Kiran Koshy using a Blackmagic Pocket Cinema Camera. Koshy shot the PSA in his own backyard using his family dog Nigel and young daughter as talent, and worked with nearby colorist Charles Gerstner using DaVinci Resolve to grade the final spot.

Based in Long Beach, CA. and former agency creative director, now commercial director, Koshy had worked with a number of Asian brands in the past. Malaysian pet food brand ProBalance approached Koshy through his production company in Kuala Lumpur, Directors Think Tank, in mid-March to shoot the PSA even though they knew he would be unable to shoot outside of his home.

Working with creative agency Imaginary Friends and Directors Think Tank, “Stay Home” focuses on a patient dog teaching the importance of staying at home and practicing social distancing. The spot shows the dog in a Western style standoff with his human companion, who he teaches to sit and stay safe.

Tags: Blackmagic Design | Blackmagic | BMD | Pocket Cinema Camera | BMPCC | DaVinci Resolve
Submitted by Blackmagic design
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AADAI and Andhanghaaram Graded with DaVinci Resolve Studio by G. Balaji Posted: 18/05/2020
AADAI and Andhanghaaram Graded with DaVinci Resolve Studio by G. Balaji

Blackmagic Design today announced India based digital cinema designer and colorist G. Balaji used DaVinci Resolve Studio to grade the recent Indian hit film “AADAI” and the upcoming “Andhaghaaram.”

Working on dozens of Indian feature films and TV shows, Balaji started his career as a film editor before moving to DIT and colorist work. Since 2015 he has used DaVinci Resolve Studio on more than 30 films for both color correction in post production and on set dailies work.

“AADAI” is a hit thriller film that was released for theatrical distribution in India and across global streaming networks in 2019. The film follows a free spirited girl, Kamini, who had become famous creating Internet prank videos. One night, she gets the shock of her life when she finds herself alone and naked in an abandoned building after a late night party and is forced to face her past.

Tags: Blackmagic Design | DaVinci Resolve | Post Production | Grading | Frame.io | Filmmaking
Submitted by Blackmagic design
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BBC WORLD NEWS AND SES EXTEND HD DEAL Posted: 14/05/2020
BBC WORLD NEWS AND SES EXTEND HD DEAL

TV viewers across Western Europe will continue to be able to watch BBC World News thanks to an extended deal with SES. BBC Global News delivers its HD news channel, BBC World News, free-to-air across Europe on SES's Astra satellite at 19.2 degrees East.

The total HD reach at Astra 19.2 degrees East has increased every year, rising from 65 million homes at year end 2015 to 88 million by year end 2019, a 34% growth in five years. The BBC World News channel, which has been available in HD through SES since 2015, is distributed via a multiplex operated and uplinked by SES from its Luxembourg headquarters.

 

Tags: BBC World News | SES | ASTRA 19.2 | BBC Global News | Chris Davies
Submitted by 202 Communications
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Rise and Rise APAC Announces 2020 Pairings for Mentoring Scheme Posted: 14/05/2020
Rise and Rise APAC Announces 2020 Pairings for Mentoring Scheme

Rise, the membership group for gender diversity within the broadcast technology sector today announced the pairing up of mentees and mentors for its third annual mentoring scheme in the UK, and its first mentoring scheme in the APAC region.

The 2020 programme sees a variety of experienced broadcast sector industry leaders, at a diversity of levels of seniority, ready to offer expertise, knowledge and guidance to 30 women.

The scheme is made possible due the support from industry partners including:

• Gold sponsors – Avid | Sky

• Silver sponsors – Clear-Com | Audio-Technica Europe | Ross Video | Sony | DPP | Pixelogic

This year, Sports Video Group (SVG) Europe Women, a powerful network of women working in the sports media arena made up of members from across TV sports broadcasting, production, distribution and technology, joins as an industry partner. The initiative is supporting two women in the programme. SVG Europe Women will offer those women specific sports industry advice, sessions, events and additional guidance.

Tags: rise | broadcast | mentoring | mentee | mentor | award-winning | Bubble agency | avid | sky | clear-com | audio technica europe | ross | sony | DPP | pixelogic | Bubble agency
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