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The future is video: IPV secures and pound;4m investment to accelerate global growth Posted: 06/12/2019
The future is video: IPV secures and pound;4m investment to accelerate global growth

Media asset management software provider IPV has confirmed details of new growth capital that will enable it to further expand the global reach of its acclaimed MAM product, Curator. The £4m Series A round was led by SME-focused venture capital firm Mobeus Equity Partners, with additional ongoing finance secured from Calculus Capital.

Mark Fagan, IPV CEO said, “Multiple industries are rapidly expanding their use of video but are facing significant challenges during the content creation process. Curator makes it easy to remotely edit, collaborate and publish high quality video content – enabling customers to ensure consistency of messaging and sustained audience growth via digital, online and mobile platforms.”

This capital will enable IPV to deliver the benefits of Curator to an even wider audience, expanding into areas of digital marketing, customer experience and enterprise video management.

Tags: IPV | Media Asset Management | MAM | VAM | PAM | Curator | Video Content | Video Production | Metadata Video Asset Management | Venture Capital | Investment | Mobeus Equity Partners | Calculus Capital
Submitted by Page Melia PR
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DPA New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture Posted: 02/12/2019
DPA and rsquo;s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture

YouTubers, sound designers, podcasters, vloggers and other content creators, including filmmakers who want to capture authentic immersive audio for their projects, can now do so with ease thanks to the launch of the new 4560 CORE Binaural Headset Microphone from Danish manufacturer, DPA Microphones.

The new binaural headset delivers the superior sound quality for which DPA products are internationally renowned. The professional quality of the microphones allows them to capture, in real time, exactly what each ear is hearing so that those listening on headphones can experience the full immersive sound. These qualities are also appealing to other applications such as sound system documentation, soundscape analysis, sound quality assessment, and sound for theatrical productions or gaming, among others. Jazz and classical musicians have also seen the potential in this mic: recording the sound from the performers’ perspective instead of the audience’s is a completely new way of sharing the artists’ sound experience with fans. The result, an ultimate surround experience.

 

Tags: DPA Microphones | Binaural Headset Microphone | 4560 | CORE | DPA | immersive sound | surround sound
Submitted by D. Pagan Communications
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Customer demand for personalized TV services is spurring majority of broadcasters to offer tailored ads Posted: 28/11/2019
Customer demand for personalized TV services is spurring majority of broadcasters to offer tailored ads

Four-fifths (80%) of broadcasters are considering implementing ads tailored to the consumer but are increasingly falling behind streaming services due to hesitance around adopting cloud technologies, according to research carried out on behalf of ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT.

 

The survey of those in middle management positions or above within the realms of TV and broadcast also found that 96% of broadcasters feel there is a demand from customers for more personalized services. As over a third (34%) of broadcasters currently generate revenue through adverts, offering personalized adverts could help them increase this revenue. Consequently, over a quarter (26%) are currently looking into how to offer these services to customers.

 

“Our research found that more than half (58%) of broadcasters are investing up to 20% of their budget in trialing new customer content or services as they prioritize personalization to offer customers enhanced viewing experiences,” said Remi Beaudouin, Chief Strategy Officer, ATEME. “By using technology and the data available to them to tap into this trend, traditional broadcasters will be able to create a tailor-made viewing experience and potentially open up new revenue streams,” he added.

Tags: ATEME | Broadcast | Research | Ads | Cloud
Submitted by Whiteoaks
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Gottschalks Big 80s Show travels back to the 80s with GLPs KNV system Posted: 28/11/2019
Gottschalks Big 80s Show travels back to the 80s with GLPs KNV system

The 80s … who doesn’t like remembering that decade? From a fashion perspective, it may not have sparkled, but musically the 80s undoubtedly had a lot to offer. 

Thomas Gottschalk, who once again gathered a who's who of 80's cult stars at the TUI Arena in Hannover for Gottschalk's Big 80s Show, also clearly thinks that. Performances by Kim Wilde, Paul Young, Thomas Anders, Marc Almond and many more could be experienced on the set's four show stages, with the concert broadcast by ZDF.

Lighting cameraman / gaffer for the production was Michael Donecker. Frank Hofmann — better known as FH — from Scan Design Berlin was responsible for the show lighting design of a production that lasted for several hours. FH, who developed a penchant for lighting design early in life, today works predominantly for TV productions. He was clear from the outset exactly what requirements this special show would place on the production lighting design. "As the name implies, this was about the 80s and everything that made this time so exciting,” he said. “Therefore, I wanted to imitate the looks of those days but using modern technology."

Tags: broadcast | 3wm | LED | GLP | KNV
Submitted by 3WM Communications
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AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management Posted: 26/11/2019
AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management

 

Statistical Multiplexing (Statmux) is now available with AWS Elemental MediaLive, Statmux is a technology used in live broadcast workflows that allocates bits in real time among multiple live video channels. It instantaneously adjusts the bitrate of each channel in the statmux pool to make the best use of total available bandwidth and combines the encoded outputs into a single transport stream. This maximizes network efficiency by optimizing picture quality for a group of channels within a fixed total bandwidth.

Using AWS Elemental MediaLive with Statmux, customers can now deploy linear video processing and playout in the AWS Cloud for broadcast, cable, or terrestrial distribution.

Media companies, such as national broadcasters, originate live content and simultaneously share that content with their distribution partners. Traditionally, this has been accomplished by preparing channels for distribution using purpose-built, on-premises hardware encoders. These systems can take months to procure and configure, require extensive engineering to operate reliably, and cannot be repurposed once deployed. AWS Elemental MediaLive with Statmux lets broadcasters and content providers build and manage broadcast video workflows on fully managed AWS services and gain flexibility, reduce hardware and management costs, and deliver excellent picture quality with built-in reliability.

Key benefits of AWS Elemental MediaLive with Statmux include:

  • Cloud flexibility—Add, remove, or update live channels based on evolving audience and business needs, easily introduce new codecs, prioritize resources on a per-channel basis, and take advantage of multiple codecs and resolutions.
  • Built-in resiliency—Resources are automatically allocated across multiple availability zones for high availability and fully managed failover.
  • High video quality—Statmux for MediaLive lets you maximize video quality while optimizing for fixed satellite or cable distribution bandwidth. And, you can tune quality settings on a per-channel basis without disruption to assure that the highest-priority channels maintain the highest quality.
  • Operational efficiency—Build broadcast distribution workloads in minutes, without on-premises hardware, and deliver channels more efficiently over fixed network bandwidth.
  • Monitoring and metrics—Integrated Amazon CloudWatch monitoring enables real-time views of video metrics and multiplexer performance.
  • Unified headend—For content providers that distribute traditional broadcast video as well as multiscreen linear video, Statmux for MediaLive can deliver both through a single architecture. With the increasing importance of OTT delivery, having one system to manage all encoding can dramatically simplify operations.

Learn more about how customers are saving time, reducing overhead, maximizing low-cost cloud resources, and maintaining optimized picture quality with AWS Elemental MediaLive and Statmux here: https://aws.amazon.com/medialive/features/statmux.

Tags: aws | aws elemental | medialive | video | broadcast | amazon
Submitted by Raz Public Relations
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Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors Posted: 26/11/2019
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors

No matter how old you are, it is always lovely when something excites you enough to feel like a child again – and that is exactly how renowned musician, composer and orchestrator Youki Yamamoto felt the first time he heard PMC monitors in his own studio.

Yamamoto has had a 15 year residence at Pinewood Studios where he creates his own music as well as other compositions for films and computer games. He is also equally at home in Katara Studios, Doha, which is where he first had the idea of investing in a pair of PMC monitors for his own facility.

After doing some research, he chose PMC MB2 monitors with a separate Class A Bryston amp because he felt this was the most versatile system for any kind of music. “I get all the lovely clarity and detail that PMC delivers, but I don’t get tired listening all day and the sound is so beautiful that I find it hard to leave the studio,” he says. “I just want to stay in there and keep working. It is almost like being with your first ever girlfriend!”

Tags: PMC Speakers | Youki Yamamoto | MB2 monitors | Composer | Orchestrator | Final Fantasy | Paddington 2 | Pinewood Studios
Submitted by White Noise Public Relations Ltd
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Riot Games uses Nevion Virtuoso with JPEG XS in remote production of League of Legends World Championship Final Posted: 25/11/2019
Riot Games uses Nevion Virtuoso with JPEG XS in remote production of League of Legends World Championship Final

Nevion, award-winning provider of virtualized media production solutions, announced today that Riot Games, the publisher of the most-played PC game in the world and the organization behind League of Legends Esports, used Nevion’s software-defined media node Virtuoso as part of its remote production of the recent League of Legends World Championship Final. In doing so, Riot Games became one of the very first organizations in the world to leverage the ground-breaking JPEG XS encoding technology. 

The League of Legends World Championship has been described as one of the biggest events in esports history, with the 2018 World Championship Final garnering an unprecedented 99.6 million unique viewers. This year’s event, which took place in Paris (France) on November 10, 2019, involved two remote (or at-home) production sites: the English language show was produced at Riot’s European headquarters facility in Berlin (over 1,000 km or 620 miles from Paris), while the world feed was produced in Los Angeles (around 9,000 km or 5,600 miles away). JPEG XS achieves high-quality compression with ratios up to 10:1 at sub-millisecond latency, i.e. a fraction of a video frame– allowing gaming fans and players watching at home to see the action faster.

Tags: Nevion | Broadcast | Riot Games | League-of-Legends | JPEG XS
Submitted by Whiteoaks
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Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems Posted: 25/11/2019
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Tags: camera control systems | RF links | camera backs | outside broadcast | OB | studios | production | 4K | UHD | HD | decoder | receiver | sports | concerts | live events | video | audio | data | distribution
Submitted by Jump PR Ltd
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Man Made Music Upgrades Its Surround Monitoring With PMC Posted: 21/11/2019
Man Made Music Upgrades Its Surround Monitoring With PMC

Man Made Music, a Manhattan-based company specialising in sound design, sonic branding and music creation, has been working closely with loudspeaker manufacturer PMC to upgrade the stereo and surround monitoring in one of its two control rooms.

The company has installed a PMC IB2S XBD-A active system for both stereo and 5.1 monitoring and is using PMC Wafer2 passive speakers for Left and Right Rear Surround positions. These provide excellent dispersion and frequency response in a small, rectangular footprint, and because they can easily be mounted to any wall they allow for maximum flexibility in all types of custom-install situations.

Established by award-winning composer and producer Joel Beckerman, Man Made Music creates iconic music and sounds for companies such as Nissan, Disney, Citi, Alzheimer’s Association and HBO. Beckerman’s belief that sound matters was a key reason why the company chose PMC when it decided to upgrade its main Studio A control room.

“The PMCs are hands-down the most true and transparent monitors I've mixed with,” says Beckerman. “They're also so incredibly inspiring to track with, which just makes the music better all-around."

Chief Technician Darren Moore adds: “We do IMAX, immersive and other advanced audio formats, so we were looking for an upgrade to add to the speaker allotment in our main studio. PMC are leading the way for the new Dolby Atmos format and were already outfitting major facilities and schools with Dolby Atmos systems.”

The addition of PMC monitors is providing better full-room coverage and additional reference monitors for mixing in-studio. This, in turn, is allowing clients, guests and larger groups ato enjoy the full surround experience.

Tags: PMC Speakers | Man Made Music | Joel Beckerman | IB2S XBD-A Monitors | Atmos | Surround Sound | Post Production | Music for Picture
Submitted by White Noise Public Relations Ltd
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Broadpeak Joins ETSI, Strengthens the Companys Involvement in 3GPP Standards Development Posted: 21/11/2019
Broadpeak Joins ETSI, Strengthens the Companys Involvement in 3GPP Standards Development

Broadpeak®, a leading provider of content delivery network (CDN) and video streaming solutions for content providers and pay-TV operators worldwide, today announced that it is now a member of ETSI, a leading standardization organization for Information and Communication Technology (ICT) standards fulfilling European and global market needs. By joining ETSI, Broadpeak will play an important role in helping to create mobile standards, including 3rd Generation Partnership Project (3GPP) for the next generations of mobile telecommunications, starting with the evolutions of 5G.

"ETSI and 3GPP are shaping the 5G mobile network future, and we're excited to be a part of the tremendous work that they do," said Jacques Le Mancq, CEO at Broadpeak. "Technology is evolving, and the team at Broadpeak looks forward to sharing its experience and vision about how technologies such as Multi-Access Edge Computing and Network Function Virtualization, along with other 3GPP contributions, can enhance video streaming over mobile networks."

Tags: Broadpeak | ETSI | 3GPP Standards | content delivery network | CDN | pay-TV operators | ICT
Submitted by 202 Communications
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TV8 Television Expands and Upgrades its PlayBox Neo Channel-in-a-Box System Posted: 20/11/2019
TV8 Television Expands and Upgrades its PlayBox Neo Channel-in-a-Box System


Mongolian broadcaster TV8 Television has expanded the PlayBox Neo playout system at its headquarters in the national capital, Ulaanbaatar. This latest project includes upgrading the existing system to latest-generation Neo-19 software.

"PlayBox Neo provides highly reliable solutions which our staff have used for many years and find very easy to work with," comments TV8 Technical Consultant, Buriad Ganbat. "Especially important is the ability to insert live content or newly-created interstitials between prescheduled programs when an important news story breaks while we are on air. The user interface provides the information needed for each step of the creative process and alerts the operator ahead of transmission if a significant element still requires attention. PlayBox Neo also gives us the ability to advance into UHD transmission if required at any time in the future."

"Our Neo-19 series software includes all the refinements needed to allow full integration with the operating procedure at TV8 Television," details Iulian Ionescu, Regional Sales Director, PlayBox Neo Asia Pacific. "Every step of the workflow from ingest, playlist preparation and graphics creation right through to transmission can be handled quickly and easily with any desired level of automation."


www.playboxneo.com


Tags: PlayBox Neo | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital media archiving | IP g
Submitted by Stylus Media Communications
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At the Sharp End of Streaming Production Frost Cutlery andBPswitch Posted: 19/11/2019
At the Sharp End of Streaming Production and ndash; Frost Cutlery andBPswitch

Frost Cutlery in Chattanooga, Tenn., sells knives, swords, kitchen cutlery and other collectibles through its program, Cutlery Corner Network, producing 16 hours of original programming each week on its Broadcast Pix™ integrated production system. The show is streamed in HD at 720p to its growing online audience watching via Amazon, Hulu, and YouTube.

“It’s the workhorse of what we’re doing here,” said Tim Colvard, director of broadcast operations. “The Broadcast Pix switcher has made what we put online better than anything we’ve done in the past. It outperforms the other choices, and the technology performs perfectly. We don’t need as many supporting personnel because we know the Broadcast Pix system has a comprehensive toolset and is totally reliable.”





Tags: Broadcast Pix | video streaming
Submitted by Pipeline Communications
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ATEME Enables FPT Play Digital Revolution Through OTT Services Posted: 19/11/2019
ATEME Enables FPT Play Digital Revolution Through OTT Services

FPT Play, the leading Vietnamese OTT service provider has implemented ATEME’s TITAN solution to offer the latest OTT services to its viewers across Vietnam. Having previously implemented ATEME’s live event encoder for OTT, FPT Play has now selected ATEME TITAN to replace its OTT headend. TITAN provides FPT Play with a full compression solution which offers high-quality video services while also offering benefits including cost savings, smooth operations and future-proofing. The deployed solution leverages ATEME's continuous research and innovation in video quality, exploring the latest improvements in delivering low latency and high bandwidth efficiency over the internet with CMAF and Constant Quality Rate (CQR) algorithms.

Nguyen Duc Long, sales director, ATEME said: “After the extensive evaluation process FPT Play, the most successful OTT service provider in Vietnam, has undertaken over the last six months, we are proud to continue to be part of the company’s digital revolution. We’re glad that ATEME could provide unparalleled support as well as a uniquely flexible license scheme allowing for much easier planning and management.”

Tags: ATEME | Broadcast | FPT Play | OTT
Submitted by Whiteoaks
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PlayBox Neo Demonstrates Advanced Media Playout at Broadcast Technology Event in Lagos, Nigeria Posted: 15/11/2019
PlayBox Neo Demonstrates Advanced Media Playout at Broadcast Technology Event in Lagos, Nigeria

PlayBox Neo reports a well-supported and highly successful Broadcast Technology Event, held in Lagos, Nigeria, November 4th-6th. Organised by UK-based Medialogy, it attracted representatives from many of Nigeria's broadcast channels.

Tags: PlayBox Neo | Cloud2TV | Channel-in-a-Box | CIAB | broadcast asset management | integrated media asset management | broadcast systems infrastructure | IT-based broadcast systems | disaster recovery centres | disaster recovery systems | digital media archiving | IP g
Submitted by Stylus Media Communications
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Custom Consoles Module-R Desks and MediaWall Chosen for Royal Opera House Production Gallery Posted: 14/11/2019
Custom Consoles Module-R Desks and MediaWall Chosen for Royal Opera House Production Gallery

Working in partnership with UK based broadcast system integrator Megahertz Ltd, Custom Consoles has completed a new production gallery desk, engineering control desk and a MediaWall monitor display for the Royal Opera House in London's Covent Garden. The project forms part of an extensive UHD/HDR upgrade to the facilities used by the ROH to relay performances of over 12 events each season for live viewing by cinema audiences in Europe and for distribution to other venues around the world. The ROH also live streams frequently from the main house, Linbury theatre and other studios in the building.

Tags: Custom Consoles Ltd | broadcast control room furniture | motorised desks | manually-adjustable desks | sound-insulated equipment housings | MediaWall | Media Wall | monitor walls | post-production studio furniture | System Two control room furniture | Module-R | Mod
Submitted by Stylus Media Communications
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